2. amps-preamps
  3. 1248723961

Shuguang Treasure tubes....

I'm not sure if this is in the right place but this is about the tubes in my amp so here goes....Has anyone else given these Shuguan Treasure tubes a try?

I recently bought a used tube amp(VAC Phi 110) and the tubes that came with it were shot so I started poking around for some new tubes. I was looking for some Shuguang tubes, which are what I believe VAC supplies as standard/stock, and ran across Shuguangs limited production Treasure tubes. I poked around and did some reading, found a review or two and decided to give the only distributer for N. America(Grant Fidelity) a call. I spoke to a very kind and helpful lady who was patient with me(quite the task I might add!), was very nice and helpful and was darn knowledgeable on the tubes. Before I knew it my wallet had leapt out of my back pocket and I had splurged and ordered a matched quad of the Treasure Tubes, KT-88s. Within a couple of hours I had a tracking number and about a week later a box labeled "FRAGILE: GLASS!" was waiting for me when I got home from work.(A quick side note; during the short wait for the Treasure tubes to arrive I was using a borrowed quad of stock VAC KT-88 tubes and they were wonderful, great sounding tubes that I could live with forever....or that is until I found the Treasure tubes anyway.)

When the Treasure tubes showed up I ripped into the box and was shocked to see that each pair comes in a really nice presentation box with each tube very well protected in a foam insert, very classy. I removed the tubes, admired their beauty(they really are sweet looking tubes!) and popped them in the VAC and let them warm up for about 15-20 minutes. I then set bias on them and hit the play button expecting the usual tube break in time-wrong!...right out of the box these tubes sound fantastic! Seriously, I am shocked how at just good they sound fresh out of the box. Smooth clean highs, strong deep bass and all the other audiophile words we so endear. If they're this good right out of the box I can't wait until I get 100 hours or so on them. I'm no reviewer but I can say that these tubes offered a noticable improvement in my system and are worth every penny of their asking price, no doubt about it! So far they are chugging along and sounding beautiful and hold a rock solid bias, ZERO fluctuation.

Please understand that I have no affiliation with Grant Fidelity but when I run across a company that treats their customers so well and offers a product that performs at this level I feel I should share my experience with others, I'm one VERY hapy audionut!

Yes I actually do have a question and here it is; They(Grant Fidelity/Shuguang) also offer a 6SN7 substitute called the "CV-181", this is supposed to be a direct replacement for standard 6SN7's and I'm very interested in those as well. Has anyone else had the opportunity to give these tubes a try? Thanks for your replies.

Sincerely,
John
128x128johngp
johngp's avatar
johngp OP
226 posts
 
Hi Jcs,
I've followed along as you posted your progress, thank you for keeping us updated-fine job sir!

I've been enjoying the Treasure tubes immensely and they've only gotten better but now I seem to have developed some sort of biasing problem with the VAC so I guess it's off to Kevin for repair. Oh well, hopefully it's not gone long.

Anyway, thanks for your VERY informative posts, I've enjoyed reading them. Hopefully more people find this thread and discover for themselves what great tubes these darn TT's are!!

Best,
John
jcspinks
17 posts
 
Yup. I was really surprised at how far they have taken the sound. I thought the system was resolving before, but this an altogether new level. Even from the other room I am hearing things in familiar recordings that I had not heard before. Somehow they manage detail without sacrificing liquidity and warmth AND bass drive. It's really quite stunning. Also Nels in his article at enjoythemusic was less thrilled with the 6ca7s mostly due to relatively less bass solidity compared to the 88s. There is NO lack of bass power, pitch definition, or clarity here. It is producing some the most hard-hitting yet somehow elegant bass that I have yet heard.

Considering that they are a fraction of the cost of a good amp but are responsible for an enormous amount of sound quality and refinement, I'd say that they are a bargain given a reasonable useful life. I am getting a Hickok 580 that I will have gone over by Roger Kennedy here in SoCal and willonitor their measurements over time.

By the way everybody, absolutely play with bias because it REALLY is responsible for the final sonic signature. A half milliamperes significantly alters the sound. My other strong advice is to get your power right. The psAudio PPP made an enormous difference in refinement. And yes, fuses can matter too. They are clearly audible changes akin to power cord changes.

All that aside, the Shuggies rule.
bannister
4 posts
 
I bought a matched quad of KT-88s and a pair of 300B-Zs from Grant Fidelity to put in a Quad II-forty pair of monoblocks (for the KT-88s) and a Manley 300B Neoclassic preamp respectively.

There was an extended break in time for the 300B-Zs in the Manley, but within hours they were far better than the EH 300Bs supplied as stock tubes with the preamp. The experience that I've had with the tubes has been extremely positive. They are very fine devices and the sound is gorgeous. There is an extended thread here on Audiogon re the Shuguang Black Treasure 300B-Zs in similar Manley gear to mine, so I won't be repetitive.

The experience I had with the KT-88s was quite similar to the previous posts in this thread, but the break in period was considerably briefer. I found the differences after 50 hours to be quite minute and I had to listen to CDs and repeat tracks or sections to discern a difference.

For the KT-88s, I replaced Genalex Gold Lion KT-88 reissues. There was no contest. The Shuguangs represented a significant and discernable upgrade and, even taking into account the premium price, they were cheap. A friend of mine replaced Mullard EL-34 reissues with the 6CA7 and his experience paralleled mine: an initial break in period of 50-60 hours and the difference was pronounced and quite wonderful.

These are marvellous valves and worth the cash.
rrsclyde
84 posts
 
I'm currently running 4 of the Treasure 6CA7's in my Cary SLI-80 and my experience is similar to above. I'm liking the Treasures so much I'm considering selling my carefully hoarded NOS Amp/Mullard xf2 and Tesla brown base el34's. I'm not ready to say I like the Treasures better than my quad of Tung Sol smooth blackplate 6550's in my amp, but they are darn close, and the best part is hopefully they will keep producing them!

I've also fairly recently put a pair of the Treasure cv-181's in the 6sn7 driver location of my amp---again, to my ears these are comparing very favorably with my NOS 6sn7's (such as TS roundplates, Brimars and Ken Rad VT-231's). I was skeptical at the 'premium' price of the Treasure series tubes, but in my experience their performance has been first rate, as has been my dealing with Ian and Rachel at Grant Fidelity.
jcspinks
17 posts
 
Rrsclyde, did your 6ca7s need lots of break-in such as mine or more like Bannister's KT-88s much lower time? My tubes' bass improved markedly relatively quickly, but the mids were not full or treble refined til much later, only getting close after 225 hours. Even then the bass was not exacting as it is now. The last 75 or so hours is what moved them into magnificence.
More to discover