i've had three plinths from Steve Dobbins; a Technics SP-10 Mk2 like you are asking about, a Garrard 301, and a Technics SP-10 Mk3. i sold my Mk2 plinth when i got my Mk3.
now i've traded my Mk3 for Steve's new tt, 'The Beat'.
Steve does more than build plinths, he also does a good deal of updating to the tt's themselves and power supplies as needed.
i've heard Albert's plinth in his room (it was a Mk3) and Jonathan's tt's at RMAF, although not specifically the Mk2 plinth.
you cannot go wrong with any of these guys.
there are things i like about Steve's plinths which stand out to me (not that any of the other's might not excell in these areas too). Steve's plinths i think are very energetic sounding and tonally neutral. they don't seem to have a sonic signature of their own. they are engineered as a constrained layered design so are predictably neutral, natural, and alive sounding. this is very important to me. i have my Rockport sitting next to these tt's for a reference as well as my big RTR tape machines, and all of Steve's plinths as well as 'The Beat' can hold their own and then some.
i surely recommend Steve's work and both Albert and Jonathan's to the degree i've heard them.. i don't know anything about Thorton (Thompson).
now i've traded my Mk3 for Steve's new tt, 'The Beat'.
Steve does more than build plinths, he also does a good deal of updating to the tt's themselves and power supplies as needed.
i've heard Albert's plinth in his room (it was a Mk3) and Jonathan's tt's at RMAF, although not specifically the Mk2 plinth.
you cannot go wrong with any of these guys.
there are things i like about Steve's plinths which stand out to me (not that any of the other's might not excell in these areas too). Steve's plinths i think are very energetic sounding and tonally neutral. they don't seem to have a sonic signature of their own. they are engineered as a constrained layered design so are predictably neutral, natural, and alive sounding. this is very important to me. i have my Rockport sitting next to these tt's for a reference as well as my big RTR tape machines, and all of Steve's plinths as well as 'The Beat' can hold their own and then some.
i surely recommend Steve's work and both Albert and Jonathan's to the degree i've heard them.. i don't know anything about Thorton (Thompson).