My Long List of Amplifiers and My Personal Review of Each!


So I have been in a long journey looking to find the best amplifiers for my martin logan montis. As you know, the match between an amplifier and speakers has to be a good "marriage" and needs to be blend exquisitely. Right now, I think I might have found the best sounding amplifier for martin logan. I have gone through approximately 34-36 amplifiers in the past 12 months. Some of these are:

Bryston ST, SST, SST2 series
NAD M25
PARASOUND HALO
PARASOUND CLASSIC
KRELL TAS
KRELL KAV 500
KRELL CHORUS
ROTEL RMB 1095
CLASSE CT 5300
CLASSE CA 2200
CLASSE CA 5200
MCINTOSH MC 205
CARY AUDIO CINEMA 7
OUTLAW AUDIO 755
LEXICON RX7
PASS LABS XA 30.8
BUTLER AUDIO 5150
ATI SIGNATURE SERIES 6005

With all that said, the amplifiers I mentioned above are the ones that in my opinion are worth mentioning. To make a long story short, there is NO 5 CHANNEL POWER AMP that sounds as good as a 3ch and 2ch amplifier combination. i have done both experiments and the truth is that YOU DO lose details and more channel separation,etc when you select a 5 channel power amplifier of any manufacturer.
My recollection of what each amp sounded like is as follows:

ATI SIGNATURE SERIES 6005 (great power and amazing soundstage. Very low noise floor, BUT this amplifiers NEEDS TO BE cranked up in order to fully enjoy it. If you like listening at low volume levels or somewhat moderate, you are wasting your time here. This amp won’t sound any different than many other brands out there at this volume. The bass is great, good highs although they are a bit bright for my taste)

NAD M25 (very smooth, powerful, but somewhat thin sounding as far as bass goes)
Bryston sst2(detailed, good soundstage, good power, but can be a little forward with certain speakers which could make them ear fatiguing at loud volumes)

Krell (fast sounding, nice bass attack, nice highs, but some detail does get lost with certain speakers)

rotel (good amp for the money, but too bright in my opinion)

cary audio (good sound overall, very musical, but it didn’t have enough oomph)

parasound halo (good detail, great bass, but it still holds back some background detail that i can hear in others)

lexicon (very laid back and smooth. huge power, but if you like more detail or crisper highs, this amp will disappoint you)

McIntosh mc205 (probably the worst multichannel amp given its price point. it was too thin sounding, had detail but lacked bass.

butler audio (good amplifier. very warm and smooth sweet sounding. i think for the money, this is a better amp than the parasound a51)

pass labs (very VERY musical with excellent bass control. You can listen to this for hours and hours without getting ear fatigue. however, it DOES NOT do well in home theater applications if all you have is a 2 channel set up for movies. The midrange gets somewhat "muddy" or very weak sounding that you find yourself trying to turn it up.

classe audio (best amplifier for multi channel applications. i simply COULDNT FIND a better multi channel amplifier PERIOD. IT has amazing smoothness, amazing power and good bass control although i would say krell has much better bass control)

Update: The reviews above were done in January 2015. Below is my newest update as of October 2016:



PS AUDIO BHK 300 MONOBLOCKS: Amazing amps. Tons of detail and really amazing midrange. the bass is amazing too, but the one thing i will say is that those of you with speakers efficiency of 87db and below you will not have all the "loudness" that you may want from time to time. These amps go into protection mode when using a speaker such as the Salon, but only at very loud levels. Maybe 97db and above. If you don’t listen to extreme crazy levels, these amps will please you in every way.

Plinius Odeon 7 channel amp: This is THE BEST multichannel amp i have ever owned. Far , but FAR SUPERIOR to any other multichannel amp i have owned. In my opinion it destroyed all of the multichannel amps i mentioned above and below. The Odeon is an amp that is in a different tier group and it is in a league of its own. Amazing bass, treble and it made my center channel sound more articulate than ever before. The voices where never scrambled with the action scenes. It just separated everything very nicely.

Theta Dreadnaught D: Good detailed amp. Looks very elegant, has a pleasant sound, but i found it a tad too bright for my taste. I thought it was also somewhat "thin" sounding lacking body to the music. could be that it is because it is class d?

Krell Duo 300: Good amp. Nice and detailed with enough power to handle most speakers out there. I found that it does have a very nice "3d" sound through my electrostatics. Nothing to fault here on this amp.
Mark Levinson 532H: Great 2 channel amp. Lots of detail, amazing midrange which is what Mark Levinson is known for. It sounds very holographic and will please those of you looking for more detail and a better midrange. As far as bass, it is there, but it is not going to give you the slam of a pass labs 350.5 or JC1s for example. It is great for those that appreciate classical music, instrumental, etc, but not those of you who love tons of deep bass.

 It is articulate sounding too
Krell 7200: Plenty of detail and enough power for most people. i found that my rear speakers contained more information after installed this amp. One thing that i hated is that you must use xlr cables with this amp or else you lose most of its sound performance when using RCA’s.

