Should reviewers post their hearing test results?


great thread by joshcloud 9 the other day, about hearing...
turns out i can't hear below 40 Hz, or above 16 kHz. not that i believe the results of a web-based audiogram are accurate, but merely suggestive.
it got me wondering though, these reviewers with "golden ears", what limitations do they have? i mean, we all lose some hearing with age, and noise exposure. so it'd be interesting to know, at least on a one-time basis or web site, just how sensitive these ears are that people trust.
i understand that the only ears that count eventually, are our own.
but imagine an art critic who is color-blind. it wouldn't mean he/she couldn't be a critic, just that those reviews would be, ahem, colored, by knowing whose eyes are examining the work.
otowick
You wrote: "Well, Ernie, I am not an md or audiologist, but I wasnt aware there was much variance in hearing acuity between 100 hz and 10 khz."

It depends on what environmental noises they are exposed to. My wife is 15 years younger than I am and has more extended HF sensitivity BUT: She has a huge sensitivity dip between 3-4kHz because, I believe, she has taken the NYC subway to work for >20 years. Although some have advanced the idea that auditory haircells can regenerate, many people suffer suck-outs at specific frequencies if they have been exposed to high levels for a long time or extremely high levels for a short time.
Very interesting, kr4. I knew the hard of hearing had uneven sensitivity, but I hadn't thought about loss of sensitivity in specific ranges due to trauma. Maybe reviewers should have their hearing tested and disclose anything unusual.
Possibly, some do not know or want to know.

BTW, neural adaptation probably compensates well for incomplete losses.
Regardless of trauma-induced suckouts, people each hacve their own response "signaure", as all ears are NOT created equal.
Paul, the aural height information is a function of your pinna, NOT the musical software. It's true that stereo reproduction won't often provide visual soundstage cues, but your pinna certainly help tell you whether you're sitting in the balcony or on the floor, for example.
With headphones there's no vertical cueing.
I too forgot this aspect of our hearing apparatus a few weeks back when out at Symphony with my acoustician-guru and friend Tom Horrall, who responded with a "What'd you do, cut off your pinna?" after a comment I made about not being able to locate a an extraneous noise source up near the ceiling. I won't forget again!
Oh no. That's true for hearing real life sounds. But stereo doesnt have height unless it's on the recording somehow. As I said, so say JG Holt, Robert Harley, REGreene, and a host of experts who have been involved with hifi for over 40 years. Really, if you have a reference work or url or something where somebody who knows what he is talking about says that hearing sensitivity varies between individuals within the normally audible frequency range, I'd like to see it. Not disputing what you say, it's just that I've never heard that said before. If true, then that might explain why some people like NAIM and Krell and Wilson speakers.