My Long List of Amplifiers and My Personal Review of Each!


So I have been in a long journey looking to find the best amplifiers for my martin logan montis. As you know, the match between an amplifier and speakers has to be a good "marriage" and needs to be blend exquisitely. Right now, I think I might have found the best sounding amplifier for martin logan. I have gone through approximately 34-36 amplifiers in the past 12 months. Some of these are:

Bryston ST, SST, SST2 series
NAD M25
PARASOUND HALO
PARASOUND CLASSIC
KRELL TAS
KRELL KAV 500
KRELL CHORUS
ROTEL RMB 1095
CLASSE CT 5300
CLASSE CA 2200
CLASSE CA 5200
MCINTOSH MC 205
CARY AUDIO CINEMA 7
OUTLAW AUDIO 755
LEXICON RX7
PASS LABS XA 30.8
BUTLER AUDIO 5150
ATI SIGNATURE SERIES 6005

With all that said, the amplifiers I mentioned above are the ones that in my opinion are worth mentioning. To make a long story short, there is NO 5 CHANNEL POWER AMP that sounds as good as a 3ch and 2ch amplifier combination. i have done both experiments and the truth is that YOU DO lose details and more channel separation,etc when you select a 5 channel power amplifier of any manufacturer.
My recollection of what each amp sounded like is as follows:

ATI SIGNATURE SERIES 6005 (great power and amazing soundstage. Very low noise floor, BUT this amplifiers NEEDS TO BE cranked up in order to fully enjoy it. If you like listening at low volume levels or somewhat moderate, you are wasting your time here. This amp won’t sound any different than many other brands out there at this volume. The bass is great, good highs although they are a bit bright for my taste)

NAD M25 (very smooth, powerful, but somewhat thin sounding as far as bass goes)
Bryston sst2(detailed, good soundstage, good power, but can be a little forward with certain speakers which could make them ear fatiguing at loud volumes)

Krell (fast sounding, nice bass attack, nice highs, but some detail does get lost with certain speakers)

rotel (good amp for the money, but too bright in my opinion)

cary audio (good sound overall, very musical, but it didn’t have enough oomph)

parasound halo (good detail, great bass, but it still holds back some background detail that i can hear in others)

lexicon (very laid back and smooth. huge power, but if you like more detail or crisper highs, this amp will disappoint you)

McIntosh mc205 (probably the worst multichannel amp given its price point. it was too thin sounding, had detail but lacked bass.

butler audio (good amplifier. very warm and smooth sweet sounding. i think for the money, this is a better amp than the parasound a51)

pass labs (very VERY musical with excellent bass control. You can listen to this for hours and hours without getting ear fatigue. however, it DOES NOT do well in home theater applications if all you have is a 2 channel set up for movies. The midrange gets somewhat "muddy" or very weak sounding that you find yourself trying to turn it up.

classe audio (best amplifier for multi channel applications. i simply COULDNT FIND a better multi channel amplifier PERIOD. IT has amazing smoothness, amazing power and good bass control although i would say krell has much better bass control)

Update: The reviews above were done in January 2015. Below is my newest update as of October 2016:



PS AUDIO BHK 300 MONOBLOCKS: Amazing amps. Tons of detail and really amazing midrange. the bass is amazing too, but the one thing i will say is that those of you with speakers efficiency of 87db and below you will not have all the "loudness" that you may want from time to time. These amps go into protection mode when using a speaker such as the Salon, but only at very loud levels. Maybe 97db and above. If you don’t listen to extreme crazy levels, these amps will please you in every way.

Plinius Odeon 7 channel amp: This is THE BEST multichannel amp i have ever owned. Far , but FAR SUPERIOR to any other multichannel amp i have owned. In my opinion it destroyed all of the multichannel amps i mentioned above and below. The Odeon is an amp that is in a different tier group and it is in a league of its own. Amazing bass, treble and it made my center channel sound more articulate than ever before. The voices where never scrambled with the action scenes. It just separated everything very nicely.

