MQA is a big con, and they lie about it to sell it. They are desparate. It is a lossy codec that creates harmonic distortion. It can sound "better" if you like the panita, or it can sound destructive (which it is) ... but it’s NEVER closer to the source. The source is the 16 or 24 bit wav files PCM ... in the NATIVE session rate of the mastering session. Higher rates are NOT better and MQA is NOT better, if better means the objective master approved by the team.
Tidal MQA vs Qobuz hi-res
My brief experience.. for posterity.
Comparing Tidal MQA to Qobuz hi-res, you -will- hear degredation/loss in the high frequencies (violins in an orchestra etc) on MQA... assuming you have reasonably resolving equipment. For me, that’s Macbook USB to a $150 Audio Engine D1 DAC going to a $600 used Parasound A23 going to used $600 Kef LS50’s, $100 Transparent speaker cables and cheap USB and RCA cables.
The Audio Engine is surprisingly good for it’s price BTW. Over the years, trying different DACs in audio stores when I had an opportunity, I feel like you’d need to spend close to $1,000 to get something significantly better.
The A23 and LS50’s are really good too for today’s used prices. New, they would’ve been $2,500 a few years go
Comparing Tidal MQA to Qobuz hi-res, you -will- hear degredation/loss in the high frequencies (violins in an orchestra etc) on MQA... assuming you have reasonably resolving equipment. For me, that’s Macbook USB to a $150 Audio Engine D1 DAC going to a $600 used Parasound A23 going to used $600 Kef LS50’s, $100 Transparent speaker cables and cheap USB and RCA cables.
The Audio Engine is surprisingly good for it’s price BTW. Over the years, trying different DACs in audio stores when I had an opportunity, I feel like you’d need to spend close to $1,000 to get something significantly better.
The A23 and LS50’s are really good too for today’s used prices. New, they would’ve been $2,500 a few years go
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- 41 posts total
- 41 posts total