Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

Showing 50 responses by rok2id

HD 660s:

Initial Impressions: I think we have a winner. I will play some classical stuff later. Right now I am letting them ’burn in’. Don’t wanna lose my ’audiophile’ status the same day I finally achieved it.

Cheers
**** hey sent you the wrong headphones.*****

ha ha ha    That OP sho nuff be funny.

Cheers
Today's Listen:

Ellington and Coltrane  --  DUKE ELLINGTON & JOHN COLTRANE

An unusual pairing.  Both men showed up with their own bass player and drummer.   They divided the work.  Not too sure how that worked out.  Another Van Gelder recording.
The Notes:   (There is always an interesting nugget to be had in most notes)
"In actual fact Duke Ellington was put into the Jazz world to separate the men from the boys.  His grasp of harmony and instrumental voicing is more advanced than anybody else in the entire range of Jazz, and the reason why many modern fans are unable to accept him is not that they are too modern for Duke, but that Duke is too modern for them."----Benny Green

"I'd really like to get into all Duke's songs, I have a feeling there's a lot to find out in his music" -- Coltrane

I'm sure The Duke grabbed his scores and ran. :)



Ellington
https://www.youtube.com/watch?v=NmkpJD8Ew9c   

Ellington
https://www.youtube.com/watch?v=m6HltqebkT8  

Coltrane
https://www.youtube.com/watch?v=VyDZQs8jNmM  

Strayhorn
https://www.youtube.com/watch?v=Au4sopMai2s  

Cheers

Of course the main question for SOME aficionados will be "whose album is it?"   Well, the Duke is listed on top, all the songs save one, were by The Duke or Strayhorn, but, I have it filed under 'C' for Coltrane.

The Frogman and The OP can sort it out while they stand in line for their "mega yachts"


pjw,

I have had the HD 650s for 14 years. Thought it was time for a change. The 660S is supposed to lift the infamous Sennheiser ’veil’, which I never heard.
I use headphones almost exclusively for classical music.   These are supposed to have the drivers from the HD700.

Better than the HD650?? Which are damn good, We shall see.

Cheers
Prima Luna Amp:

Do you realize your amp cost more than my entire system!   You and your hedge Fund Manager friends are driving reg folks out of audio.

Cheers
Today’s Listen:

John Coltrane -- DEAR OLD STOCKHOLM

Great album cover. Van Gelder recording.
Notes: the notes seem to be mostly about Roy Haynes, and how he came to be the drummer on this set, instead of Elvin Jones.

"When I worked with Trane -- I’ll tell you this, the intensity was so high...it stayed high. so I stayed with the intensity, I didn’t necessarily play differently than I normally play, but John’s solos were longer, and I didn’t want to play the same thing throughout his solo, so I’d have to think of more things and get ideas from what he was playing. When I’m with Trane, I don’t want to let him down -- I want to keep him inspired." --- Roy Haynes

Seems to be a recurring theme with Coltrane sidemen.

https://www.youtube.com/watch?v=gr8z5guIH24

https://www.youtube.com/watch?v=tl3MSV2qIEw

https://www.youtube.com/watch?v=E9-zgx_8d2s

https://www.youtube.com/watch?v=MGvSUKWDOBM

Cheers

Btw, ’Dear Old Stockholm’ is a reworked Swedish folk song. I wonder if the Swedes would recognize it.
*****  my rig might seem expensive to you, but it's near the bottom rung of the high end; plus it's the cheapest that you can get to deliver Class "A" sound.*****

My entire adult working life was in electronics.  IBM and The US Army.   These experiences have prevented me from buying into High-End audio.   I wish I could, it seems to be a lot of fun.

Btw, my Marantz PM 7200 plays 'Class A' for the first 25 watts.  :)

Cheers
One a cold rainy day in central Texas, this puts a smile on your face.

we don't need no stinkin' ice-man
https://www.youtube.com/watch?v=fmDqIY-A7HI  


the introduction is awesome, so is the rest of it.
https://www.youtube.com/watch?v=-zOlugtNz0k   

Cheers


Wire, Cables, Interconnects:

All you need to know are two words:  Blue & Jeans.
Next Question.
Cheers


I think you people have missed your calling.  All that's missing is the drum rolls.