Theta Dreadnaught D: Good detailed amp. Looks very elegant, has a pleasant sound, but i found it a tad too bright for my taste. I thought it was also somewhat "thin" sounding lacking body to the music. could be that it is because it is class d?

Krell Duo 300: Good amp. Nice and detailed with enough power to handle most speakers out there. I found that it does have a very nice "3d" sound through my electrostatics. Nothing to fault here on this amp.
Mark Levinson 532H: Great 2 channel amp. Lots of detail, amazing midrange which is what Mark Levinson is known for. It sounds very holographic and will please those of you looking for more detail and a better midrange. As far as bass, it is there, but it is not going to give you the slam of a pass labs 350.5 or JC1s for example. It is great for those that appreciate classical music, instrumental, etc, but not those of you who love tons of deep bass.

 It is articulate sounding too
Krell 7200: Plenty of detail and enough power for most people. i found that my rear speakers contained more information after installed this amp. One thing that i hated is that you must use xlr cables with this amp or else you lose most of its sound performance when using RCA’s.

Krell 402e: Great amp. Very powerful and will handle any speaker you wish. Power is incredible and with great detail. That said, i didn’t get all the bass that most reviewers mentioned. I thought it was "ok" in regards to bass. It was there, but it didn’t slam me to my listening chair.

Bryston 4B3: Good amp with a complete sound. I think this amp is more laid back than the SST2 version. I think those of you who found the SST2 version of this amp a little too forward with your speakers will definitely benefit from this amp’s warmth. Bryston has gone towards the "warm" side in my opinion with their new SST3 series. As always, they are built like tanks. I wouldn’t call this amp tube-like, but rather closer to what the classe audio delta 2 series sound like which is on the warm side of things.

Parasound JC1s: Good powerful amps. Amazing low end punch (far superior bass than the 402e). This amp is the amp that i consider complete from top to bottom in regards to sound. Nothing is lacking other than perhaps a nicer chassis. Parasound needs to rework their external appearance when they introduce new amps. This amp would sell much more if it had a revised external appearance because the sound is a great bang for the money. It made my 800 Nautilus scream and slam. Again, amazing low end punch.

Simaudio W7: Good detailed amp. This amp reminds me a lot of the Mark Levinson 532h. Great detail and very articulate. I think this amp will go well with bookshelves that are ported in order to compensate for what it lacks when it comes to the bass. That doesn’t mean it has no bass, but when it is no Parasound JC1 either.
Pass labs 350.5: Wow, where do i begin? maybe my first time around with the xa30.8 wasn’t as special as it was with this monster 350.5. It is just SPECTACULAR sounding with my electrostatics. The bass was THE BEST BASS i have ever heard from ANY amp period. The only amp that comes close would be the jC1s. It made me check my settings to make sure the bass was not boosted and kept making my jaw drop each time i heard it. It totally destroyed the krell 402e in every regard. The krell sounded too "flat" when compared to this amp. This amp had amazing mirange with great detail up top. In my opinion, this amp is the best bang for the money. i loved this amp so much that i ended up buying the amp that follows below.

Pass labs 250.8: What can i say here. This is THE BEST STEREO AMP i have ever heard. This amp destroys all the amps i have listed above today to include the pass labs 350.5. It is a refined 350.5 amp. It has more 3d sound which is something the 350.5 lacked. It has a level of detail that i really have never experienced before and the bass was amazing as well. I really thought it was the most complete power amplifier i have ever heard HANDS DOWN. To me, this is a benchmark of an amplifier. This is the amp that others should be judged by. NOTHING is lacking and right now it is the #1 amplifier that i have ever owned.

My current amps are Mcintosh MC601s: i decided to give these 601s a try and they don’t disappoint. They have great detail, HUGE soundstage, MASSIVE power and great midrange/highs. The bass is great, but it is no pass labs 250.8 or 350.5. As far as looks, these are the best looking amps i have ever owned. No contest there. i gotta be honest with you all, i never bought mcintosh monos before because i wasn’t really "wowed" by the mc452, but it could have been also because at that time i was using a processor as a preamp which i no longer do. Today, i own the Mcintosh C1100 2 chassis tube preamp which sounds unbelievable. All the amps i just described above have been amps that i auditioned with the C1100 as a preamp. The MC601s sound great without a doubt, but i will say that if you are looking for THE BEST sound for the money, these would not be it. However, Mcintosh remains UNMATCHED when it comes to looks and also resale value. Every other amp above depreciates much faster than Mcintosh.

