I too, must admit that I was a little reluctant to give these a try due to Polk's "mid-fi" status. Wow! I have been looking to upgrade my HT speakers for some time and haven't been able to find a suitable replacement that works with my room both acoustically and physically. To make things a little more difficult I also decided to combine both my music and movies into the same system and room. I built our HT room from scratch to function as a dedicated HT and selected equipment that complimented that. With the addition of two small children I have been wanting to consolidate to free up some space and better "protect" the equipment.
I set my ceiling at $6k not including a sub (I currently own several) and began looking at both used and new. Over the past year I have listened to - and auditioned in my home - many fine speakers that all have had their strengths and weakness's. If it weren't for the high impact blockbuster action soundtracks I would opt for a nice set of floor standing 2-ways that play down to 35hz or so with a very refined and "airy" sound. Unfortunately most of those aren't very dynamic and sound very congested on action movie soundtracks. My favorites included the Thiel 1.6, Meadowlark Hot Rod Shearwater, and the Vienna Acoustics Bach.
And then "a funny thing happened to me on the way to the boutique audio store" thing happened and I had a chance to listen to a pair of Polk LSI 15's at the local "Hi Fi's and Appliances 'R' Us" hooked up to some seriously mid-fi electronics and was quite impressed. I promptly purchased the demo pair since they aren't supposed to carry the LSI line and didn't have any others, listened to them for a week, and made use of their generous return policy.
Enthused about the 15's I tried to find a dealer for the LSI line in my area and found out that we have none. So I like many others turned to the Internet and found a dealer that was willing to quickly fill my need.
I ended up with a trio of 25's across the front and 3 LSI F/X in a side surround and single rear channel configuration. Very detailed with high dynamic capability and WAY under my budget with current discounting. I also purchased a pair of the LSI 9's for casual listening in the living room and am even more impressed with their performance. With the sub in the 25's turned off they sound a little thinner than the 9's running full range but if crossed over at 60hz they sound almost identical. The difference most likely has more to do with cabinet diffraction than anything
I have had some problem getting the bass right with the three up front and ultimately ending up turning the center LSI 25 sub way down. If I could do it all over again I would purchase the 15's for the front three crossed over at 40hz and pair the system with a good sub for the last octave. That would give a little better flexibility in placement and provide a better value as well.
All in all an amazing line of speakers that certainly deserve an audition.
Associated Equipment
Bryston SP 1.7
Bryston 9B ST
Bryston 3B SST
Homegrown Audio Silver Lace balanced Interconnects
Kimber 8PR
NEC MT1000 Projector
Greyhawk Perfed screen
Polk LSI 25's for LCR
M&K MX 5000 (definitely not needed with the 25's)
Camelot Roundtable DVD Player
I set my ceiling at $6k not including a sub (I currently own several) and began looking at both used and new. Over the past year I have listened to - and auditioned in my home - many fine speakers that all have had their strengths and weakness's. If it weren't for the high impact blockbuster action soundtracks I would opt for a nice set of floor standing 2-ways that play down to 35hz or so with a very refined and "airy" sound. Unfortunately most of those aren't very dynamic and sound very congested on action movie soundtracks. My favorites included the Thiel 1.6, Meadowlark Hot Rod Shearwater, and the Vienna Acoustics Bach.
And then "a funny thing happened to me on the way to the boutique audio store" thing happened and I had a chance to listen to a pair of Polk LSI 15's at the local "Hi Fi's and Appliances 'R' Us" hooked up to some seriously mid-fi electronics and was quite impressed. I promptly purchased the demo pair since they aren't supposed to carry the LSI line and didn't have any others, listened to them for a week, and made use of their generous return policy.
Enthused about the 15's I tried to find a dealer for the LSI line in my area and found out that we have none. So I like many others turned to the Internet and found a dealer that was willing to quickly fill my need.
I ended up with a trio of 25's across the front and 3 LSI F/X in a side surround and single rear channel configuration. Very detailed with high dynamic capability and WAY under my budget with current discounting. I also purchased a pair of the LSI 9's for casual listening in the living room and am even more impressed with their performance. With the sub in the 25's turned off they sound a little thinner than the 9's running full range but if crossed over at 60hz they sound almost identical. The difference most likely has more to do with cabinet diffraction than anything
I have had some problem getting the bass right with the three up front and ultimately ending up turning the center LSI 25 sub way down. If I could do it all over again I would purchase the 15's for the front three crossed over at 40hz and pair the system with a good sub for the last octave. That would give a little better flexibility in placement and provide a better value as well.
All in all an amazing line of speakers that certainly deserve an audition.
Associated Equipment
Bryston SP 1.7
Bryston 9B ST
Bryston 3B SST
Homegrown Audio Silver Lace balanced Interconnects
Kimber 8PR
NEC MT1000 Projector
Greyhawk Perfed screen
Polk LSI 25's for LCR
M&K MX 5000 (definitely not needed with the 25's)
Camelot Roundtable DVD Player