The so-called joke about the escalator at MSU is not funny.   Supposed one of the students trapped had experienced a medical emergency?

Some things should be off limits to 'comics'.

Cheers
I am sure you are implying something but can't figure out what...

LOL
The Queen's sense of humor is just toooooo sophisticated for this country boy.

Cheers
Today's Listen:

Sarah Vaughan  --  SASSY SWINGS AGAIN

After all these so-called jokes, we need Sassy to clear the air.

My copy includes minimum packaging.  On the Mercury label.  Purchased at "World Of Music" in Nurnberg, Germany.  DM29.95 -- 08/85.   Love the history.

All arrangements by Thad Jones and Jay Jay Johnson.   Recorded 1967.

everyday I have the blues
https://www.youtube.com/watch?v=3-9NANdEbZk

take the "A" train
https://www.youtube.com/watch?v=sJJArN0IS30

I left my heart in San Francisco
https://www.youtube.com/watch?v=NWoeODBPrYc

sweet georgia brown
https://www.youtube.com/watch?v=Db3ioirVcEY

A lot of big names in the band.  Hubbard, Woods, Golson, Terry   etc..

Cheers






***** that he was not pleased with the crowds reaction to his performance.*****

I was outraged by the crowd's reaction to his performance of 'Poinciana' on the 'at the Pershing But Not For Me' album.
Loud talking while he was playing, and lame perfunctory applause after such a brilliant performance.   Spoiled the entire tune for me.

***** Marseille France where he's given the respect an artist of his stature should be given. *****

It's all an illusion.   If he has to go to France to get respect, he's a sad case.

Cheers
Just to set the record straight, I love Nancy Wilson, and the way and type of songs she sings.   Just messing around with all the joke stuff.

I was debating whether to order Sarah in the land of Hi-Fi this morning.  I thought I had her with Clifford Brown, but apparently I don't.  That's another one I want.

Beautiful clips.

Cheers

The diva joke?   I was just 'quoting'.   Time honored practice in Jazz.


Today's Listen:

Cannonball Adderley  --  PHENIX

Cannonball reworks all his greatest hits, hence the name.  Interesting the different paths taken by Miles, Coltrane and Cannonball, once they had 'Reached the Sea'.

I wouldn't call these improvements.  I don't think most of these could be made mo' better.   Esp 'Preacher.'  But, since Cannonball was not capable of making bad music, it's all good.  Loved 'Alabama'.

Four months later Cannonball died of a stroke at age 46.

https://www.youtube.com/watch?v=V5kEUkaBz1U   

https://www.youtube.com/watch?v=-hqSekMMxls  

https://www.youtube.com/watch?v=aU-bhxY3xQ4  

https://www.youtube.com/watch?v=v9-A3qvd7v0   

https://www.youtube.com/watch?v=JsRMAQrVsZc  

Cheers
1963 hands down.    NO strings, and perfect amalgam of age and experience.

Cheers
Today's Listen:

Cannonball Adderley  --  THEM DIRTY BLUES
with Bobby Timmons (p) on 'Dat Dere'

The second recording for this quintet.

Notes:  "...For the soulful spirit of the blues---the real, low, wonderfully emotion-stirring, and downright dirty blues that has always been and always will be the bedrock of Jazz--is the basic message of this group. ---- Orrin Keepnews

About sums it up.

https://www.youtube.com/watch?v=VlepuNi40M8 

https://www.youtube.com/watch?v=6e-jphhx8xA  

https://www.youtube.com/watch?v=FAzHD5nSa1M  

https://www.youtube.com/watch?v=8FXrHg20_GA   

 Cheers


Misinformation and Facts about Secularism and Religion

All bogus.