That said, my future purchase (when i can find a steal of a deal) will be the Pass labs 350.8. I am tempted to make a preliminary statement which is that i feel this amp could be THE BEST stereo amp under 30k dollars. Again, i will be able to say more and confirm once i own it. I hope this update can help you all in your buying decisions!


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Showing 50 responses by guidocorona

NCore-based amplifiers like Bel Canto take a very long time to break-in.... A simple NCore implementation like the Merrill Veritas monos took a little longer than 1K hours.... A complex NCore-based amp like the Rowland M925 monos took about 1.5K hours.... I believe that Bel Canto Black belongs to the latter category.


Attempting to reach conclusion on an essentially factory-fresh NCore amp after just a few days of listning is not a particularly useful exercise.


G.

Hi @Whitecamaross, last night Rowland has finally released information about the new M735 monoblock amp. Like its M725 predecessor, M735 runs in class A/B, and has a rated power of 330W per channel.

 

Per the announcement letter linked below, M735 is now available for shipment. It appears that the new amp may have been enhanced over its predecessor in several areas with potential sonic performance relevance, amongst which…

 

  • Custom designed cobalt-based amorphous core input transformers are standard on M735. These are used instead of the older high permeability, mu metal lamination core type previously used in the M725 and m725 S2. Note that this is the first time that Rowland adopts Cobalt amorphous transformers in a power amp. Cobalt-based input transformers were first introduced by Rowland on its Conductor phono stage as a higher price option.

 

  • Input phase filters have been enhanced to reduce further EM pollution.

     

  • The error correction circuits first introduced in M625 S2 and M725 S2 have been enhanced in M735 to reduce distortion even further.

     

    A new proprietary material has been adopted for M735’s specially machined footers to maximize mechanical isolation.

     

You will find more detail in the announcement letter below that you can download from my Dropbox:

 

Rowland M735 mono amplifier announcement:

https://www.dropbox.com/s/ohjhfx6zpobk8aa/Rowland%20M735%20Monoblock%20Amplifier%20Announcement.pdf?dl=0

 

The video below shows what the critter looks like:

https://www.dropbox.com/s/gqrh9yxir927qbu/Rowland%20M735%20Monoblock%20Amplifier%20Video.mp4?dl=0

 

I am personally intrigued, but have not listened to M735 yet. I heard rumors that some pairs might have very recently been shipped to dealers. I suspect you might be able to secure a pair much before I do *Grins!*  

 

I will post further technical details as they become available to me.

 

Saluti, Guido


Whitecamaross, some forwardness or shoutiness is a characteristics of NCore-based amplifiers during the earlyish stages of break-in.... If you are patient, these excessess/anomalies will be eventually completely absorbed. G.

 

Hello @whitecameross.... It was a good idea to unplug the Bel Canto Black from P20 and feed it directly from the AC outlets. I recommend that you feed it directly from AC for the next couple months, until break-in is almost complete. only at that point it might be interesting to evaluate the effect of power conditioning on it.


I suggest you may want to try a Shunyata conditioner such as Denali.... Shunyata is considered one of few companies at the forefront of power conditioning technology.... Needless to say, conditioners need to be broken in as well.... My past experience with Shunyata Triton suggest that break-in of Shunyata conditioners might take about 500 hours.


Regards, Guido



Hello @whitecamaross, wonderful that you might try out the Rowland M625 S2. The original M625 was already a wonderful power amp that I had in my system for one year, before to upgrading to M725, and then my current M925 monos.


