Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

Showing 50 responses by rok2id

@schubert 

Your boys on parade.   They come from the largest Battalion in the German Army.   Some companies active, some not.   All stationed in Berlin.   I guess they do this very, very often.

https://www.youtube.com/watch?v=35WyzcqQIZw

Cheers
Are you saying that technique and phrasing, trumps the voice? Within reason of course.


When I think of her voice’s decline, I think of this song.

https://www.youtube.com/watch?v=ImXVzNINKig

Still compelling.

Cheers

Btw,  Webster, Edison and Kessel are the players.
Billie Holiday:

I just received this box set, 3 CD, Billie Holiday -- THE ULTIMATE COLLECTION. Good sound quality and good selections, but, no ’Fine and Mellow’.

In the notes, in response to the critics, that said her lifestyle had harmed her voice, Ms Holiday said: "Anybody who knows anything about singing says I’m for sure singing better than I ever have in my life. If you don’t think so, just listen to some of my old sides like "Lover come Back" and "Yesterdays", and then listen to the same tunes as i have recorded them in recent years."

She said this in the mid-50’s

https://www.youtube.com/watch?v=yczvZyzOXKA 1944
https://www.youtube.com/watch?v=RRUlxvdy1iw 1952

https://www.youtube.com/watch?v=BVKyUJVjZf8 1939
https://www.youtube.com/watch?v=_DdK7il-NQs   1952

A case for an ’Aficionado’ decision if there ever was one, esp since some of you may have been at the performances. :)

Cheers



Today's Listen:

Modern Jazz Quartet -- A CELEBRATION
MJQ plays with guest artists.   All great, I listed three.

Bobby McFerrin
https://www.youtube.com/watch?v=QeCoX9YjR7g  

Phil Woods
https://www.youtube.com/watch?v=T9b_7qVaUuk  

Wynton Marsalis
https://www.youtube.com/watch?v=rYokT-IOnFI 

Cheers
Questions To The Frogman:

I have noticed, for some time actually, that when I listen at my sweet spot, which is an equal distance from each speakers, the left channel always seems to be the dominate channel.  Most of the musical information seems to come from the left speaker.   This was true with all three different systems.  The center of the sound-stage seems to be slightly to my Center-Left.  Between the left speaker and the equipment rack, which sits in the middle.

The classical recording I played did not exhibit this.  (Norrington's LvB 9th), but all the pop recordings did.

After a search, this  has been discussed online, so I am not alone.  Is this a common situation?   And why?

Comments?

I did switch the outputs cables from my tuners, and the dominance went to the right.

Cheers
Today's Listen:

Jon Hendricks and Friends -- FREDDIE FREELOADER
Some of the friends:  George Benson, Al Jarreau, Turrentine, Wynton, McFerrin, Al Grey, the Count Basie Orchestra,.........

Miles
https://www.youtube.com/watch?v=q3-wvcStsoo 

Hendricks
https://www.youtube.com/watch?v=ddbLKq_Xs_E 

Armstrong
https://www.youtube.com/watch?v=8sDtgFTTblc   

Monk 
https://www.youtube.com/watch?v=CkWgNjCv698   

The booklet sets the standard for what CD booklets should be.  Words to all the songs listed, plus generous narrative on each tune.

Cheers


Today's Listen:

Paul Chambers Quartet  --  BASS ON TOP
with / Kenny Burrell, Hank Jones, and Art Taylor

Obviously one of the best ever Jazz Bassist, but I keep waiting for the Trumpets / Saxophones to come in.  Conditioning.   Still, If Chambers can't sell the bass as lead instrument, then no one can.

https://www.youtube.com/watch?v=pT0wEDDiKfA

https://www.youtube.com/watch?v=sjujhTjC3Z0

https://www.youtube.com/watch?v=q-f96wioSPg

Excellent SQ.  RVG Blue Note.

Cheers
Today's Listen:

John Coltrane -- SOULTRANE

with / Red Garland, Paul Chambers, and Arthur Taylor

https://www.youtube.com/watch?v=3-wFdTZcQbo  

https://www.youtube.com/watch?v=G4cQkkObYDY 

Well, you knew it couldn't last.  Now, The Trane we all Know and Love.
https://www.youtube.com/watch?v=ELDHvZDjzzs   

Cheers
More Blues for Queen Mary:

Charles Mingus -- OH YEAH

Rahsaan Roland Kirk on ’Everything’

https://www.youtube.com/watch?v=donDOIiuWc0

https://www.youtube.com/watch?v=dkV1SpPD6mo

https://www.youtube.com/watch?v=eaeVLd4G1Zg

Btw,  Mingus plays piano on this recording.   Check him on Hog Calling Blues.

Cheers
Mary Jo, that's really deep soul music.   I was listening to this today as I drove around doing errands.    Sort of in the same vein.  Southern Soul, which I suspect is a lot like Croatian Soul.    
 
https://www.youtube.com/watch?v=112BIpVq3Zk

Happy Valentine's day to you also.