Crime and murder rates in the so-called Southern Bible Belt have nothing to do with Bibles or Religion.  Can't say what is the cause, without incurring the wrath of the moderators.

Cheers
Today's Listen:

Carmen McRae  --  CARMEN SINGS MONK
with / Al Foster(drums), George Mraz(bass), Clifford Jordan(Sax), Eric Gunnison(piano), Charlie Rouse(tenor sax), Larry Willis(piano)

Notes, explaining why different titles are listed on the CD.
"The reason for these title changes is simply insistence by the music publishers, since the instrumental versions have become part of a separate Monk literature."

Outstanding support from the instrument players.  Most of the Lyrics by Jon Hendricks.

straight, no chaser
https://www.youtube.com/watch?v=dnjFkuxwpFY

ruby, my dear
https://www.youtube.com/watch?v=HFE6GiMcL7g

well you needn't
https://www.youtube.com/watch?v=paYODQGwdz4

blue monk
https://www.youtube.com/watch?v=N3qK3mpaSPE

rhythm-a-ning
https://www.youtube.com/watch?v=xLszKax6L-U

Has anyone else ever tried to 'sing' Monk?

Cheers
@pryso 

"Round Midnight" was also, the only tune on the CD listed under it's true name.  I wonder why.   Something else to think about.

Cheers
Today’s Listen:

Dianne Reeves -- THE GRAND ENCOUNTER
with / Clark Terry, Harry"sweets" Edison, Phil Woods, Bobby Watson, James Moody, Al Grey, Toots Thielemans, Kenny Barron, Rodney Whittaker, Herlin Riley and Joe Williams.

This is an amazing line up for a singer who dabbles in Jazz from time to time. Nice fold out booklet with great pictures of all, and personnel list for each tune. All are different for each song. Everyone plays on "Old Country".

Great singer. Wish she would concentrate on Jazz. Recorded 1996.

besame mucho
https://www.youtube.com/watch?v=eFxE60NE1as

let me love you -- with joe williams
https://www.youtube.com/watch?v=nW7cpeRKtfI

old country -- nancy & cannonball did this one, by Nate adderley
https://www.youtube.com/watch?v=uVdwZeF6DCg

tenderly -- with joe williams
https://www.youtube.com/watch?v=sYLmR1Ge4tg

cherokee
https://www.youtube.com/watch?v=2knA3VHTEok

Cheers

Not on the CD, but I love it:
https://www.youtube.com/watch?v=hp4YKvx37w8

I seem to recall a comment about Jazz and Bach and how “the twain shall never meet”.


The man has the memory of an elephant.   The notes of "Little Girl Blue" did mention her "classical Training".

I agree that her singing Ellington did seem somewhat 'incredulous', as the OP might say.  But I did like 'Mood Indigo', for the playing as much as the singing.

The notes also point out that she was bipolar.   Explains a lot.

Cheers
I’ve been to Nyc, but if I had to choose some cliche to desribe it by some art work, the influence of Holywood simply I cant avoid.


One of the most, if not the most unique thing about NYC is Broadway, and the industries and people that support it.. The plays, the musicals, the songs, and all the people that create all that magic.  Also, the epicenter of Jazz.

Sinatra sings a lot of songs written by the creators of that magic. The context of the songs only make sense in an environment like NYC. The entire vibe is NYC.

Another New Yorker, in the same sense, Audra McDonald.

Of course The Frogman knows this better than we do.

And yes, Hollywood has played a part in creating that concept in people around the world. People flock to NYC and LA for the same reason, to MAKE IT.

When I say NYC, I am not speaking of the South Bronx., but Broadway and the Hollywood creation.

Cheers

No, no, no.    When it comes to Divas, we can now say, we hold this list, (the top four),  to be self evident.  After them, the debate is wide open.

