From all that has been said here, one may think that there were different articles people read. Useless hype vs. not the be all and end all, TAS review was better vs. worst, some would not buy it because it is $45K, and one actually took RH V3 bass compliments so out of context that you really wonder about simple things like reading comprehension. Even when compliments are given, one will immediately add that his $5K 20 years old speakers is actually better. It is obvious, to me, from this and many posts here, that opinions have nothing to very little to do with merits. Even so called preferences that we all have, get tainted with egos here so fast that hardly any intelligent discussion can actually take place. As a V3 owner, I was waiting to see an SP review for long time. I can only imagine, and it was confirm, IMO, in the long missing the scoop excuse as to how difficult it must have been for SP to agree with TAS. Nevertheless, by now, the 2 main US magazines, 2-3 US on-line magazine, and many publications all over the world (Including 2 Japanese Grand prix award), agreeing that there is some merit to the brand. Such a consensus is unusual. But I guess to most of the commenters here it means nothing. Even when somewhat deeper than usual explanation is given to the unusual (Revolutionary?) methods MAGICO uses to build its products, one will claim here that his 50 year old loudspeakers is built similar... I guess the word entertainment comes to mind.
So here are a few revolutionary facts for you all: An acoustic suspension design (Sealed), 12 X 15 foot print, 88db sensitivity with in-room bass responses down to 20 Hz!. These speakers have more usable anechoic output at 20Hz then just about any other speakers SP has EVER measured. That includes some big behemoth like the Wilson MAXX2. Now add a -/+ 3 db flat anechoic from 40 Hz to 40K. No resonant box modes to be found. A 4 ohm nominal around the entire power region, superbly clean spectral-decay plot and IMD at single digits. All that at a price tag of $25K (I know it is expensive but so is Ferraris or Porches, if you have problem with these prices, why trash them? Simply do not buy them.) If that is not revolutionary enough for you guys, I would like to know what is.
So here are a few revolutionary facts for you all: An acoustic suspension design (Sealed), 12 X 15 foot print, 88db sensitivity with in-room bass responses down to 20 Hz!. These speakers have more usable anechoic output at 20Hz then just about any other speakers SP has EVER measured. That includes some big behemoth like the Wilson MAXX2. Now add a -/+ 3 db flat anechoic from 40 Hz to 40K. No resonant box modes to be found. A 4 ohm nominal around the entire power region, superbly clean spectral-decay plot and IMD at single digits. All that at a price tag of $25K (I know it is expensive but so is Ferraris or Porches, if you have problem with these prices, why trash them? Simply do not buy them.) If that is not revolutionary enough for you guys, I would like to know what is.