And I'm in support of what Audioconnection says, above.
I started right away with the variable crossover. It adds to the expense, but I'm glad I did it as it allows you to play around with the settings to find the best result.
I started with the crossover at the input impedance of my amp. Sounded good. After settling in, I used one setting up, and then one setting down. The down (I think) really made a difference.
Once you get that where you want it, close up the boxes and work the dials on the back of the 2wq. If you want "bloomy" bass, you turn up the Q factor dial. Using a second dial, you can determine what frequency to roll off the bass. I'm still playing with that one, based on my tastes from day to day.
I started right away with the variable crossover. It adds to the expense, but I'm glad I did it as it allows you to play around with the settings to find the best result.
I started with the crossover at the input impedance of my amp. Sounded good. After settling in, I used one setting up, and then one setting down. The down (I think) really made a difference.
Once you get that where you want it, close up the boxes and work the dials on the back of the 2wq. If you want "bloomy" bass, you turn up the Q factor dial. Using a second dial, you can determine what frequency to roll off the bass. I'm still playing with that one, based on my tastes from day to day.