Cheers.
Today’s Listen:

Etta Jones -- DON’T GO TO STRANGERS
with / Frank Wess(flute & sax), Roy Haynes(drums)

The notes primarily give a brief synopsis of each song. Also this, "It is certainly a truism to say that there are not very many good Jazz singers....or for that matter, that there never have been. Although, God knows, we certainly do have our share of "stylists", imitators and well paid failures". -- LeRoy Jones

Brother LeRoy is firing for effect. His words are as true today as when he wrote them.  But, he is old school, so good for him.
Prestige Label. 1960.

don’t go to strangers
https://www.youtube.com/watch?v=SgNXTPEsbac

yes sir, that’s my baby
https://www.youtube.com/watch?v=G-9NVIedIaA

fine and mellow
https://www.youtube.com/watch?v=qsXdbn-GKaA

bye bye blackbird
https://www.youtube.com/watch?v=VG1f7B24C24

all the way
https://www.youtube.com/watch?v=AnlxFXV7T8s

Cheers


Today's Listen:

Dinah Washington  --  THE FATS WALLER SONGBOOK

With a bunch of people including, Doc Severinsen, Frank Wess, Melba Liston, Clark terry, Sahib Shihab and many more.

Nice Booklet with detailed historical info of each song.

This player / composer's contribution cannot be overrated.

Purchased in Germany 1985.  The dawn of CD.  DM34.95

t'aint nobody's biz-ness if I do
https://www.youtube.com/watch?v=1cW6zkxz7oE   

jitterbug waltz
https://www.youtube.com/watch?v=50hqFlUeb-c   

ain't misbehavin'
https://www.youtube.com/watch?v=1-41qGDaMp8  

black and blue
https://www.youtube.com/watch?v=VkF2FgYBJyY    

honeysuckle rose
https://www.youtube.com/watch?v=koAY40lT-sM   

keepin' out of mischief now
https://www.youtube.com/watch?v=Tg6JfUbQ1L0    

Cheers


I am curious to understand why they think that Wynton is ’bending’ the truth.

Alex, he is not bending the truth so much as, he is telling people what they desire to hear. I almost want to say that you have to be born here to understand all the nuances in American history. That’s true for any country.

A very superficial take:

For instance:
If you are a member of a certain group and you venture into a place / endeavor dominated by the other group, then a member of that dominant group must bless you. Or say in effect "he’s ok, he’s the real deal", he can do, whatever, "as well as we can". In Jazz, "he can play". Then everyone is reassured, smiles all around, and we all move on. It is common and accepted.   The person doing the blessing must be considered The Best at that particular endeavor.

That’s all Wynton was doing. Saying in effect, there were / is white / European influences and contributions in Jazz. Everyone was reassured, smiled and listened to Wynton and Jon play EVERYONE"S music.

That’s the American way. Everyone must be included. Remember, when the Jazz wars were fought, back at the turn of the century, this was a country full of Europeans living on the American Continent. As time goes on, the country becomes more and more American. Everyone had an ’Old Country’ back then, except black folks, who are the most American of all people. So it’s only fitting that they produced the first American Music.

Cheers




Re Wynton and the supposed “Americanization” of Jazz. First, Jazz needs no “Americanization”.

I think I said Jazz was created by Black folks, the Most American of all people in this country.  What's this "Americanization".     Why would something created by Americans need to be "Americanized"?



The melting pot concept goes to the very core of what America is about.

The so-called melting pot was the melting of the various European Nationalities.  Did not apply to Racial minorities.   Had nothing to do with Black Folks.



His message is, in fact, about acknowledging the greatness of the Afro-American contribution to the music;


This is like "acknowledging" Beethoven's "contribution" to his Ninth Symphony.   DUH????   Their contribution is, they created the music.

Cheers
Let’s not forget "WHEN." We all get wrapped up with the why, where, how, who, But in history,  the ’WHEN’ is the most important consideration.

Cheers
Today's Listen:

Abbey Lincoln  --  YOU GOTTA PAY THE BAND
with / Stan Getz(ts), Hank Jones(p), Charlie Haden(b), Mark Johnson(d), Maxine Roach(Viola)  (Max's Daughter)

The notes include the lyrics to the songs, and she talks about where and how she 'found' the songs she wrote, and their meaning.