M625 S2 is a relatively high bias class A/B design. It is much enhanced over the original version.... Essentially it has new internals.... I know about a few of the changes.... Jensen 4-pole capacitors have been added to the 1200W power supply section to smooth any residual ripples post conversion to DC.... All boards have been upgraded from fiberglass to Roger(TM) ceramic types, power rating increased from 300W to 330W.... But most important of all, M625 S2 is the first amp to which Rowland has introduced brand new circuitry that he has developed to reduce distortions to levels below what Jeff is even able to measure with his equipment. I have not heard S2 in my system, but all reports I have heard from users have been extremely favorable.


One word of caution... All Rowland amps require significant break-in. My M625 stabilized around the 1K hours mark. Even if the unit you get were already broken in, I would want to give it a few weeks of re-break-in in order to bring it back to its top performance.


I recommend against plugging it into the P20 conditioner. Rowland amps feature hefty Power Factor Corrected (PFC) AC2DC rectifiers, and these do not play well with many conditioners, particularly the ones that do AC power regeneration.


 Saluti, G.


Hi @mrdecibel, you and I seem to be sharing similar concerns.


I have also pointed out multiple times that some of this fine equipment takes a long time to reach their full bloom... And thus, those who seek their true music-making magic, need to be, yes... Excruciatingly patient.


For all intents and purposes, these behave like acoustic musical instruments... And like so many acoustical musical instruments, ranging from violins, cellos, pianos, etc... They undergo a prolonged period of break-in, where the tone gradually evolves and blooms. Perhaps a little different with horns, where most of the break-in is in the nimbleness of mechanical parts rather than the tone of the horn.


The good news is that, while a brand new cello might take a few years to yield its true gold, a top flight amp can reach top performance in a mere matter of months.


Regards, G.



WhitecamaroSS, you can upload your photos to Dropbox or other similar service, and post the links to the pics of your system to this thread. G.

Hi WhiteCamaroSS, clearly the Prometheus are going through their evolution..... Inevitably you will find days where the sound has improved, followed by a dip into dullness or hardness... Break-in takes time and patient... It will be interesting to hear your thoughts when they reach full bloom in several weeks.


G.


Hello Whitecamaross, I appreciate that the Prometheus are two hears old.... However, if tey have been offline and stone-cold for several weeks before you picked them up, they will require some two to three weeks of munching a signal to return to their top performance... I experienced this with my own Rowland M925s, which I stored for some six months during my household move.... It did take them 3 weeks to rebloom completely.


Excellet idea to use them for TV, etc... In addition, as I mentioned already, I recommend a steady diet of white noise at moderate-low volume whenever you are not using them.... Interstation FM hash from a tuner will do fine, or a break-in CD.... There are several of them on the market... E.g. Purist makes one such CD.


G.

  

Not as bad as that, Whitecamaross.... If well broken-in critters are disconnected for a day, a couple hours or three of crunching a signal will bring them back to full bloom.


In this, there is nothing unique to class D amps, nor to amps.... Amps, linestages, and CDps that have been in my system all "suffered" from the same maladroit malady.


G.



 hours

Hello Whitecamaross, while you will not need to wait until Christmas for your M925s to reach full bloom, it is highly likely that they will continue to mature for well over one single month, particularly if they are a factory-new set.


And even if they are not new, they might have been offline for quite a spell, and their original break-in might never have been completed.


PS. Please follow the directions in the manual for stacking the audio chassis on top of the power supply chassis with the 4 delrin beads in between.... The process requires two people to avoid damaging the casing. 


Also make sure that all the toggle switches on the back of the units are in the correct position for absolute phase, and balanced operation.... Check the manual. If you flip any of those switches while the units are powered up, a spike might end up frying your speakers.


G.

 



I freely admit that I have no experience with Bryston and SimAudio.


On the other hand I have owned 5 Rowland amps, 1 Aragon, and tested or reviewed several other amps.... With the exceptioon of two review candidates, they all matured positively a great deal with break-in... The two exceptions did go through some change with break-in, but did not improve per se... They remained unacceptable in the end... Just different from the initial state.


Funny enough, even the audio systems in my old Toyota Cyenna and new Prious had to break-in... Took several months for them to sound decent. The Prius in particular was initially scarily bad... Pretty nice now. 


