Scansonic mb serie

The Scansonic sound is quite additive when everything is setup right. I have about 500 hours on my 2.5's and they sound great. Upgraded my DAC and power cord recently and my system's sound continues to improve. 

For anyone still interested in feedback related to the Scansonic MB6 I have had a pair in a simple system I set up about 3 months ago. My room is roughly 5.5m x 10m wth a 3m ceiling. I am using a Norma IPA 140 purchased new when I got the MB6's and run a Meridian 808.2i purchased second hand. I use an Isotek Aquarius power filter with all equipment sitting on a 3 level Gregitek rack. I am using antique PS Audio Stream Master Reference speaker cables, Sonic Art interconnects(silver over copper) and Sonic Art power cables plus an Isotek Optimum for the Aquarius . The cables had not been used for over 5 years and I re-terminated all but the interconnects when I set up the system. I go through this detail as I am not sure exactly sure of the main contributing factor/s contributing to the sound I was getting initially but I guess all were contributing to a greater or lesser extent.  The sound was ok but a little bit disjointed and not incredibly natural. The Gregitek was the last component added and truly this had an immediate positive effect on the sound. The biggest difference, however was courtesy of the Aquarius. I live in Cambodia and the power here is shall we say not pure!! Anyway with the system all set up with I would think about 70 hours on it the presentation was nice but not quite right. That is I always knew I was listening to a CD and the music lacked an emotional connection that as a big analogue fan I always crave. As some have mentioned on this thread people have given up the the MB series after too short a time. In my view if you give up on the MB6 too early you will be missing something very special. After 250-300 hours the system has taken on a very natural, lifelike and totally coherent presentation. Please refer to the manual. They do tell you this with deference to the guys at Audioholics and their view on minimal speaker break in time. Now I am listening to music and it can sound wonderful. There is a connection with the performers and obviously more so on well recorded material. Voices are beautifully and very naturally rendered. For those wanting the hi-fi terms for orientation, the sound is very detailed but completely non fatiguing and I listen a lot. Excellent depth with a big soundstage extending beyond the speakers. Bass is very tight, full and articulate but not super deep. Not something I crave but if you do these may not be for you. They are very dynamic. I have the speakers 3 m apart and 1.75m out from the front wall and towed in just outside my head. I have previously owned Sonus Faber Guarneris and the speaker that replaced them was the Wilson Benesch ACT.  I would not swap either speaker for the MB6's. Now the other two are better finished to be sure so pride of ownership is higher if that is a concern to you. The MB6 are good but nowhere near  Raidho class and for the price how could they be?  In my view they look very good and are well engineered. The bottom line is that they are speakers I could happily live with. With some work on my room (the most important component of any system IMV) with some Stillpoints Apertures and furnishings I think I will be set with a very, very satisfying system. Now if I only had my analogue system back. Roll on MQA

Hi there!

I´m interested in the MB2.5s to use with Bel Canto electronics. They would be driven by Reference 600 mono blocks, and the front end would be a 2.7 preamplifier DAC and a CD3T transport.

Having read all this I am concerned about my room. They will live at the family room, which is an open space with the stairways right behind it and a hallway and a studio on the left side. Without the studio and hallway it measures 13 by 14 feet, and is about 10 feet tall.

The only possible placement for my stereo is before the stairs. Like I said, to the left there is an opening, to the right I have furniture to place (wife acceptance factor!), and the other wall has a window on it!

The thing is that, given the space limitations that our furniture imposes (couches, center table, entertainment center, etc), I would only have a foot between the speakers and the back wall, meaning the little wall at the beginning of the stairs behind the left speaker, and the full wall behind the right one.

This is a second system where I have used integrateds and bookshelves so far. I was happy with it but I got carried away and bought these newly released Bel Canto Reference 600Ms. I love them, but now I think I exaggerated because they are not made for monitors. They have too much power (300 WPC at 8 ohms and 600 WPC at 4 ohms), and I feel I´m not getting their full potential with bookshelves. Besides, why would you want a subwoofer when you have a dedicated amplifier for each channel?!!

In my main listening room I use tubes and electrostatics, and I have a very hard time with most tweeters I know. I tend to greatly favor ribbons over domes and, given their small foot print, I thought about the 2.5s. However, I don´t see myself stuffing the ports and putting bass traps in the living room.

Does anyone has an idea for a compact floorstander with a ribbon tweeter that won´t be so fuzzy regarding placement? My budget is around 4 to 5 thousand dollars. Thanks!

 I heard Monitor Audio GX200 a couple of years back and thought it sounded nice. The ribbon tweeter on it kind of helped me decide on the MB2.5. 

So the ribbon on the 2.5 is better than the one on the Monitor Audio?