THE OP and The Frogman love her, so she must be good.  I'm just glad Stan Getz and Hank Jones are on board.

bird alone   (nothing to do with THAT bird)
https://www.youtube.com/watch?v=G6jZmZBeGvs

i'm in love
https://www.youtube.com/watch?v=e4FS_UdbMMQ  

you gotta pay the band
https://www.youtube.com/watch?v=snek_ibL7wA  

up jumped spring
https://www.youtube.com/watch?v=l0I786WrSEs  

and how I hoped for your love
https://www.youtube.com/watch?v=WiMyuCKauHI  

Cheers






Some might say it’s very “New Yorkish” 🤔. IOW, hip as hell.

Thus spoke a New Yorker.


Cheers
I bet you can't tell Casandra was influenced by Abbey Lincoln.


I wouldn't doubt it.   Cassandra has the better voice, in fact she has a great voice.  No doubt honed in the Baptist church.   They were both Divas,  if memory serves,  and then they discovered suffering and injustice in the world, and they changed tracks.   Can't see either of them in front of the Basie Band.   But both can be compelling.

Cheers
I heard The Dells today on my usb music stick in the truck.

This music never dies. But, TWA, Boeing 707, and The SkyLiners, The Dells,  all gone.

Cheers
Feelin' Good:

Great song.   And the winner is:   The babe in the purple dress.    You just KNEW I would pick her.   She was the only one that did not look and sound like an amateur.

In 1966, I was living in Atlanta, working for IBM, just months away from receiving a letter from the Government that began with, "Greetings". :(

Great clips

Cheers
Today's Listen:

The Sergio Mendes and Brazil '66  --  FOURSIDER

Probably not considered Divas, but they sure make you feel happy.

No notes.   Simple fold out sheet with track listings.

fool. on the hill
https://www.youtube.com/watch?v=p3eVVPUHfCE  

ye-me-le
https://www.youtube.com/watch?v=zPvB92XgMks  

pas tropical
https://www.youtube.com/watch?v=K8LBvgwDjyg    

for what it's worth
https://www.youtube.com/watch?v=BKe0KB4_x1g   

with a little help from my friends
https://www.youtube.com/watch?v=VgPaOoRMrdg   

promise of a fisherman
https://www.youtube.com/watch?v=jPTPFKoOXsI

Cheers

If the singing on Pas Tropical does not move you to move, git outta audio.

Today’s Listen:

Bill Potts -- THE JAZZ SOUL OF PORGY & BESS
with / Everyone. Most notable, Charlie Shavers, Harry Edison, Art Farmer, Bob Brookmeyer, Jimmy Cleveland, Phil Woods, Zoot Sims, Al Cohn, and Bill Evans.

Don’t know if they captured the essence of Porgy & Bess, but the playing is exceptional. Excellent booklet that even lists the Soloists that play on each number. Always helpful for us Amateurs.

Amazon says I purchased this in 2017. This is my second time playing it. One of those that you appreciate as time goes on.
Recorded January 13, 14 & 15 in NYC. 1959. Great year for Jazz.

summertime
https://www.youtube.com/watch?v=CkQ6zbREf3w

my man’s gone now
https://www.youtube.com/watch?v=3QTRZTHZ-3g

I got plenty of nuttin
https://www.youtube.com/watch?v=HqooYPiQLI8

it ain’t necessarily so
https://www.youtube.com/watch?v=FirkLdjGYV0

I loves you, porgy
https://www.youtube.com/watch?v=412phI_qZAg

Cheers






Today's Listen:

Dave Brubeck  --  TIME OUT
with / Paul Desmond(as), Joe Morrello(d), Eugene Wright(b)

One of the most well known / popular Jazz recordings of all time.   

