Stillpoints and reference-level speakers


Seems logical to assume that the makers of megabuck speakers would use superior footers in their designs. Any experience out there with Stillpoints isolation devices to support the reference-level offerings from Magico, TAD, Rockport, Tidal, and others?
psag
Psag, I very much like the Phy-hp 30s, but as much as I like and respect Andrew and as often as I have listened to them at shows, I do not like the TADs other than the smallest one.

Of course, I have never tried the Ultra Fives under and the TADs, but I would be shocked were this not a big improvement.

Yo2tup, I got the Ultra Minis in today. They are a lighter sound than the Fives. I have tried a Five on top the line stage and another on the amp. Neither was quite what I had expected given prior experience. I will say nothing more now. An entire set of Ultra Minis is less money than one Ultra Five.
Robert will not give out demos for reviews.!!???? A breath of fresh air in this review crazy audio hobby.

Remember years ago SR Apex wire gave a wall to wall / 40 foot high / 100 miles deep stage with life like images only to read now the stage is deep/higher and planet to planet wide.

Go back even 3 years ago and read the reviews. Crazy writing.
In reference to some of the threads around footers and the channeling of resonances and vibrations, the theory of having such a device under your audio gear or speakers will most likely contribute to a change in sound quality.
As CEO/Designer of Krolo Design, I have manufactured Krolo Enhansers with 3 key criteria's in mind: 1) reduce distortion and vibration 2) reduce background noise 3) allow for a better soundstage. This was achieved by using two types of metals fabricated in two separate shapes with an air gap that allows the resonances to dissipate through that opening. Having such an air gap allows for a more realistic, wider sound stage. This is also true for the audio rack that I designed and manufactured which integrates the same principals, where both solid wood materials and metals are blended together to ultimately achieve the goal of reducing vibration while enhancing the sound quality. One of the unique features of my rack known as the TOMO Rack, is the decoupling of shelves from the main frame which has contributed to the reduction of vibration and distortion. Integrating wood with solid metal rods has proven to be a combination that works both in principal and practice. Certain elements must eliminate vibrations while others absorb. It is a complex issue to refine and get perfect. Currently Krolo Design products are being professionally reviewed by an Audiogon member, TEAJAY, for Home Theatre Review. It has been an honor to meet him at Axpona Chicago this year and have the opportunity for him to provide his feedback and professional opinion.
We have the Krolo Enhansers for $250 set of three and the Tomo Rack starts at $5,888. As audiophiles we never stop at pursuing the purest of music reproduction.
I have sought Sistrum stands and their new BackStage stands to no avail.

Tbg, I believe the Sistrum backstage will be reviewed by Clement Perry...at least that's what I was told.

You could always talk to Robert about purchasing a pair if you so desire when they are formally in production.
Charles1dad,
Yes, I have two systems that are polar opposites. Each one provides different joys and shortcomings, depending on source material. Your system looks very sensible, combining full range with high sensitivity.