I have had a Tact 2.0 for about 6 months. All told, it has been a wonderful addition to my system. I can't bear to listen the system without the Tact running (and I thought my system sounded great BEFORE the Tact). The associated computer software for the Tact leaves much to be desired -- it's not even friendly to engineers such as myself with training in digital signal processing. I also wish that it were possible to do a post-compensation check of the equalized response. I also wish that the output format allowed for 24/96 given a 16/44.1 input... the scaling applied to the compensation filters appears to be overly conservative and can cause several bits of resolution loss (the scaling is why one has to back off the gain of the "bypassed" signal in order to level match a compensation channel with a bypassed channel). All in all, I think it's a breakthrough product for $3K, and it is real and here today, as opposed to other perpetually promised technologies. The other piece of hope is that Tact continues to refine the product through additional software releases. The application software running in the Tact box is downloadable from the PC that runs the compensation filter, so there may be potential for continued product improvement. Sure wish they'd fix their web site though...
TACT RCS 2.0 Users Group
I've recently purchased the TACT RCS 2.0 unit. As I've been wrestling with getting the optimum performance out of it, I keep thinking there must be other owners out there that have ideas to share, as well as those who could benefit from what I've learned.
I was hoping this thread would provide a forum to introduce us to each other.
Anyone interested in sharing what you've learned?
I for one have found the unit difficult to get a true grasp of how to optimise, but once learned, it has produced the best sound of any component I've ever added to my system. My system currently consists of a Sony SCD1 to the TACT 2.0 RCS with internal DAC and D/A converter. Signal is then fed from the TACT in analog format to my Art Audio Jota and then to the Avantgarde Duo Hornspeakers.
I'll start by stating I've found the suggestions in the TACT documentation for speaker placement to be contra to good sound. I've gotten the best results by using George Cardas's Near Field logic and using the TACT Nearfield target curve as the beginning point to custom build my personal target curves.
This resulted in a sound stage this is awesome and the clarity of the frequencies is without compare in my experience.
However, it took over 100 hours of experimentation to reach this result - a lot of lessons learned. At this point, I feel I know just enough to be dangerous!
I was hoping this thread would provide a forum to introduce us to each other.
Anyone interested in sharing what you've learned?
I for one have found the unit difficult to get a true grasp of how to optimise, but once learned, it has produced the best sound of any component I've ever added to my system. My system currently consists of a Sony SCD1 to the TACT 2.0 RCS with internal DAC and D/A converter. Signal is then fed from the TACT in analog format to my Art Audio Jota and then to the Avantgarde Duo Hornspeakers.
I'll start by stating I've found the suggestions in the TACT documentation for speaker placement to be contra to good sound. I've gotten the best results by using George Cardas's Near Field logic and using the TACT Nearfield target curve as the beginning point to custom build my personal target curves.
This resulted in a sound stage this is awesome and the clarity of the frequencies is without compare in my experience.
However, it took over 100 hours of experimentation to reach this result - a lot of lessons learned. At this point, I feel I know just enough to be dangerous!
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