That's right, it is my opinion. I guess I'm part of the SACD crowd because I prefer it to DVD-Audio, but I certainly would'nt ask you to recognize SACD as being equal to DVD-Audio, would I? That would be much too presumptuous of me. For the record, I prefer pure DSD recordings to all others. Most of my best SACD's are classical(Telarc), but I agree with Imin2u about Beck's "Sea Change", it's excellent. I really wish we could get more 24 bit 192Khz recordings on DVD-Audio, because I'm not set up for multi-channel and I want the best they can give in stereo. Gary.
SACD Source recording
Some recently acquired SACD are sounding better...maybe they are learning how to make them.
I can recommend DG 474 639-2 Bach Violin Concertos, Hilary Hahn. As I listened to it, and appreciated the excellent sonics, I perused the liner notes, and there in black and white is something that I had heard mentioned before. The source recording for this DSD disc is identified as 24-bit PCM. Of course this is just like a DVD-A, except that with the DVD-A one extra conversion to DSD is avoided. I bet that most SACD have been mastered on 24-bit PCM equipment, but not every disc manufacturer is up front about it.
I have no complaints about the sound, but I think that Sony and the SACD crowd should tone down the hype about DSD, and recognize DVD-A as equal.
I can recommend DG 474 639-2 Bach Violin Concertos, Hilary Hahn. As I listened to it, and appreciated the excellent sonics, I perused the liner notes, and there in black and white is something that I had heard mentioned before. The source recording for this DSD disc is identified as 24-bit PCM. Of course this is just like a DVD-A, except that with the DVD-A one extra conversion to DSD is avoided. I bet that most SACD have been mastered on 24-bit PCM equipment, but not every disc manufacturer is up front about it.
I have no complaints about the sound, but I think that Sony and the SACD crowd should tone down the hype about DSD, and recognize DVD-A as equal.
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- 9 posts total
- 9 posts total