Krell 402e: Great amp. Very powerful and will handle any speaker you wish. Power is incredible and with great detail. That said, i didn’t get all the bass that most reviewers mentioned. I thought it was "ok" in regards to bass. It was there, but it didn’t slam me to my listening chair.

Bryston 4B3: Good amp with a complete sound. I think this amp is more laid back than the SST2 version. I think those of you who found the SST2 version of this amp a little too forward with your speakers will definitely benefit from this amp’s warmth. Bryston has gone towards the "warm" side in my opinion with their new SST3 series. As always, they are built like tanks. I wouldn’t call this amp tube-like, but rather closer to what the classe audio delta 2 series sound like which is on the warm side of things.

Parasound JC1s: Good powerful amps. Amazing low end punch (far superior bass than the 402e). This amp is the amp that i consider complete from top to bottom in regards to sound. Nothing is lacking other than perhaps a nicer chassis. Parasound needs to rework their external appearance when they introduce new amps. This amp would sell much more if it had a revised external appearance because the sound is a great bang for the money. It made my 800 Nautilus scream and slam. Again, amazing low end punch.

Simaudio W7: Good detailed amp. This amp reminds me a lot of the Mark Levinson 532h. Great detail and very articulate. I think this amp will go well with bookshelves that are ported in order to compensate for what it lacks when it comes to the bass. That doesn’t mean it has no bass, but when it is no Parasound JC1 either.
Pass labs 350.5: Wow, where do i begin? maybe my first time around with the xa30.8 wasn’t as special as it was with this monster 350.5. It is just SPECTACULAR sounding with my electrostatics. The bass was THE BEST BASS i have ever heard from ANY amp period. The only amp that comes close would be the jC1s. It made me check my settings to make sure the bass was not boosted and kept making my jaw drop each time i heard it. It totally destroyed the krell 402e in every regard. The krell sounded too "flat" when compared to this amp. This amp had amazing mirange with great detail up top. In my opinion, this amp is the best bang for the money. i loved this amp so much that i ended up buying the amp that follows below.

Pass labs 250.8: What can i say here. This is THE BEST STEREO AMP i have ever heard. This amp destroys all the amps i have listed above today to include the pass labs 350.5. It is a refined 350.5 amp. It has more 3d sound which is something the 350.5 lacked. It has a level of detail that i really have never experienced before and the bass was amazing as well. I really thought it was the most complete power amplifier i have ever heard HANDS DOWN. To me, this is a benchmark of an amplifier. This is the amp that others should be judged by. NOTHING is lacking and right now it is the #1 amplifier that i have ever owned.

My current amps are Mcintosh MC601s: i decided to give these 601s a try and they don’t disappoint. They have great detail, HUGE soundstage, MASSIVE power and great midrange/highs. The bass is great, but it is no pass labs 250.8 or 350.5. As far as looks, these are the best looking amps i have ever owned. No contest there. i gotta be honest with you all, i never bought mcintosh monos before because i wasn’t really "wowed" by the mc452, but it could have been also because at that time i was using a processor as a preamp which i no longer do. Today, i own the Mcintosh C1100 2 chassis tube preamp which sounds unbelievable. All the amps i just described above have been amps that i auditioned with the C1100 as a preamp. The MC601s sound great without a doubt, but i will say that if you are looking for THE BEST sound for the money, these would not be it. However, Mcintosh remains UNMATCHED when it comes to looks and also resale value. Every other amp above depreciates much faster than Mcintosh.

That said, my future purchase (when i can find a steal of a deal) will be the Pass labs 350.8. I am tempted to make a preliminary statement which is that i feel this amp could be THE BEST stereo amp under 30k dollars. Again, i will be able to say more and confirm once i own it. I hope this update can help you all in your buying decisions!


128x128jays_audio_lab
4425,
i understand your point and I will be reviewing the Jeff Rowland 535 next week. Stay tuned for my impressions of this “affordable amp”

anyhow guys, there was a lot to see and I’m glad I went to the show. I got to meet a few of you which was amazing to say the least. I was also glad to give you my input on components that you wanted my input on. Make no mistake that this type of event allows you to gauge things better as well as to identify the “snake oil” in the industry.
I also like seeing small manufacturers like gt audio, sanders, etc make huge efforts to compete against the big dogs and really bring it to them. Sanders and GT audio were great to say the least. Steve from GT audio was an incredible host that really went out of his way. He played a tremendous amount of music that Included a great record from Michael Jackson on vinyl.
It is SO COOL to interact with these small manufacturers because they try much harder to please you and to talk to you one on one. It feels as if they do whatever they can to earn your business and that is very especial.
To me the worst price/performance ratio room was the Wilson audio Alexx and agostino relentless monos. Zero soul, nothing jumped at you. It was as if they just plugged stuff in and they expected magic to occur. I went 4 different times in this room and it just didn’t keep me there. Horrible music selection on their part as well and it was just a bunch of dudes wearing suits hanging around the gear like they belonged to the secret service. You didn’t dare to walk to them and say “can you please change that funeral music and play something different?”

