Review: DCM TimeWindow 1 Speaker


Category: Speakers

This review covers the orignal DCM Time Windows. Not the subsequent versions.

I remember the first time I heard these. Their unique shape and sound where unlike anything I had heard before. Here was a speaker that really delivered the promise. It was driven by a PS Audio Amp and PS Audio LCC PreAmp. At the time I had the Large Advents,and while those speakers were very good indeed, the Time Windows were clearly superior. The music just seemed to come alive in a way that's hard to describe. There was just a seamless transparency to them. Not overly bright or accentuated on the bass. The balance was right on. It didn't really matter what the program material was, the Time Windows clearly and with authority brought the music to life. If they had any real weakness is for some peoples taste the bass may have been on the light side. But for my taste it was as it should be. The orginals used Philips drivers using a transmission line and the cabinet construction contributed to the overall sound. In the late 70s these were not cheap at about $800.00 but were indeed worth the price of admission. I was finally able to acquire a pair of these and have them to this day. Few things one purchases in life have enduring value and the Time Windows truly are in that category. Of all the reviews I have read on these speakers not one reviewer has clearly defined the sonics of this fabulous speaker. Use all of the adjectives you want and one will still come up short in the description. Best way to describe them, if you love music and have better than average components connected to them, the Time Windows will deliver the music with a verve that will astound you.

Now these speakers are some 20 years or more in age and continue to deliver the music. And that's what this hobby is all about. DCM no longer produces the Time Windows,having opted for the HT route. This is a true shame as these speakers deserve continued production. Timeless design is just that.

Specifications:

  • Dimensions:36"H x 14 3/4"W x 11 3/4"D
  • Weight:32 Pounds
  • Power Requirements:10 Watts Minimum per channel 89 dB/watt at one meter;200 Watts Maximum
  • Impedance:5 Ohms minimum/6-8 Ohms nominal
  • Frequency Range:25Hz to 18 kHz
  • Dispersion:180 degrees horizontal/60 degrees vertical.

    Specifications do not tell the whole story,listening does. The Time Windows due to their configuration can be literally tuned to any room. That is due to their shape. This was a brilliantly executed design that has remained faithful all these years.

    Associated gear
    Click to view my Virtual System

    Similar products
    Polk SDA 2,Large Advent,Infinity,Boston Acoustic.

  • ferrari
    I've just recently finished a custom center speaker based off the DCM CX17 to match the TimeWindow Sevens. Steve Eberbach worked with me on the design. It uses the same diamond coated tweeter that the Seven uses and the new crossover incorporates the same "time delay" and tweeter dampening circuits. I have a set of 1a's, 3's and 7's. Like Argonaut said "they're irreplaceable", unless Steve comes up with something bigger and better. "Dreps Chrone Maze"
    This is just slightly off subject. I'm really a horn(not horny) guy, but I live with someone who needs to hear off-axis. The DCM Time Windows excell at this. Does anyone have a recommendations in this area? Maybe later DCM's. I find the normal sweet spot of the original Time Windows a little lacking.
    Try some Time Window 3s. They can be a little more easily fine tuned and are a little more versitile with regards to dispersion.
    Rolando, have you read the AVS forum on DCM's? There are some problems with the 3's.
    Mmakshak, What problems have you head of? Can you provide a link? I think what Rolando is referring to is that the big advantage the Threes have is that you can compensate for room irregularities with the user controls on the top rear of the speaker. You can adjust overall tweeter output along with separate control over high and midrange level on the ambient (outside face) side of the speaker. To give an example, if you have a wall on the left of your listening area and a door opening on the right, you can bump up the level on the ambient side of the right speaker to compensate. The inboard drivers stay the same as not to affect imaging. In normal a listening environment, all three dials would be straight up.