David, I don't feel the *need* to answer your questions but I don't mind doing so - especially since you noted the friendly tone in my reply. We are all here to learn and discuss.
My previous amp+speaker set up for 3+ years was McIntosh MC501s and Sonus Faber Guarneri Homage - thus not SET - but not a Sony receiver either. Over the years, I also built for myself (or bought) a few Bottlehead tube amps and still have a Bottlehead S.E.X. as my headphone amp which I used - before the Cortese - when I needed some deliciousness to make bad recordings sound good - or at least tolerable. I've also auditioned at least a dozen serious SET systems over the years - but I was probably too "young" to really appreciate them and their delicious sound. Although I am sure a few of them would have been rated highly delicious.
As an electric guitar player, I've gone through dozens of amps over the years and slowly (and expensively) converged on low-power, point-to-point wired SET amps and I am currently enjoying the heck out of a Emery Sound where I regularly swap tubes in search of tone. My favorite guitar tube, BTW, is the lowly EL84 driven by a 12AX7 with a 6X5GT rectifier to give it just the right amount of voltage "sag."
Bottom line: I haven't done extensive auditions on multiple SET amps like some professional reviewers, but I know what I like and since I know other people have the same taste as I, I thought it would be valuable to share it. I haven't read much about Audio Note amps, but I know that Art Dudley spoke highly of Audio Note speakers and, if I remember correctly, he used them with Shindo amps with great results.
It's entirely possible that I would have had a similar reaction the Ongaku, but fate led me in the warm and embracing sonic arms of Shindo, and I can only write of what I know - limited as it may be.
I'd like to conclude with three cheers for *all* audio manufacturers who have committed to addressing the tastes and preferences of people like me who value delicious sound.
Alberto
My previous amp+speaker set up for 3+ years was McIntosh MC501s and Sonus Faber Guarneri Homage - thus not SET - but not a Sony receiver either. Over the years, I also built for myself (or bought) a few Bottlehead tube amps and still have a Bottlehead S.E.X. as my headphone amp which I used - before the Cortese - when I needed some deliciousness to make bad recordings sound good - or at least tolerable. I've also auditioned at least a dozen serious SET systems over the years - but I was probably too "young" to really appreciate them and their delicious sound. Although I am sure a few of them would have been rated highly delicious.
As an electric guitar player, I've gone through dozens of amps over the years and slowly (and expensively) converged on low-power, point-to-point wired SET amps and I am currently enjoying the heck out of a Emery Sound where I regularly swap tubes in search of tone. My favorite guitar tube, BTW, is the lowly EL84 driven by a 12AX7 with a 6X5GT rectifier to give it just the right amount of voltage "sag."
Bottom line: I haven't done extensive auditions on multiple SET amps like some professional reviewers, but I know what I like and since I know other people have the same taste as I, I thought it would be valuable to share it. I haven't read much about Audio Note amps, but I know that Art Dudley spoke highly of Audio Note speakers and, if I remember correctly, he used them with Shindo amps with great results.
It's entirely possible that I would have had a similar reaction the Ongaku, but fate led me in the warm and embracing sonic arms of Shindo, and I can only write of what I know - limited as it may be.
I'd like to conclude with three cheers for *all* audio manufacturers who have committed to addressing the tastes and preferences of people like me who value delicious sound.
Alberto