Cheers
@schubert 

Have a good and safe trip to 'The Land of The Morning Calm'.

Cheers
Today's Listen:

Walter Davis Jr -- DAVIS CUP

Davis' debut as leader.  All tunes written by Davis.   And, as the notes point out, these are 'real' originals, not lifted from another genre.  Apparently he was very promising back in the day as a composer, his name being mentioned in the same sentence  with Ellington, Monk, John Lewis and Jelly Roll Morton.  I am not sure his career lived up to the promise.

https://www.youtube.com/watch?v=dPVnYJ_yck8  

https://www.youtube.com/watch?v=Y2gQSJ20rvo  

https://www.youtube.com/watch?v=KMVB6iEEIqk 

Cheers
Today's Listen:

Cyrus Chestnut -- EARTH STORIES

Chestnut received a degree in jazz composition and arranging from The Berklee School of music.  Seems to have weathered the ordeal with his Jazz instincts intact.   Deeply rooted in the Church.

https://www.youtube.com/watch?v=22wmlsttHg4  

https://www.youtube.com/watch?v=wKHBooKFpqo  

https://www.youtube.com/watch?v=IiHB-CHP2Z8  

Cheers
Jacky Terrasson:

@schubert  I have two by him.   His first two recordings on Blue Note.   Back then he was considered the future of Jazz.

https://www.youtube.com/watch?v=btDHv7hI_Cs

https://www.youtube.com/watch?v=M8utvlx9mtw

Hard to think it's the same pianist.

The drummer on caravan was on fire.  It was something to see,  I think it could have used a little more 'Caravan".   Same with Besame Mucho, but, it's Modern day Jazz.   The young folks are happy.

Help, I'm stuck in the 60's and can't get out!!

Thanks for the clips.

Cheers


The Dutchmen were good, but what's up with that drummer?  Got stuck in a time warp at Woodstock?

Cheers

Btw,
The impetus for all Vietnam protests was the Draft.   Since the draft was ended, we have been almost at a constant state of war, with hardly a discouraging word from anyone.  I guess the protests were related to who was doing the fighting / dying.
Food for thought.

Cheers
Today's Listen:

Benny Carter & Orchestra -- FURTHER DEFINITIONS

The liner notes are so tiny you would need a microscope to read them.  I did make out that this session reunited Carter and Hawkins once again, they had played Honeysuckle Rose in Paris in 1937!!!  That's 82 years ago folks.
Fairly decent Saxophone section.

https://www.youtube.com/watch?v=FgatnU6AakM

https://www.youtube.com/watch?v=ftyPAFt5RVs

https://www.youtube.com/watch?v=S-zIGpaxcRE

Is there any better sound in Jazz than a great sax section playing in unison?

Cheers
@frogman 

Problem found.  It's the local FM station.  All systems play just fine, that is, all amps and CD players, except when the tuners play.  Assuming all three can't have the same problem, and the problem moves when the RCA cables at the tuners are switched, it has to be the broadcast signal.

The pop CD that I mentioned is part of a 2 CD set of compilations, and are just badly recorded. 

Thanks for your response.

Cheers
Today's Listen:

Cannonball Adderley Sextet  --  LUGANO 1963

This was recorded in Lugano, Switzerland, of course.  The note writer, Norberto Gimelfarb, actually had the  audacity to take a swipe at Wynton.

"You can instantly tell what separates them: as far as I know, Cannonball only preached through his horn".

"But there are common features.  Cannonball carries in his approach the entire Jazz tradition as much as Marsalis does- or pretends to..."

Wow!!   I guess Wynton must have said or done something that irritated the 'Professor'.

So much for auslander critics.   
The music:     Lateef on sax, flute and oboe

https://www.youtube.com/watch?v=o5YC7N7biTo   

https://www.youtube.com/watch?v=Mpk6AFwqhQw 

https://www.youtube.com/watch?v=ew2tnZIodgw    

Cheers


Today's Listen:

Maynard Ferguson  --  CONQUISTADOR
 somewhere in this are:
George Benson, Randy Brecker, Joe Farrell, Patti Austin, Bob James, Jon Faddis, and a cast of thousands I don't know.

He doesn't just hit high notes, he plays entire tunes up there.

https://www.youtube.com/watch?v=pulI3in1UgI  

https://www.youtube.com/watch?v=_v1J-kGxXds   

https://www.youtube.com/watch?v=3-DKHMTV3NQ  

He designs his own trumpets.   This is the only recording I have ever heard that I thought was a live band playing.  I couldn't see the rig, just heard it from a distance outside.   Sony APM speakers and Phase Linear amps.   

A must own for any Trumpet player.

Cheers



The Frogman's inaccurate and vicious attack upon Maynard can be responded to with one word:    KILLJOY.