G.


      

I do not know about that Whitecamaross, if as an audiophile you cannot trust your your own ears, what else is there to trust?


I thought that mistrust of the senses had gone out of style by the end of the Middle Ages *Grins!*


G.




WhiteCamaroSS, no CD player should be no issue for facilitating breakin of components.... I am positive you can find some atmospheric tracks of breaking beach surf, crashing waves, rainshowers, etc.... Not too far from white noise. Besides, I am sure you can find some online tracks of noise for breaking-in equipment.... From Purist and others. Worst case... Turn on your car radio... Tune to FM in between stations.... Record several minutes of the hash on your mobile phone.... Load the recording on your music server.... And voila! G.


 



Hello WhiteCameraSS.... Yes, intoxicating is the operative word when it comes to the Rowland M925 amps, even when fed through their stock power cords, isn't it?!


Just a reminder that if the amps have been in transit for several days, and have been stone cold for a few weeks/months before that, it is highly likely that you haven't heard anything yet from them... If you feel somewhat intoxicated already, you might be in danger of a little overdosing by the time rebreak-in is complete *Grins!*

  

... Be patient, and give them a good couple weeks of settling in with 24/7 operation before doing anything else with them, such as upgrading from their stock PCs to a loom of Cardas.


Concerning Cardas PCs, yes, there is profound synergy between Rowland electronics and Cardas cables. I have just installed a complete loom of Cardas cables in my system... Including the newest statement Clear Beyond XL PCs on Rowland M925 monos, Rowland Aeris DAC + PSU, and Esoteric X-01 CDp... Clear Reflection XLR and speaker wires, and Clear SPDIF coax. After a mere 48 hours of crunching signals, The result is quite simply STUNNING! I will be posting a detailed review very soon.


Saluti, Guido


Yes, M925 is an expensive amp. Yet, the entry point to the Rowland house sound is quite reasonable a smidjin below $3K for the M125 bridgeable amp, $6K range for the new M535 bridgeable, and $9.5K for the Continuum S2 integrated.


I might be evaluating M535 before long, and I will post my observations to Audiogon.



Saluti, G.



Hello Whitecamaross... And the funny thing is that, with your M925 monos, you haven't heard anything yet... Just let 'em steep for a spell until they reach full bloom *Grins!*


And then give them both the gift of Cardas Clear Beyond XL power cords.... Wait for few more days while the Cardas bloom and stabilize, and hold on to your seat... I am afraid that your musical intoxication will get a lot worse than what you are experiencing now.


Saluti, G.

 


 

Hello Whitecamaross, even though your Cardas Clear speaker wires are used, they likely require some 4 days of playing music to return to full bloom and for the treble to open up.


Just bear in mind that Clear is not the top of the line Cardas speaker wire... Clear Beyond is.... Alstewart can tell you about the audible difference between the two.


Saluti, G.


Hi greginnh, I have heard that K-01X does not have an attenuator/volume control on its analog outputs. And so it cannot drive an amplifier directly, but a preamplifier is always required... Is this correct?


Regards, G.



Hello Pokey, my estimation of M925 breake-in of 1K to 1.5K hours was predicated on the units being new. It appears that Whitecamaross’s M925 are previously owned/used units. They seem to have been offlilne for a while before WCSS picked received them. Re-breakin will probably take much less than 1K hours. Probably a few weeks of grinding signals will do the trick.


Saluti, G.



Hello WhiteCamaroSS, any sterility/digititis in Capri S2 indicates that the critter needs some real good grinding.... A well broken-in Capri S2 is actually subtly warm.


Saluti, G.


Hello Pokey, if the M925 had about 100 hours when WC received them, he probably has some 300 hours of major evolution in front of him....During this time he might experience some performance cycling gradually tapering off.... After that, some 400 hours of further slow opening up..... Once he  approaches the 1K hours total, he will start experiencing progressively smaller refinement for another few weeks.


