Heck sakes! Don't go a smashin my Beatles albums ! I buy used equipment to do my own comparisons and come to my own conclusions. I don't use retail dealers, so I need another resource of good advisors. I find these advisors by finding those magazines whose interpretations of sonic characteristics match my interpretations as related to a specific component. 'I agree with them'. I'm just learning what things like 'soundstage', 'transparent', 'midrange' and 'loud mouthed idiot' mean. A mutual understanding of these terms allows me to more accurately pick a component. I do read most of the audio magazines and find it interesting to see the differing value systems. We have everything from the milliwatt tubelet set to the megawatt make-it-go boom(!) home theater crowd. TAC appears to seek distinction by making contrarian STATEMENTS. That is why I put them in with the bottom feeders. Yeah Yeah Yeah ! Yeah Yeah Yeah! YeeaaaH!
"The Audio Critic" B.S. or what?
Has anyone ever heard of this magazine? In a nutshell, their premise is that audiophiles are ridiculous. They claim that all high-end equipment is marketed to audio magazines and their foolish readers. One particular area they sounded off about was cable and interconnect theory. They claim that spending hundreds and even thousands of dollars for cables is a joke and is a total waste of money. They claim that companies like Kimber are selling us a bunch of "snake oil." I just breezed through a copy and now it's got me wondering if we audiophiles are just masturbating each other with our concepts and discussion of "high-end" equipment and cables. Please tell me this is a bunch of sh*t. I'd like to think that we're getting at least a bit of "high-end" for our hard-earned $$$$
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- 83 posts total
- 83 posts total