I have a certain understanding for the "generation-next" issue when it comes to cables. On the other hand, would you NOT respect someone who is devoted to their product and continually strives to improve its performance? Anyone who has dealt personally with Robert knows that his is a sincere desire to provide the best cables he can make and is not concerned with marketing ploys. Plus, without saying more, his attention to those who purchased the original version and upgraded to the GenII's is more than reasonable. Hints at anything less than his genuine intentions are totally without foundation.
That rant completed, a word or ten about the cables. I had the opportunity to do a head-to-head between the GenI's and the Pure Note V4 (what I later learned were not V3's as I had thought). I had the Pure Notes in my system at the time and was trying the RSA's on a trial. I really liked the Pure Notes and was skeptical to even give the RSA a try, but did so upon recommendation of those from whom I received other dead-on advice. After the comparison, I decided to keep the RSA's. Don't get me wrong, the Pure Notes are EXCELLENT cables and might prove a better choice in some systems. But, I thought the RSA's were more musical in MY system. By musical, I mean that they conveyed a sense of live music more than any other IC I had tried previously. At first I thought the bass was a little shy, but the bass came in strong and extremely defined after about 40 hours. When using the RCA's it was the first time that I had characterized bass as defined and detailed, usually saving such descriptors for the higher end. Very nice. If I had to pick a bone at all it was that the midrange (especially vocals) in my system was a just sliver too far back in the presentation for my taste.
This small issue disappeared with the GENII's and I found their performance superior in most all respects to even the GenI’s. Because I liked the GenI’s better in my system than the Pure Notes, and I liked the GenII’s more than the GenI’s, I think that the GenII’s are better than the Pure Notes, by extension. IN MY SYSTEM, again said.
I am going to now quote a portion of Lak’s earlier post because I think that it most accurately sums up the performance of the GenII’s and left me thinking – “I wish I’d said that!”
“The Midnight Silver Edition Generation II interconnects continue to be extremely smooth, fast, neutral and transparent. They don’t favor one frequency over another and continue to be very coherent, allowing one to hear deep within a recording. The Midnight Silver Edition Generation II Interconnects continue to convey the force, speed and robustness of a live music performance (if the rest of your system is capable of handling it).”
I would only add that the detail of these cables is amazing. When I hear the soundstage, the phrase that comes to mind is “open architecture” – the image of each instrument’s sound seemingly enveloped in its own space.
So, I highly recommend these cables, as others have done. Next, I should like to try the speaker cables.
Equipment
McCormack DNA-225 amplifier
Herron VTSP-1A linestage
K&K Custom-built phonostage (A KILLER a review in the writing)
Aesthetix IO phonostage
Nottingham Spacedeck/OL Illustrious/Shelter 501MkII
Sony SCD-777ES CDP
Sony ST-3950 Tuner (Modified by Don Scott and it replaced my Tandberg!)
Vandersteen 3A sig speakers
Ridge Street Audio IC’s throughout
Acoustic Zen Satori speaker cables
Audio Magic Stealth Power Purifier
PC’s too numerous to list
Tweaks too numerous to list