It is worth bearing in mind that what he has heard from his dealer might be an underestimation of total hours on the devices... So, his M925s might have been further along than 100 hours.


G.


eHello WhiteCamaross, like with any device, Capri S2 (hope you got S2 and not the original version), needs to be broken in, or settle down, depending on how many hours it has on it.


Keep in mind that Capri S2 at $4K retail, is not the Rowland reference product, but an excellent entry level pre. Of courseI have no idea which pre you will prefer , once Capri S2 has stabilized.



But remember... Be patient.


Saluti, G.


Hello Whitecamaross, love your videos!


One small suggestion/request for your comparos/shootouts... In the video itself, please announce verbally which component plays first, second, third, etc... While the sightling majority has plenty of visual cues to identify which component is playing, I and other ears-only audiofools cannot see the screen, and remain in doubt on which might be component #1, #2, etc...


Thanks a bunch, and do keep up your megaquest!


Guido


       


Hello Whitecamaross, are you using the same brand/model PCs and XLR ICs on all your three preamplifiers?


G.

"the rowlands are almost winking
at me asking for more volume"


WC, A 2500W DC power supply in each M925 monoblock will do that *Grins!* 


And yes, the M925 monos are rather unflappable, aren't they?!  


G.




Hi WC, I am not surprised that you are enjoying M925 + Capri S2.... I heard Rowland M825 (stereo version of 925) + Capri S2 driving Joseph Audio Pearl 3 speakers a couple of years at RMAF in the Cardas room. The system was all connected and powered with Cardas Clear Beyond.  It was absolutely enchanting and immersive... Enormous stage from which instruments and vocalists emerged with incredible presence and zero fatigue. At each visit I had to spend a couple hours in the suite because I could never have enough of the magic.

Worth mentioning that Rowland, Joseph Audio, and Cardas have been partnering a lot at audio shows, because they share phylosophy of sound, and to my ears there really is so much synergy among the three brands... As of late, they were together at Expona and the Munich show.

BTW, for speaker wires I suggest you give a try the new Cardas Clear Beyond XL flagship... For ICs and speaker wires the flagship is Clear Beyond.... The new XL line is only on PCs.

In terms of break-in requirements, I have discovered that Cardas seems to be quite benign.... Some 4 days of crunching signals should give you a reasonable idea of their capabilities.... and a total of 2 weeks will bring out most of the magic of the loom. Note that if you are currently trying Clear, I understand that there is a big difference between Clear and Clear Beyond.


At my end, I have very recently completed break-in of a full Cardas loom. My system consists of Rowland M925, Rowland Aeris DAC +PSU ultracapacitor power supply, Vienna Die Muzik speakers, Esoteric X-01 used as transport)... Power cords are XL, and Cardas Reflection ICs and speaker wires.... Reflection being some two or three levels below Beyond.... What my system now gives me overall is grand. I am stunned that it is markedly superior to anything it has done until now. I am sorely tempted to eventually jump up from Reflection signal wires all the way to Clear Beyond... Meantime I am busy writing a detailed report on my experience with the current Cardas loom... I will post it to Audiogon as soon as it is ready.


Guido


"The 925 mono blocks are class A/B rather than class D."


Hello Charles, there is a lot to the design and implementation of Rowland M925 mono, and its brother M825 stereo.... Rowland has availed himself of a variety of technologies... Starting with PFC rectifiers, multi-regulated 2500W DC power supplies, Jensen 4-pole capacitors, Lundahl input transformers, multi-layer ceramic bords,  and more... At the core of the design there is a power conversion engine to do the final heavy lifting, and... this core does run in class D.


Saluti, G.





G.

 

Hello Whitecamaross, For all I heard, Esoteric K1 is an amazing single box CD player.... Yes, it does a DAC section which has inputs for external digital sources... But what I do not think it has, is an analog attenuator.... So you will need to use a preamplifier between it and your amps.


I wish you still had M925 and Capri S2.... When I had the older K-01 in my system, matched with M925 and the now withdrawn Rowland Criterion battery-powered pre, it was a marriage made in Heaven!


G.

