"The Audio Critic" B.S. or what?


Has anyone ever heard of this magazine? In a nutshell, their premise is that audiophiles are ridiculous. They claim that all high-end equipment is marketed to audio magazines and their foolish readers. One particular area they sounded off about was cable and interconnect theory. They claim that spending hundreds and even thousands of dollars for cables is a joke and is a total waste of money. They claim that companies like Kimber are selling us a bunch of "snake oil." I just breezed through a copy and now it's got me wondering if we audiophiles are just masturbating each other with our concepts and discussion of "high-end" equipment and cables. Please tell me this is a bunch of sh*t. I'd like to think that we're getting at least a bit of "high-end" for our hard-earned $$$$
chuke076
Heck sakes! Don't go a smashin my Beatles albums ! I buy used equipment to do my own comparisons and come to my own conclusions. I don't use retail dealers, so I need another resource of good advisors. I find these advisors by finding those magazines whose interpretations of sonic characteristics match my interpretations as related to a specific component. 'I agree with them'. I'm just learning what things like 'soundstage', 'transparent', 'midrange' and 'loud mouthed idiot' mean. A mutual understanding of these terms allows me to more accurately pick a component. I do read most of the audio magazines and find it interesting to see the differing value systems. We have everything from the milliwatt tubelet set to the megawatt make-it-go boom(!) home theater crowd. TAC appears to seek distinction by making contrarian STATEMENTS. That is why I put them in with the bottom feeders. Yeah Yeah Yeah ! Yeah Yeah Yeah! YeeaaaH!
John 1: Sounds like you're having fun. Great! I don't think that I'd characterize TAC as being uniquely contrarian. E.g., search out issues of the AES journal or the erstwhile AUDIO magazine. In Audio you will find occasional forays into serious audio objectivism as is usually the case in the AES journal. Articles such as these are distinctive in that they are written by people who actually know what they are talking about...beyond simple opinion. I'm talking about credibility. TAC has credibility. We all have opinions which are, at the very least, valid for ourselves. Whether or not opinion (subjective) can be meaningfully tranferred to another is questionable since we're dealing with aurally subjective observations involving variables which are unique to each of us. I'm suggesting that if you give at least equal weight to what you read in TAC and fairly test out any claims from where-ever they might come, you will ultimately benefit. It seems that we share certain approaches to this hobby in that I also have a large collection of hardware which covers the full spectrum. As near as I can figure, I have about 70 years of audio technology represented and I have quite as good a time listening to old tube gear as with recent solid state. BTW, I wouldn't think of smashing your Beatles albums. You might check out the CD issue of their complete BBC recordings, if still available.
Well...... if people like to spend money on audio illusory nirvana... I say go right ahead :)
Engkirk, did you happen to notice that you are responding to a thread from 15 years ago? Don't know why I find that funny, but I do...

And yes, "The Audio Critic" B.S." still true! Cheers,
Spencer