The notes talk of Brubeck's experiments with time signatures.  "The outcome of his experiments is this album.  Basically it shows the blending of three cultures: the formalism of classical western music, the freedom of Jazz improvisation, and the often complex pulse of African folk music.  Brubeck even uses, in the first number, a Turkish folk rhythm."

In other words, a novelty.  Notes only a professor at Julie Art would write.  Complete and utter.   Nevertheless, a couple of catchy tunes.

take  five
https://www.youtube.com/watch?v=ryA6eHZNnXY   

blue rondo a la turk
https://www.youtube.com/watch?v=FqPC-BkylxA  

three to get ready
https://www.youtube.com/watch?v=EZLMHglUTaI  

I think the reason the drum solo on Take Five works so well, is because Brubeck keeps playing throughout Morrello's solo.   Like they switched places.   Often times during drum solos, everyone else stops playing, thereby destroying the flow of the music.

Cheers


A person's perception of reality does not change or define reality.

A homeless person sleeping under a bridge in the South Bronx, and A billionaire Hedge fund manager, may have different experiences of living in NYC, but they BOTH represent the same reality of living in the same city.   As does everyone in between.

Cheers
Today'sListen:

Ernestine Anderson  --  NEVER MAKE YOUR MOVE TOO SOON
with / Monty Alexander(p), Ray Brown(b), Frank Gant(d)

The notes:  A description of each song by Edith Hamilton, Jazz Critic, The Miami Herald.
also:
"...a voice to make more heralded singers weep with envy.  The accompaniment is flawless; the recording is excellent."  Chris Albertson   Stereo Review.

If Albertson says it, you can take it to the bank.

what a diff'rence a day made
https://www.youtube.com/watch?v=WUN2E_NO2yI  

never make your move too soon
https://www.youtube.com/watch?v=c8OotoTeLAk  

my shining hour
https://www.youtube.com/watch?v=hrI0FUXsn-0  

poor butterfly
https://www.youtube.com/watch?v=SXHCaJbMs_o   

Cheers

If the title of the song is 'what a difference a day made', why does everyone sing it, 'what a difference a day makes'?



Today's Listen: 

Clifford Brown - Max Roach Quintet  --  AT BASIN STREET

Clifford Brown(tp), Sonny Rollins(ts), Richie Powell(p), George Morrow(b), Max Roach(ds)

Notes:  "This is the EmArcy debut of a musician who in the past couple of years has risen to high esteem among modern Jazzmen--Theodore Walter "Sonny" Rollins, the new idol of the tenor saxophone, who took over Harold Land's spot in the quintet late in 1955.   Rollins was 26 when this was recorded.   I just smiled.

In fact, this entire album just makes you smile.  Great playing.

i'll remember april

https://www.youtube.com/watch?v=efD90XFbpsE  

love is a many splendored thing

https://www.youtube.com/watch?v=TnbApqYP_-o    

what is this thing called love

https://www.youtube.com/watch?v=JTWRZkoLGx8  

powell's prances

https://www.youtube.com/watch?v=q3o9SdL651g  


Cheers





Today's Listen:

Cannonball Adderley  --  FIDDLER ON THE ROOF

Cannonball Adderley(as), Nat Adderley(t), Charles Lloyd(ts,f), Joe Zawinu(p), Sam Jones(b), Louis Hayes(d)

Music from the Broadway musical.  Recorded before the musical actually opened.

fiddler on the roof
https://www.youtube.com/watch?v=C8Zc2GmCq7c   

to life
https://www.youtube.com/watch?v=fChkHmHcU5Y   

sabbath prayer
https://www.youtube.com/watch?v=4fWY8tyNlzA   

chavalah
https://www.youtube.com/watch?v=jhkIU2-RAiQ  

sweet georgia bright**
https://www.youtube.com/watch?v=7YuZuXI1ZRs  

** Not music from the musical, but on the CD.

Cheers
Are you saying, "John Coltrane is no Charlie Rouse".   As 'incredulous' as that sounds at first hearing.

Cheers