Need a very neutral interconnect-

Well by Milhorn and Soix's definition of black, which I understand through their descriptions and have heard in some systems over the years including my first real hi-fi system from the mid 80's with a CJ pre-amp that was really good at this, a darker presentation. It seems to me that such systems are obscuring musical and ambient information with greater focus of the instrument's fundamental tone which would also obscure harmonics, decay and ambient cues of the venue. To me this is clearly less resolving therefore less accurate. Not that it's a bad thing, just a matter of choice, certainly not mine. I have never heard this effect in live music only on hi-fi systems.

So it seems, at least to me, there are different meanings of "the blacks" to different listeners'.

Many highend systems at shows can give a deep and wide stage, but the individual focus of instruments and voices is not really palpable. But when you use all different parts very precise you even can get a combination of a deep and wide stage with a very direct and palpable image. This both is needed for the absolute sound these days. Blacks/ lower noise floor is an important part in how precise the music is presented to you. It set all the instruments and voices free in your room. It gives you a higher level in enjoying your beloved music.

ACROLINK MEXCEL: Neutral, dead silent and open.

Audience AU24e or AU24se fit the bill in my experience. Fast, detailed, neutral cables that don't cost a fortune.