The advice about not locking yourself into a difficult speaker to drive is really important. Thiels are great if you can get them second hand, but you need a LOT of reserve power to make them sound good.
My other advice is to spend time with the speakers you audition. Try to imagine listening to them every night. Many times the sound attributes that catch your attention initially are things that will annoy you in a long evening of listening. A lot of speakers are voiced to stand out in a showroom comparison, which isn't how you'll listen over the long haul.
YMMV, but I've gravitated towards Thiel and Harbeth because of their natural, open, non-fatiguing qualities. A lot of people say the same of Vandersteen.
My other advice is to spend time with the speakers you audition. Try to imagine listening to them every night. Many times the sound attributes that catch your attention initially are things that will annoy you in a long evening of listening. A lot of speakers are voiced to stand out in a showroom comparison, which isn't how you'll listen over the long haul.
YMMV, but I've gravitated towards Thiel and Harbeth because of their natural, open, non-fatiguing qualities. A lot of people say the same of Vandersteen.