that's mister 51......
Ok ....look at it this way.I know it sounds like i'm on crack ,but try to look at your whole system as one.
I used to look at the numbers game myself.I used to own mega YBA amps,and yba signature pre etc...watt pups.So i know about heavy & massive.
So we start at the fusebox,the energy vibrates and goes to the cd.It picks up the signal.The super delicate signal must remain whole.It is hitching a ride on your energy.If the wire is too massive the energy is not vibrating at is close to native frequency.The more mass the energy meets the less it vibrates.The weaker your signal.Then more wire,heavy preamp kills more of the energy.Imagine when you cryo a wire ,the molecules are even more dense then original. Even less air for the energy to vibrate through.The signal is jammed with traffic.Need lots of juice to force it through.POWER.So just follow the pattern to a heavy amp which blocks the vibration etc...
Once you hit your speakers ,most assume the ride is over.Actually the air is now moved ,VIBRATION.your floor and walls (room) are part of the WHOLE.The walls need to vibrate in order to continue the communication.Killing the musical notes is not the way.Absorption of any kind will affect the whole.Cement walls that don't vibrate are ???.Some say to put up 2 layers of drywall to make it rigid....what do you think that does to your vibration?
I'm not pushing any one product over another.All i want you to understand is it works together as a whole ,vibrating like a light .....musical instrument...
I don't care about....tubes vs. SS...analog vs.cd...horns vs.cone drivers etc...american vs.europe.No names are better or worse ....They are tools to work with and produce music.We tend to collect components instead of applying our art to let the signal BE.
Ok ....look at it this way.I know it sounds like i'm on crack ,but try to look at your whole system as one.
I used to look at the numbers game myself.I used to own mega YBA amps,and yba signature pre etc...watt pups.So i know about heavy & massive.
So we start at the fusebox,the energy vibrates and goes to the cd.It picks up the signal.The super delicate signal must remain whole.It is hitching a ride on your energy.If the wire is too massive the energy is not vibrating at is close to native frequency.The more mass the energy meets the less it vibrates.The weaker your signal.Then more wire,heavy preamp kills more of the energy.Imagine when you cryo a wire ,the molecules are even more dense then original. Even less air for the energy to vibrate through.The signal is jammed with traffic.Need lots of juice to force it through.POWER.So just follow the pattern to a heavy amp which blocks the vibration etc...
Once you hit your speakers ,most assume the ride is over.Actually the air is now moved ,VIBRATION.your floor and walls (room) are part of the WHOLE.The walls need to vibrate in order to continue the communication.Killing the musical notes is not the way.Absorption of any kind will affect the whole.Cement walls that don't vibrate are ???.Some say to put up 2 layers of drywall to make it rigid....what do you think that does to your vibration?
I'm not pushing any one product over another.All i want you to understand is it works together as a whole ,vibrating like a light .....musical instrument...
I don't care about....tubes vs. SS...analog vs.cd...horns vs.cone drivers etc...american vs.europe.No names are better or worse ....They are tools to work with and produce music.We tend to collect components instead of applying our art to let the signal BE.