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Review: Stealth Audio Cables Varidig Sextet Reference Interconnect

Category: Cables

For the last two years my reference digital cable has been the very fine Artistic Audio Vacuum reference. Before, I made this cable my reference in my system I had audtioned the following digital cables: 1)Nordost Valhalla 2)Acoustic Zen MC2=Zen 3)Transparent Audio Labs Reference 4)Goldmund Lineal digital reference. They all were quite good, but I thought the Artistic Audio Vacuum reference was superior in the following area's: 1)More transparent with more details offered in a very natural way. 2) More extension both on the top and bottom. 3)A bigger soundstage with more air around the individual players. 4) Lastly, timbres were very natural sounding. All cables in my system sound the best when ended with BNC connectors. One of my "Golden Eared" audiophile friends informed that he thought that the new Stealth Varidig Sextet was a great step up sonicly from the Artistic Arts Vacuum cable. My digital front end pieces are the same as his, so this lead to audtioning the Stealth cable. Thanks Brian! Stealth Audio Cables is famous/infamous for there highly aclaimed Indra IC's. They are hideously expensive at $5750.00 for a one meter pair! The Varidig Sextet is Stealth's attempt to build a digital reference that would match the sonic level of the Indra IC's. Well, I have never audtioned a pair of Indra's in my system, so I don't know if they succeeded in that area, but this new cable is great on its own merit. The only technical note I want to share is that Stealth believes that this cable is built on a similar concept compared with DACS that "stack" several DAC chips for upsampling the bit stream. If you have questions regarding technical information like what type of metal is used, shielding materials, Cryogenic treatment, Etc., please go to their website: www. stealthaudiocables.com for a full explanation. ON TO THE SONICS. Everything I described regarding the Artistic Arts Vacuum cable was improved across the board. A bigger and more refined soundstage with more precise laying/more air around the different players. More air on top with a great improvement in the dynamics/realism of the bottom end. However the last three sonic virtues were not just an improvement, but a qualitive shift: 1) There doesnot seem to be a noisefloor, black got "blacker", it seems that the music just floats out of the background. 2) All timbres, to my ears sound more real and refined in an "organic/natural" way. 3) The last qualitive difference might be a composite of the first two, that my system has even a higher degree of what I describe as "liquidity/easyness" without losing dynamics or details along the way. Well, I hope that this somewhat convey's the beauty of this cable. However, I want to be very clear that I'm not claiming or stating that this cable is the "BEST" in the world, but ranks with some of the finest reference digital cables today, based on my personnal taste and synergy with my system. If you own reference digital pieces I would recommend you audtion this cable and see if it brings your system to another level like it did mine. Finally, it's not cheap at $2400.00, but I believe it is worth the money based on its performance.
teajay
teajay OP
1,691 posts
 
Kana813, to the best of my knowledge neither my DAC or transport are transformer coupled. I could be wrong, but I don't think so. Now, onto Unclejeff's question/comment regarding if the Stealth Sextet can really be that much better then the Acoustic Zen MC2 to merit the tremendous price difference between the two cables. I could go into a long preface regarding "the law of diminishing returns" or "what price do you put on subjective pleasure" or "how do you justify large expenditures for small increments of sonic improvements", but I won't, the short answer is YES. The Acoustic Zen is a wonderful sounding cable and quite reasonable priced, however the Stealth Sextet is just not a significant improvement but drastic qualitative shift towards analog like liquidity/musicality without a loss of details and slam. It's really that much better/different then any other cable I have heard in my system, therefore its worth its cost.
richards
145 posts
 
Another recent convert and fan of the Sextet (AES/EBU).
Agree wholeheartedly with your assessment.
Using it between my Tact pre and amp, replacing a FIM Gold, which was my previous favorite.

The FIM was one of the few cables to convey that "analog-like liquidity/musicality" with a digital signal, but the Sextet adds to that increases in clarity, focus, extension and detail.
IMS, provided greater improvement (along the same lines) than upgrading my Tact power supply.
Expensive, but in an expensive digital system, worth the cost (I think).

Another cable worth trying (at a lower price point) is the HT Cyberlight.
Some of the same virtues (ease with detail) as the Sextet, though not quite in the same league, re: dynamics and soundstage, providing a slightly lighter and more intimate sound.
kana813
956 posts
 
Richards- Since you have TacT gear, I know it's digital
inputs/outputs are transformer couple. Upgrading these
transformers produces improvements similar to what you and Teajay desribe for the Sextet. The cost of this upgrade is very low. Aberdeen Components can give you more details.
teajay OP
1,691 posts
 
Richards, thanks for sharing your experience/opinion about the Sextet. I now have gotten information from about six different people, who are extremely enthralled with what this cable did in their systems. What I find interesting is all of us use very different digital front ends and have radically different overall systems, yet the Stealth Sextet still provides the same "magic" to all our ears'.
exlibris
438 posts
 
I've been using this cable in my system for just over a week. Here is a short review:

Straight out of the package the Stealth Varidig Sextet had a transformational effect on my system. I wasn’t at all prepared for what I heard. My system sounded very good prior to inserting the cable but, as is true with all systems, it had its short-comings.

I am trying to drive 81dB efficient MBL 101E loudspeakers using EL34-based tube amps. Even though this combination produces a wonderfully natural sound, it is, as you might expect a light on slam and low frequency information. I figured that I could live with this and if it even really bothered me I could hunt for some solid state amps. Little did I know that a digital cable (of all things) would come along and help out my system in this regard? Drum hits now have a lot more attack, kick drum has more definition and everything has more weight and density. Bass guitar and drums are now felt as significantly as they are heard. In short, my system rocks!

I’ve used a number of very good linestages in my system but I was never able to get the depth of soundstage that I was looking for. I had assumed that this was either because I had not found the right linestage or that my speakers and room were not working well together. Here we go again: the Varidig Sextet added what appears to be about 9’ of soundstage depth to the presentation.

Though I never had trouble getting the soundstage out past the front axis of my speakers, the Varidig Sextet took this to another level as well. I sit about 8’ from the speaker plane and on a number of recordings, the leading edge of the soundstage is now behind me! This is all well and good but what is most important is that this cable helps the music to flow out from the performers to the listener. The listener is not left ‘watching’ the performance; she is immersed in it. The listener doesn’t have to go looking for images on the soundstage; those images breath and send their music to her. It has always been my opinion that if a system can’t do this then one is left listening to a stereo, not music.

Good digital is hard to find. My tube amps helped to flesh out images but my system still sounded to thin and two-dimensional for my tastes. I thought about switching to a tubed DAC to try and remedy this problem. The Sextet Varidig helped enormously in this area. Images now have a much more complex harmonic structure. Acoustics guitars are incredible well-drawn. The physical appearance of all instruments is so much more real and tactile. Singers are no longer just a face; they come across as real people with throats and chests. Their words are clearer and their presence is more prominent.

The Varidig Sextet is so good that I now prefer to listen to the Redbook layer of SACDs through it rather than listen to the SACD layer through the proprietary cables provided by the manufacturer of my digital front end.
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