 

Ahem, the tragic syndrome of Audiophrenia Furiosa that Robert Jerman hints at is discussed at some length in a scholarly editorial that I wrote several years ago for Positive Feedback....


https://positive-feedback.com/Issue46/audiophrenia.htm


Regards, Guido



Hi WhiteCamaroSS, unlike other DACs, K1 is not a launch&forget device.... I believe that it has a variety of upsampling settings and filters..... And audible results will be quite different with various combinations.... It is worth you do some experiments.


Let us know your results.


G.

Hi WC, why would you ever want to sell K1... At least for the next 3 or 4 years? the K1 CD/SACD player is the best single box solution on the market today.... If you ever sell it, the only way to go up the ladder without sliding down or sideways is to opt for the Esoteric multibox Grandioso. The G1 clock has existed since the days of the X-01.... It applies to K1, as well as to the multi-box Grandioso.... And likely to generations of Esoteric offerings in the future.


And if you are interested in optimizing K1.... After breaking in every filter and selecting your preferred one, is to use the G1 clock or one of its brothers.


G.


Hi WC... My bad... You are correct. K1 appears to have slectable upsampling 2X, 4X, 8X, and DSD.... For filters there seems to be only an on/off toggle... No filters selection per se.


Worth testing various upsampling rates with filters turned on and off. For break-in purposes, I recommend to use the filter toggle to the on position, so to exercise the filter circuit.


G.


 

Hello WCSS, when you had the Rowland m925 monos in the system, did you plug the monoblocks into a power conditioner, or each into a dedicated 20A AC line?


G.


WC, Clear is these days far from the Cardas state-of-art.... You should really consider Cardas Clear Beyond XL for PCs, and Clear Beyond for analog ICs and speaker wires... Cardas Clear does remain the top digital IC instead.


G.


Hello WCSS, like you, my bet is on Luxman.... Krell+Ref10 is likely to outperform Luxman in sheer muscularity.... Luxman is more likely to yield a more nuanced experience.


G.


If I remember correctly, a 30A outlet looks nothing like a regular outlet.... And requires a specialized 30A AC connector.


G.


 

Hello WCSS, rather than fiddling with eBay, I suggest you call Scott Markwell at Elite Audio Video, the Furutech distributor to the US.... Scott is a fab guy, and the ultimate source of Furutech info:


Elite Audio Video Distribution
P.O. Box 93896
Los Angeles, CA
90093
TEL: (323) 466-9694, x.22
email address: scot.markwell@themusic.com
web address: http://www.eliteavdist.com/


Saluti, Guido



OK gents, I realize that the current heat wave cross the nation may be cause of some discomfort.... But.... May I suggest that until outside temps return to normalcy, an extra effort be applied to keep things, ahem.... Friendly like, in keeping with the fine tradition of this delightfully audiophrenic watering hole?!


Saluti, G.


I have listened to Luxman gear driving Vivid speakers several times at RMAF... The kind of successful combination that invariably caused me to refuse to get up from the armchair and leave the Luxman/Vivid suite. I also learned as of late that Vivid are extremely synergistic with Rowland amplifiers... Too bad WCSS no longer has possession of the M925 monos.


Yet, M925 are not the only Rowland amps worth exploring... I For example, I have listened to the 400W Continuum S2 integrated several times, and I always found this integrated to be incredibly graceful. One more Rowland amp that intrigues me perhaps even more -- No, I have not heard it yet, but have heard very good things about it -- is the new M535 bridgeable... I suspect that a pair of those with their 900W per side would be quite scrumptious driving the Vivids *Grins!*


G.


       



Vivid and Luxman make for a very nice match, no doubt about it. Vivid seem to work best with amps that are very musical, very much like Luxman, as well as my own fave brand... You are sure to enjoy them!


Saluti, Guido


eWhat a fabulous birthday present WC!!!


At my end instead, to celebrate my upcoming 65th, I just made me the present of a brand-spanking new Wessex Festivo 4-valve compensated euphonium.... Lovely critter was just delivered yesterday:


https://wessex-tubas.com/collections/euphonium-and-baritone/products/festivo-front-valve-compensated...


