Origin live Silver or VPI JMW-9 Signature


I'm looking for a new tonearm, and have considered the two mentioned. I'm really not sure which one to go with, and since I can not audition them on the same stereo before purchase, I'm a bit lost.

Therefor I'm looking to hear from people, who may have tried them both and choosen one.

It will at first be used with a Denon DL-103R

Thank you.
zpascalz
A Hadcock will probably also prove too light for a Denon 103R. It's great that your dealer can let you compare arms but make sure you audition each arm with the same cartridge, or you're wasting your time.
One thing that seems to get scant attention when talking about the origin live silver is the quality of the bearings. Remember the silver is AFAIK still using the stock RB250 bearings.. The not-very-highly-toleranced stock bearings are not addressed on the OL line until the Encounter. This can have serious repurcussions if you plan on using the arm with high-quality MCs with rigid cantilevers. I'm sure a lot of silver users will disagree and say their arms work brilliantly with high-end-carts, as so they well may. Point is, it seems to be essentially a crap-shoot when it comes to this. As a origin live modified RB250 user, i can testify to the fact that the bearings are not always happy with high energy carts. And the audio results of bearings not able to cope with a cart are not pretty.. This would not be an issue with the morch, higher end regas (600 and up - which could be modified later) and probably not with the hadcock either, being unipivot. This is all IMO, anyway -As always.. try before you buy if you can!
I must admit it is a bit of a jungle with the infinite numbers of combinations with arms and cartridges. Guess that is also what makes it fun :)
Drminky does bring up a good point that you should consider. That is, what are you likely to do in the future regarding cartridges? And, very important, what table are you using?

If you don't intend in venturing beyond, say a $1K cartridge investment, then I would think that arm based on the Rega design is probably just as good as the JMW-9. At the same time please consider that a cartridge in the range of the Denon 103R will perform extremely well on an arm of a little higher range, and that higher quality arm will open a larger door of opportunity regarding cartridge choice.

Moerch is good choice, but IMO I'd look for a Graham 2.2 to get the more user friendly VTA/VTF adjustments. A used 2.2 can usually be had for not much more than the Moerch. Another option is the Basis Vector. This is an excellant tracking arm and can handle a multitude of cartridges firmly. Not much in the way of easy VTA/VTF but no worse than the OL or JMW-9 you've been considering. You'll have a hard time finding a cartridge that the Vector can't handle, but mounting can be a bit tricky depending on the table you're using.

To sum up, what table are you using, what cartridge might you consider after the 103R, and what is your budget?
The turntable that I am using, is a DIY project. It is based on a 80 mm acrylic platter and bearing from Scheu Analogue (I believe the brand is known as Eurolab in USA). It is a rigid construcion with no suspension standing on 3 Boston Audio tuneblocks. The Plinth is made out of multiple layers of birch plywood that has been dampend with about 25 pounds of led shots. It also has a rubber/cork compound layer. I'm currently experimenting with armboard material, and will try solid maple, plywood with a cork layer, aluminium and several others.

In regards to future cartridge investments, I'm probably going to end up buying a Shelter 901 or Perhaps a Dynavector 17DMKII in between the Denon and the Shelter.

Initially my budget for a new tonearm was around $1000, but I am now considering maybe spending a little more and going for the really great arm right away. I figure I'm probably going to upgrade again, so why not do it straight away. That brings me in the range of the Graham 2.2, Basis Vector, Origin Live Illustrious and others in the $1500 range (used).