Review: Ridge Street Audio Designs Sason Ltd. Loudspeaker Monitor
Category: Speakers
Ridge Street Audio Designs SASON Ltd. LOUDSPEAKER
As I understand, for the last two years, Steve and Robert of Ridge Street Audio Designs have been working on and developing a loudspeaker project. They are now complete. I had the opportunity and pleasure to audition a pair of the Sason Ltd. loudspeakers in my dedicated music room for one week during the month of October 2004.
As per Steve and Robert, “Sason is from the Hebrew language and when expressed as a verb, it is the act of rejoicing expressed in dance. When one reaches the epitome of joy, his moment of ecstasy is referred to as sason, whose root is sas, which in Kabbalah is considered to be the sixth emotion of the heart.”
If you’re in the market for a unique new pair of high end loudspeakers that can give the best two-way, or even much more expensive three-way speaker designs (Sonus Faber, Silverline, Dynaudio, Nova Audio, and Proac, including the Kharma Ceramique 3.2 Reference Monitor Speakers, Merlin VSM, JM Labs Diva Be, Revel Ultima Studio, Epiphany 12-12, or Peak Consult InCognito Monitor) competition, you must listen to the Sason Ltd.
The Sason Ltd. Speakers sounded very dynamic regardless of whether I was driving them with my Legacy (by Coda) 200 watt SS amp class A/B, Forte 4A SS 50 watt class A amp, or my Cary SE 2A3 monoblocks (tube) 5 watts per channel class A.
I was very pleasantly surprised to discover that the Sason Ltd. loudspeakers sounded extremely smooth, fast, neutral, and transparent, yet still convey the force, speed and robustness of a live performance. On several occasions I had to get out of my listening chair to make sure my subwoofer was not in use because of the tighter, cleaner, deeper sound, with more punch and bass slam. The modified QB3 bass alignment allows adjustment for room variations, thus I was able to adjust the bass tuning as per my room needs. The mid range was natural and very musical with no signs of artificial harshness. The treble was extended and smooth.
Soundstaging and imaging was deep, wide and expansive. I noticed incredible detail and airiness, with no edginess or sharpness. It seemed as though the upright bass, guitar, piano, cymbals, etc., were palpably present and being played live in my own private listening room.
The only limiting factor I could detect would be the other components in your system. A mediocre or poor recording will continue to sound poor; however, good recordings played with good components sound fantastic!
The Sason Ltd. appears to be very well engineered and constructed. I found it gorgeous in appearance - a piece of eye candy.
Due to the weight of the Sason Ltd. (approximately 140 pounds/each) it is advisable to have assistance when transporting and positioning the speakers, however one strong individual could handle the job if need be.
In conclusion, I realize that audiophile componentry is system dependent, and what sounds good in one system doesn't always work well in another. In this case the Sason Ltd. speakers sounded excellent with my tube and solid-state systems. I highly recommend you give it a try if you're in the market for a new high-end speaker.
Below is the Features page from their manual of the Sason Ltd speaker. If you should have questions e-mail Ridge Street Audio Designs at ridgestreetaudio@comcast.net or the creator, Steve at: sasonbysteve@sbcglobal.net
Associated gear Click to view my Virtual SystemSimilar products AR-4, Advent Loudspeaker, Polk Monitor 5B, Polk SDA-SRS 2.3, Klipsch 2.5 Monitor, Klipsch KLF 30 Towers, Soliloquy 5.0, NHT Super 1, Legacy Studio, Legacy Signature III, Cain & Cain Abby.
