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Room treatment advice needed

I have a pair of Yamaha NS-1000x as mains in my primary listening room, and I love them so much I bought a second pair for my office. The new pair is a gorgeous rare walnut cabinet and the drivers are pristine without blemishes. A very lucky find that I treasure. I tried them with my original equipment in my main room, and they are wonderful. However, the new pair sounds awful: super-detailed, as expected, but thin, trebly, no bass, no imaging at all, in my office.

My office is small (I'm in Japan), less than 3X4 meters. It has a hard wall on one side, but that side has my work desk and computer. The other three walls are composed of thin sliding doors made of plexiglass.

The floor is of firm wood, covered by a carpet.

The Yamahas are currently on brass cones on granite slabs over cement blocks. I have put blotches of blue tac between the stone slabs.

I know these large, heavy speakers are huge overkill for such a small room, but I want to make them work (or face a serious marriage crisis...) there. I am wondering what should be my first aim in room treatment, and hope for the advice of this boards' minds.

What comes to my mind first is thick curtains to cover the plexiglass sliding door/walls, hopefully reducing lots of high-end reflections. Do you guys agree with that?

What other steps should I take?

Main source/amp is flac files fed from iMac or Wav from iPod through an iDecco. I also sometimes bring in my Luxman amp and Njoe Tjoeb CD player instead, from my main room. Wonderful sounds in the main room, but no magic in the office in either case.

On the other hand, the iMac/iDecco combination sounds rich, full, warm, and detailed through a pair of Quad 12L's on my desktop. These are placed with the rear-port bass outlets facing the hard wall. They are on small granite slabs on my computer desk on either side of a 27-inch iMac, with blue tac between slabs and desk and slabs and speaker. They are in a near-field listening position, meaning that I hear mainly the unreflected sound from them, as opposed to my Yamahas (behind me while I work), from which many reflections reach my ears together with the direct speaker sound.

Please freely offer advice on getting the best sounds out of my Yamahas that they are capable of in this small, plexiglass-walled office space. I will greatly appreciate your opinions.
deaf_in_left_eye
holenneck
127 posts
 
damping the room and treating first reflections should be the first place you start. I have purchased wicker baskets with lids before and stuffed them full of insulation and placed them in the corners. This, of course, will help absorb some of low end. Second, you can buy a curtain to cover the glass but be careful not to kill the room. If it gets over-damped, you are doing as much damage as if you didn't treat the room at all.

My advise would be to add one pair of treatments at time. Make sure you are keep everything symmetrical-if you can. Since you are familiar with the sound those speaker give you in your home, you will know when you have your office treated just right!
chazzbo
1,007 posts
 
Bass will be reinforced with movement back towards rear wall or to side wall but imaging could suffer.if you have hard room then adding drapes could help and carpet on floor but actually a diffuser of thick carpet behind speaker can have dramatic affect.You can also treat side walls with sonex or other absorbing material in a very narrow area on side walls where music hits side wall to stop "smearing" with standing waves.Aldo triangles in ceiling corners.This can help in a soft room but even more in a "hard" sounding room without furniture etc.The Stereophile book to High End is worth getting as it covers much of this.
Cheers
Chazz
edge22
31 posts
 
As you noted, thick curtains would help reduce high frequency reflections. The curtains, however, will not help with mid and low frequencies. It may be that the high frequency reflections are what you notice the most now, but when the high frequency reflections get reduced, you may discover that you have other issues going on in the low and mid frequencies. I suspect that you do in a room like that.

One thought is to consider broadband absorption panels, like the GIK Acoustics 244. The idea of broadband absorption is that it is absorping a very large range of frequencies, with the idea of smoothing out the frequency range in the room. Any room has peaks and dips at certain frequencies just based on physics and room dimensions (and it sounds like you have lots of extra reflections going on). The 244s can be hung on the wall, but they also make stands to place them on which may make more sense if three of the walls are sliding doors (that is, so you can move them when you need to).

I was amazed out how much the GIK 244s did for the sound in my room -- for example, I realized I was not hearing all the notes (bass notes, as well as higher frequency notes), voice became much clearer and focused, and everything sounded more natural.

The folks at GIK Acoustics are very helpful and you can email them room dimensions and pictures and get a free recommendation. There are other companies that sell similar products, but I mention GIK because I had a very good experience with them, their prices are very reasonable, and I received very good service.

Depending on how the sliding doors work, you may also consider broadband absorption/bass trapping in the corners. The post above mentions triangles in the corner. You can also do something like a GIK Tri-Trap. Also, if you like the idea of do it yourself, the Gearslutz forcum (under bass trapping, room acoustics) has lots of info on DIY corner traps and other DIY room treatments.

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