Steve from GT audioworks played mainstream stuff as well and I said it out loud in his room which was full of people: “thank you Steve for not playing funeral music and playing more mainstream stuff” and what do you think the entire room did when I said that? They all busted out laughing with my comment because they know I’m being honest and keeping it real.

Look I get it, manufacturers want to play their playlists but how about they do that for 2 days out of 3 ? Why not let day 3 of the show be the day where they can ask you to bring your own music to play it? Wouldn’t that be cool if they had the event schedule broken out with DAY 3 being called “ bring your own music day” or something like that ? Don’t you think people would be excited to return on day 3?
Another pain point is WHY are some of these people in the rooms so stuck up on themselves? Why are they so full of themselves? How do you pretend to sell product if you have zero social skills? I get it, most of these products are built by nerds who aren’t exactly social butterflies but then why NOT hire a social butterfly to go on these trips and who knows the gear?

All in all, great show which has made me reevaluate my own system and that is a great thing.
i thank Steve and the entire staff who treated me and everyone in the room incredibly well. Incredible group of people with “soul” and knowledge. 
@audiotroy
i respectfully disagree with your assessment of the gt audio room, persona, and muraudio.
First off, the persona room was empty the 2 times I went in it. I was the only person inside listening on both occasions. Subpar electronics and just didn’t not have any sort of wow factor. Keep in mind, I own that same speaker and have it in my home so I guess you could say I have credibility in my assessment of such.
Secondly, the muraudio room had a cool looking speaker with an interesting look and design but they continued to play music that was just acoustic music. I requested for them to play something with vocals and they played “California dreams” by Diana Krall. I felt like the mids and highs were warm and lacked more definition. Maybe it was the components?
Lastly, and again I mean no disrespect, The persona paradigm can’t come close to the sound of the GT audioworks 3.1. I’m TELLING YOU, as a current paradigm persona owner that they DONT. Yes, I’m bashing something I currently own and I am 100% fine with it because I don’t put food on the table with this stuff. I promised everyone HERE who follows MY THREAD that I’d be real and transparent so here I go:

THE PARADIGM PERSONAS DO NOT TOUCH ANYTHING FROM GT AUDIO.
yes, I’m pretty much saying my personas are INFERIOR in sound quality and I’m admitting that they would get their @ss handed to them all they long. Can’t even compare them. There’s no reading in between the lines here. I’m putting out in front street for everyone to read here.
Enough said 

Hey whitecamaross - so cool to meet you. Thanks for taking the time to chat. 

The show was so fun. It’s not perfect, and so many things can turn a good system bad. BUT you get to check out a ton of stuff and meet so many people.

the GT Audio was fantastic...

Also the ARC and Wilson.

I never got the full Focal demo, but those speakers are incredible.

I actually enjoyed the Von Schweikert Audio Endeavor MKII. They were well set out into the room and sounded very large. On closer inspection I found a rear firing tweeter. The blues vocals and guitars coming out of them were amazing. 

I really liked the Lampizator room! The system sounded really, really organic. They also played great music not the same boring stuff you get in so many of the other rooms. And meeting Lukasz was the icing on the cake.

oh and just seeing the Magico subs.... hilarious. Freaking Huge.
WC,
Thanks for your honest description of all these speakers.  What you say about the Muraudio makes sense, because omni speakers are even more curved and dispersed than the curved panels of ML, so the HF are even more rolled off, mids are also smeared and warm.  Read the intelligent review of the Sanders 10e by Robert Greene in the Absolute Sound.  Greene is an intelligent musician, recording engineer and scientist.  I agree with him about the correctness of flat panel design and direct sound.  This also applies to the GT speaker as a flat panel, so it must be heard fully toed in to realize its full clarity.  Isn't it nice that these 2 contenders are reasonably and competitively priced?  No accident--proper design and value, compared to almost everything else.
Nothing takes a good thread off course faster than AudioTroy.  (that said, if you want to hear why what he sells is better, or can outperform, or his amazing system matching skills... he's tremendous at that).

Wish I could have been there to have a beer and pizza with you WCSS, hoping to get back next year.

I'm usually the guy in a concert T-shirt asking them to play my playlist that I bring on my phone just in case... to plug in.  Or if I can drive the streamer for a few minutes.

A few years back Symphony of Destruction was a personal favorite to demo a few very cool MFG's were more than happy to let it rip.

Last year I had two people immediately make me turn off Royal Blood (which is really just good rock music).

Music Direct / ATC let me roll back at 5pm last year to let some remastered Zeppelin rip, that was cool of them.

The magico room was absurdly stuffy (there were a couple last year). No getting them to let some rock rip.

It's a fun show.  I like to get there early on Friday.  Hopefully next year.