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Nordost Power Cables - my latest experience

Years ago I had a bunch of Nordost Vishnu power cables for all components, and a Brahma for the wall-to-distributor cable. In 2012 I then came across a new company called Cabledyne, and thought their power cable (a design which is no longer sold by them) was better than all of the Nordost cables.

But those Nordost models were an old product from 2003. Recently I have auditioned and then upgraded to the new Heimdall 2 power cables.

My experience was inconsistent and I thought to share it here.

Initially I got a Heimdall 2 for the source, an Oppo that is LPM and clock modified, and is just used as a pure digital transport with the audio card stripped out. On this component the Heimdall 2 was really good, far better than the Cabledyne.

I then upgraded power cable feeding the NAS to a Heimdall 2, this was again far better than the Cabledyne.
At this point my system was sounding the best it ever had in years, magical. I got a bit excited knowing I only needed to buy 2 more Heimdall 2's to complete the chain, one for the power amplifier and the other my Pre/DAC.

But when putting another one on my TeddyDAC (a DAC with analog volume stage inside) things went slightly backwards. Then when putting the last Nodost on the power amplifier, things went slightly backwards again.

Overall things are better than before, but this ending was disappointing to say the least.

I went back and looked at all the old comments here regarding Nordost power cables, for example the original Valhalla, and saw some users saying it was great for their CD player, or their source, but did not work well on the amps. That seems to be my experience. Maybe there is something inherent to the mono filament design which works especially well with digital devices, but not so much with analog? I don't know, I'm just hoping with more break-in it will even things out on the analog side.

I don't like to mix and match power cables brands, so it kind of sucks.


agisthos
fdpdk
45 posts
 
Having upgraded my power cords to Frey2 from wall to an QB4 , and then Frey 2 to feed my Accuphase E-470 , and for the moment using
Heimdall 2 to feed my Lumin T1 , i can only say it was a real lift..i started out with the Heimdall 2 , and then it moved up the chain ( speaking from wall placement ) as one other said they really do need a long break in , i think if i remember correctly Nordost says 100 hours , in my experience it takes longer to really fall into place. So have patience.
And having tried Valhalla2 Powercord , is also really good , had it on trial.
agisthos OP
456 posts
 
My report was fresh from the box, no break in. I am a believer in break-in, seen it many times. I just found such an improvement with the source gear with no break in, I guess I expected the same to continue.

I think the Q-Base QB8 distribution block will be my next purchase, and some solid supports for it.
jacca
5 posts
 
Break in is for both the cable itself and for you to adjust the listening volume and the new tonality of your gear....
Post removed 
adg101
1,057 posts
 
Agree. I don’t buy into one has to use the same cable manufacturer throughout. Even if every component in your rack is made by the same manufacture it doesn’t make a difference. For one thing, room acoustics will have a play in the sound more than most people realize; some rooms just flat out suck... so we go down the rabbit hole chasing new components without ever addressing the problem that is the room. I know I’ve preached it and I think others have as well that cables are tone controls because most our gear has no means to correct a poor sounding room or the quality of the recording. Cables are tone controls and I don’t care if you have the most expensive wire out there. So I say mix cables as needed just like we mix the manufactures of or equipment. I’ve had great luck mixing WyWires, Kimber, Nordost and Clear Day together. I’ve had great success with each line as a full system and I suppose that’s why I have a mix... actually never had a full Nordost set but I like their cables on my digital gear.

I just added a Bluesound Node II and I’m loving it. I built my own PC and purchased an Ethernet cable and using the DAC in my CD player and it sounds great. Last night I felt as things are settling in the presentation was a little too crisp but not bright or fatiguing but just not right. I know my cables very well so I switched my Clear Day balance cable between my DAC and preamp with the balanced WyWires between preamp and amp and that did it... sounds wonderful. It was a subtle change but it was needed and I wasn’t surprised by the results. 

My point is (again) cables are tone controls and just like equipment manufactures, cable manufactures have a house sound so it doesn’t mean one cable company fits all. If one buys into you have to stick with one cable manufacture then I would think one would stick with one equipment manufacture as well which I bet most of us don’t follow. Cables are tone controls; no cable is perfect and the best of cables do one thing better than so so cables and that is get out of the way and let the gear do its job. If ones gear sounds like you know what, a great cable is going to sound like you know what?

Totally agree with Elizabeth. Mix a way.
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