upgrading speaker crossovers


I have a pair of PSB Stratus Gold'is and I am thinking of upgrading the crossovers, I am going to try this before I think about buying new speakers., which are in the area of $10000. The crossover in a speaker consists of 1-2.5mf 440vac film and 1- 6mf 440vac film by RC. then I have 4 100mf 100vac electrolytics. Why are the elecrolytics there, is this because of cost? I would much rather put in polys in their place, which will cost me $30.00 each. So my question is are the elecrolytics there because of cost issues if so can I change them to ploys?

My equipment consists of conrad johnson PV14l tubed preamp and a conrad johnson MF2500 amp. Both are right now at cj to be upgraded, the preamp is also getting teflon caps. I also have a pair of Mirage M1;s that I have upgraded with SI tweeters and Woofers. Must have gotten the last ones from them because now they will not even talk to you about the speaker when you call.

Anyway any advise on upgrading the crossovers would be greatly appreciated.
jchristilles
It makes an enormous difference. There is a very good range of Scottish speakers called Art. In their better ranges they offer each speaker in 3 grades of crossover, useing high grade capacitors and silver wire etc. You are quite literally, listening to a different speaker. The cost difference is enormous too. The Deco 10 goes from £10000 to £20000 with the upgrades. I queried the cost with a dealer, who said there is 40pounds weight of high grade silver alone in the crossovers.

Lou over at Daedalus Audio, is offering upgraded crossovers on his speakers. I have'nt compared them side to side, but those that have say there is a big difference. A word of warning, I dont think it is a matter of slinging any higher grade cap into the crossover. I am sure Lou spent months trying different capacitors by ear, before he made the change.
Why would it not be just a matter of slinging a higher grade cap into the crossover. if the values are the same, shouldnt they electrically do the same thing and then its just a matter of the better cap doing the same thing better?
Well a lot of good feedback. I ordered Mundorf Supreme caps to replace the two film caps on each crossover. Basically the same value but I am sure better quality. I am counting on smoother highs and a little more bloom in the midrange. These caps look like they are in line with the mids and tweets. I can now say that after upgrading my equipment I know what better quality caps can do. Trying to replace the tweeters could be a challenge because of the cut out, so I am hoping that the caps will do the job. They are in the mail so I expect to get them this week and do the change over this weekend. As for the electorlytics it does look like they are for the bass section, I can always pull one and check it out to see if the values are still correct and if not maybe get a better electrolytic to replace them, just thinking. And of course now I cannot use my turntable to listen as the needle in the cartidge is no longer there. Its a MC that came with it, Music Hall MMF 7. I am not sure if it is worth puting a new cartidge in it or getting a VPI Classic, which is more money, that I was not counting on spending after having my amp and preamp upgraded, but this is a different subject.
Why would it not be just a matter of slinging a higher grade cap into the crossover. if the values are the same, shouldnt they electrically do the same thing and then its just a matter of the better cap doing the same thing better?

you would think so and I'm sure any upgrade would have some benefit. Just reporting what Lou at Daedalus found in practice, that fine tuning brings added benefit. We all know there are real differences in the sinature of caps, regardless of quality.
I agree with Timlub when it comes to haphazardly replacing coils. On the other hand, I've had good experiences swapping out cheap 16AWG coils for 12AWG ones, particularly, the foil types.