Living
Sound in Wichita hosted Wendell Diller of Magnepan and the new 30.7 speakers
July 23rd. In the interests of full disclosure, I was involved in
arranging the event, but as an interested and potential customer and friend of
the owner; I am not an employee of Living Sound. They were shown in
a room approx. 20'x 30', and were driven by PS Audio M700's, with both digital
and analog sources.
My
dominant impression is that these speakers present a gigantic soundstage, both
wide and deep. It felt as though I could walk into it. Throughout
the demonstration I found myself closing my eyes, to fully appreciate the size
of the soundstage. My own system is Infinity IRS Betas, and so I expect
good bass reproduction, and these speakers delivered all of the bass I could
want. In contrast to my Betas, the integration across the frequency range
was quite seamless.
A
variety of music was played, chosen to demonstrate the capabilities of these speakers.
Our host, Thomas Shafer, prepared a very informative discussion, with carefully
chosen selections to illustrate the capabilities of these units. (Contact
Thomas at Living Sound for a copy of the outline--it was interesting and very
well done. tshafer@livingsoundhome.com).
Particularly impressive, to me at least, was Josh Turner's "Long Black
Train". You don't have to be "country" to appreciate this
sound. He has a BIG voice, with the usual high-quality session men behind
him. The 30.7's filled the room with this sound, without losing the
detail of the musicians behind him. These speakers can boogie.
Also memorable was Lyle Lovett, "North Dakota",from "Live in
Texas". You had the clear sense of presence at the show, and could easily picture the stage and
musicians.
Chad
Kassem of Acoustic Sounds in Salina came down and played some vinyl he's about
to introduce. The recordings were extremely silent, and you could hear
Dean Martin breathing on one of the cuts. Vinyl at its best.
The
30.7's are not plug-and-play. Positioning can be varied with respect to
room boundaries, and either bass/low midrange or upper midrange/tweeter towers
can be placed on the outside, with different effects on the imaging and
soundstage. Wendell also tuned the midbass
by installing inductors or resistors, which can be optionally plugged into
terminals on the back of the speakers. The consumer should
expect to experiment with placement and tuning for optimum results, which is
the case with any top-level speaker system.
One
common misconception needs to be addressed, which concerns the size of the room
required. Although Living Sound's room was 20'x30', it effectively
"played" much smaller, given the encroachments of displays and
furniture from the side walls, and the depth of seating provided for the
audience. A room 15' wide (the size of my music room) should be quite
adequate. I would have no concerns at all installing these speakers in my
music room. I don't expect that you'll need to rob the
bank for amplifiers to drive them; the M700's did not seem to be overly taxed.
There
has been a lot of discussion on the 'Net about whether these speakers did or
did not sound good in a particular environment. In the Wichita demo, they
sounded great--detailed, accurate, and "big". In particular, I
think Wendell is to be complimented for hauling these units around the country
and offering to demonstrate them in any and all conditions, with a huge variety
of equipment. The fact that they show extremely well in a diversity of
environments (I also heard them in Denver at Listen Up) makes an important
statement about them: the consumer can be confidant that they will perform well
in their particular configuration.
If
you're comfortable with the size, you need to listen to them. I'm glad I
did, and the audience was as well. Good show!