And right now I sound possitively horrid on it.... No amount of in-room treatment will ever improve that... Only practice, practice, and... More practice!


G.



Yeah...  I also hate boring music... That's why I listen mostly to classical *Grins!*




You are right WCSS.... And my bad habit is to start "conducting" when there is a piece that really excites me... And subvocalize the bass line to boot.... All fine when I do it at home, but you can't believe how annoying that was for ppl at RMAF.... I had to learn PDQ to curb my enthusiasms and be still and quiet like a real serious&respectable audiophile *Grins!*


G.

Hmmm... We should consider that WCSS is having fun, first and foremost.... While his never-ending quest is often a source of information/inspiration for many of us, he is not running a Customer Service group chat under contract.... As such, Many posts he responds to, and some he does not.... And that is just fine.... Do what I do, sit out in the shade, and sip icewater to chill out *Grins!*


G.

 

e

Hmm, lemme see if I can explain our heroic friend WCSS's acute manifestation of Audiophrenia Furiosa in bulletted form....

 

* He can do it because his wife is a Saint!

 

* His spirit is that of an explorer of old, Always restless, always questing, always yearning... Not so much that of the pioneering settler who explores every last nook and cranny of his magic valley nestled amongst the tallest hills and then happily puts down roots forever.. The true explorer can't help it wondering about What's just out of sight, beyond that next hill, and is compelled to take immediate action.

 

* Conversely, the generational exploration of the World that in some 80,000 years inched early human habitation from East Africa, through the Southern coast of the Arabian peninsula, the whole landmass of Asia, the Aleutian land bridge, and then gradually South through the Americas, all the way to Tierra Del Fuego is alien to WCSS's "forma mentis"

 

 

* Thus, the goal is as much the experience of the journey, as are the resulting scattered bits of knowledge and the fond memories of its happenings. Read Charles Darwin's The Voyage Of The Beagle(1)... you will grok the spirit.

WCSS's eternal question is... "What if?"

 

* WCSS's back does not get dislocated by hefting ungodly weights day after day *Grins!*

 

* He is having load of fun doing what he is doing, and is happiest when we can enjoy his adventure vicariously....

 

* ... But WCSS does not feel particularly obligated to heed every suggestion -- sometimes more like obsessive demands for methodological conformance or directional intimations -- from the other denisens of this most audiofoolish watering hole... This being a Free world, and all that jazz.

 

...

 

Bottomline: let's relax and enjoy our friend's adventure, even though mostly vicariously.... Simetimes we will agree with his choices and the -- never permanent -- turn he has taken, while other times we will wonder... Yet always we must admit that he, and all of us, are having fun.... At WCSS's not unconsiderable expense, that is... Ah yes, did I already mention that his better half is most certainly a Certified Saint(2)?

 

Saluti, G.

 

Footnotes:

 

1. Downloadable from: http://www.gutenberg.org/ebooks/944

2. WCSS's better half should be cloned!


Hello WCSS, have you ever considered doing some speaker placement using the Masterset process devised by Peter Gansterer of Vienna Acoustics and John Hunter of Sumiko.... It does take a modicum of patience, but you achieve achieve good results on your own without paying a cent in room treatment or active compensating systems.


Here is a link to a somewhat simplified DIY form of Masterset:


https://www.dropbox.com/s/ud04dqtmas5pw2k/master-set.pdf?dl=0


There is a bit more to MasterSet than what is described in the file, yet the document is a good starting point.


Saluti, G.


PS. If you decided to ignore Masterset, I promise you I shan't pester you about it every second day *Grins!*




I would not go as far as asserting that the speakers in questions are not good... Fact is that I am rather fond of Focals.


Yet, reality is that dealers often recommend those brands on which they have obtained higher margins.


G.

 

Historically, I have found Focal to be more musically and emotionally satisfying than Magico.... But the Focals being factory fresh might play against them.... WCSS, will you be patient enough before lifting camp and trekking for the next hill?


G.