**** I’ve been listening to the new Jazz releases on Qobuz and it amazes me what they are called Jazz. ****
From a great Jazz philosopher:
Jazz for aficionados
So, I gotta share this with y’all. This is in reference to an audiogon forum posting from: And to responding and researching this forum post, I found this very copacetic (or is it copesthetic?) website. Check it out: Roy DuNann, Engineer - From - The The Skeptical Audiophile - In Search of Better Records Apparently, this Roy DuNann of Contemporary Records was a master recording engineer. And also apparently the above site, has a plethora of master recordings of some stone cold jazz for y’all to check out. Scroll all the way down to the bottom to see all the records. @acman3, I got some ’spanish tinged’ jazz music ’backatya’ that’s swinging pretty darn hard! Barney Kessel from the album ’Carmen’ ’Out of print Barney Kessel album. Swingin’ interpretation of the Georges Bizet opera with stellar performances, featuring André Previn on keys. This is ripped from the original 1959 UK Mono pressing.’
Side 1 0:00 Swingin’ the Toreador 05:51 Pad on the Edge of Town 12:36 If You Dig Me 16:40 Free As A Bird Side 2 21:36 Viva El Toro! 24:52 Flowersville 30:52 Carmen’s Cool 35:34 Like, There’s No Place Like... 39:35 The Gypsy’s Hip
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I think of jazz in 20-year periods, starting around 1915. The 30s-40s were a big band era, where Hollywood had some influence. The 50s and 60s saw some emerging greats (think of Coltrane playing with Miles early on.) The 70s has the integration of jazz with both classical and rock music (not simultaneously!) and you have the emergence of both fusion and some lighter fare that borders on the commercial - but still good. This continues from the 90s, and my enthusiasm wanes as the commercial stuff starts to take center stage (but that's just my opinion.) |