Dear Lewm, as I am very familiar with the "phenomenon" you describe - in fact I could never do without that 3-dimensional soundstage presentation and have never since the early 1980s - I can assure you that it has nothing to do with wood of any kind as arm wand material.
Your were rather listening to a well aligned cartridge with very equal output in both coils and a speaker with less than average problems regarding phase response.
Most designers who use wood of any kind and shape as arm wand material do so because of certain aspects of dampening, weight/stiffness ratio and "certain sonic signature" inherent to wood in conjunction with fairly easy handling of the given material.
I for one prefer certain metals - due to the very same points just mentioned and some more aspects hardly mentioned at all in tonearm design so far.
But we will soon see in complete physical "Gestalt" ( if photos only ....) what I mean.
Your were rather listening to a well aligned cartridge with very equal output in both coils and a speaker with less than average problems regarding phase response.
Most designers who use wood of any kind and shape as arm wand material do so because of certain aspects of dampening, weight/stiffness ratio and "certain sonic signature" inherent to wood in conjunction with fairly easy handling of the given material.
I for one prefer certain metals - due to the very same points just mentioned and some more aspects hardly mentioned at all in tonearm design so far.
But we will soon see in complete physical "Gestalt" ( if photos only ....) what I mean.