Seeking your advice on Shindo preamps


Dear audiophiles,

I have been in this hobby for 10 years now and have owned many nice amps, preamps, speakers but have never heard of Shindo

Here are my current systems:

System1
Cary SPL05
Cary 805 AE
Cary 306 SACD
Audio Research PH7
VPI HRX, with DRT XV1 cartridge
Speakers: Usher Be20
Cables: Acoustic Zen absolute

System2
CJ CT5
CJ LP70s and premier 350
CJ UDP deluxe
Speakers: gershman black swans
Cables: Acoustic Zen Absolute

I recently got in touch with a friend who i sold a pair of EW andras to about 6 months ago (Ommega is his users name). He really peaked my interest in the Shindo products. I have been searching for an audio perfection path for quite a while now and can use your help. I am ready for a new change and appreciated your comments/suggestons if you own this product (amp and/or preamp). I would like to start with a preamp and build a new system around it. A thread like this can lead into something very large and complex with many different opnions so i only want to focus on the Shindo and nothing else. If possible, please do not ask me why or what is wrong with my existing systems. In fact there is nothing wrong with them, i am just ready for a new sound. I listen to country, classical, jazz, and rock. Thanks in advance for your help...

I was considering buying a pair of Audio space Reference 2 preamp and amp for my next system but i am going to wait until i hear your feedbacks before flying out to SF for an audition.
Ag insider logo xs@2xginas
Thanks all for your inputs. Given what i have stated above for amps and speakers, will there be huge benefit for me to try Shindo starting with just a preamp or you think i should add the amp as well to fully realize its potential. What about speakers? Any suggestions? A friend who got me intersted in Shindo is currently using a pair of Wilson MaxxII and selling the Andras that i sold to him a few months ago. He said "Shindo is a revelation and "everything else" sounds fragmented"
Ginas - I encourage you to speak with Jonathan Halpern of Tone Imports or Matt Rotunda of Pitch Perfect Audio regarding Shindo preamps. When I was going through the process of choosing Shindo gear, both Jonathan and Matt advised me that the preamp would make the most difference in my system.

I took their advice and purchased a Shindo Monbrison to mate with a pair of SS monoblocks. I immediately noticed that music sounded more lifelike. Soon thereafter, the SS monoblocks were replaced with a Shindo Cortese stereo amp. The amp was a definite improvement, but I would have to say that the preamp produced the most significant sonic improvement in my system. I have since gone on to upgrade to the Giscours preamp and the Sinhonia monoblocks. Every single upgrade has resulted in a more lifelike presentation of the music. If you take a look at my system page you'll see that I have taken a long and winding road to get to the end of my amp/preamp journey!

I find myself listening to a lot more music and spending a lot less time looking for gear. In fact, I only visit Audigon for the Forum and Music sections these days!

I hope you have an opportunity to audition a Shindo preamp in your own system where your ears and musical preferences are the ultimate deciding factors.
I have also been looking at the green amps for some time as their sound, as described by he reviews, really appeals to me.

However I have three issues: a) a long interconnect length from pre to pwr amp of 5m, b) a sensitive pair of SET monoblocs needing only 0.7V for max output, and c) a pair of very efficient lowther based speakers.

All SHindo pre amps are high gain, high o/p impedance devices which may not function well in my set up. See also asylum thread here http://www.audioasylum.com/cgi/t.mpl?f=amp&m=120802

I would appreciate any feedback or comment, especially from users that have been faced with a similar set of issues and managed to get round them. Unfortunately I'm not able to listen to Shindo before buying.
Hello,

The Shindo preamps are actually not all high output impedance. Everything from the Masseto and above is an extremely low 600ohms. The Monbrison and Aurieges are 5K. 5 meter IC's of the proper design can be used on the Masseto and above. This is not ideal with any preamp but can be used if necessary. 3.5 meter on the Monbrison and Aurieges is the maximum.
Gain is 16db in the line sections- normal. The taper is quick however and one can get into trouble with any system that utilizes very high sensitivity speakers or high sensitivity amplifiers without level controls on the amplifier.

Contact me offline for more info.

Regards,
Jonathan
Thanks for your response Jonathan. I've been meaning to call you for a while but never gotten round to it!

Just to completely finish the thread for future reference, could you confirm that by the quick taper you mean the volume control characteristic is steep, that is, you wont have much of a volume control range to play with if the amps and speakers are sensitive?

It is always possible to make the power amps less sensitive by soldering in a couple of resistor at the input. I've talked to the designer who says the amps are immune to any overload regardless of input, the only problem I might have is a twitchy volume control.

I've been using a TVC passive up to now, but in a shorter IC setup. Just last week I bought an old (but good!) ARC SP-11 which I'll play around with for a while. While I'm sure it wont be quite as transcendental as a Shindo, it will at least allow me to see what the effect of having a high gain preamp in the system does for me. And its hardly slumming it ... the 11 is one I've wanted for 20 odd years and need to get it out of my bones!