Cheers

Today’s Listen:

Count Basie -- KANSAS CITY SHOUT
with / Joe Turner and Eddie ’Cleanhead’ Vinson vocals

Both Joe Turner and ’Cleanhead’ Vinson were way past their prime on this recording. Still better than most. Of course Basie was always in his prime. Vinson on Alto Sax also.

https://www.youtube.com/watch?v=EplnmoOtVFY

https://www.youtube.com/watch?v=AV1zpgM9Y9k

https://www.youtube.com/watch?v=05KOyeaMtSE


have mercy, Percy
https://www.youtube.com/watch?v=2-sOrRxii8E

Cheers


Today’s Listen:

Gene Ammons’ All Stars -- THE BIG SOUND
with / Coltrane (alto), Quinichette, Pepper Adams

Another outstanding Saxophone grouping.  Jerome Richardson (flute)

Only four tunes, so I posted them all. Notes by Ira Gitler. Mr Gitler says that this was Coltrane’s first recording on Alto. He switched to Tenor while in Dizzy’s band in 1951.

Gitler went on to say that Coltrane, on the tune ’The Real McCoy’ "showed a little rust in handling the lighter, faster horn tonally".

I would like to hear The Frogman’s comments on that.

These critics sure have nerve. First Wynton, now Trane. next?

https://www.youtube.com/watch?v=hcCuEkphSvU

https://www.youtube.com/watch?v=TH07y7nLF1g

https://www.youtube.com/watch?v=xPycViCDXjg

https://www.youtube.com/watch?v=UuH9Q3BxRuM

Cheers




@frogman 
Thank you for your prompt and comprehensive response.   His dates pertaining to Coltrane on Alto and Tenor are really confusing, and, as you point out, wrong.

Cheers
'Cleanhead' Vinson:

He could be unique in that he is both great and under-appreciated in two genres.    Great tunes.
I think I first heard the first clip on a Cannonball LP.

Cheers

Today's Listen:

Harry "Sweets" Edison and Eddie "Lockjaw" Davis  --  IN COPENHAGEN - SWEETS AND LOCKJAW
with / local rhythm section

https://www.youtube.com/watch?v=55C1uZhrLCc   

https://www.youtube.com/watch?v=usymlLNQocY  

https://www.youtube.com/watch?v=bC2rEwSvk24 

https://www.youtube.com/watch?v=pxWu0A-ttso

Both played in the Basie Band.   Its shows.  

Cheers
Sounds like something by Gershwin.   I couldn't get it, so I tried to cheat by using my phone and playing that passage. but the phone said, it's "tri-horn blues, by Sonny Stitt".   ahahahahah.   And they call them 'smart' phones.

Cheers
Left channel dominance:

This subject has appeared on Audiogon before, back in 2012.   Many articles on the internet.  I sought to solve it by playing my Chesky recording of Wycliffe Gordon.  Thinking this would  eliminate any questions of the source.  It did.

Results indicate that my system, Hearing and speakers are all  OK.  It is the recordings, including those on FM radio.   This can be corrected with the balance control, but I hate using controls. 


https://forum.audiogon.com/discussions/why-my-left-speaker-sounds-louder-then-my-right

I asked The Frogman because I thought it might be the recording process that was the problem.  If you visualize an Orchestra, most of the action is to the left.   The violins, any guest soloist, singer of instrumentalist, always stand to the left.  Then you throw in the guys in the mixing room and ...

https://forums.stevehoffman.tv/threads/why-is-there-more-sound-concentrated-in-the-left-channel-than-the-right.133009/

Frogman, play a few CDs on your system and then comment.

Cheers

Most often, even the four soloist used in LvB's 9th sit to the left.
***** After all, Frogman is "The music man".*****

"Goto Guru" sounds more modern.

Actually I'm just testing my ears.

Cheers
Diane Schuur:

I have a few CDs by Miss Schuur. Great voice. I like all three tunes you posted, but I felt the band was lacking something on "The Man I Love". The Band Just didn’t seem / sound right to my ear.

Maybe The Frogman could comment on "The Man I Love".

Nice posts and your interpretations of the song’s meaning were spot on.

Cheers
Well, while you were dillydallying, I did buy 'Sound Of Red'.

In the notes Miss Marie says, "To talk about 'Sound Of Red' diminishes it's impact".   So please just listen.

The lyrics to all the sounds are listed.    Sherman  Irby on Alto.

Cheers
Btw,  I think recording for a mainstream Jazz label would have made a big difference in Miss Schuur's recordings.   Starting with the Cover Art.

Cheers
Today's Listen:

Betty Carter and Ray Bryant --  MEET BETTY CARTER AND RAY BRYANT

I think the first Jazz LP I ever purchased was Ray Bryant's "Slow Freight".   Carter did "Baby It's Cold Outside" with Ray Charles.

https://www.youtube.com/watch?v=FDv2eEmMRpE  

https://www.youtube.com/watch?v=oSyyDMbVIcg  

https://www.youtube.com/watch?v=EGteXTYVW-U   

Jerome Richardson on flute.

Cheers

I am afraid I have never heard of Johnny Smith, but he sure can play.  Excellent Vermont.   However, you do realize that tune belongs to Miss Holiday.

I have Anita doing 'Frenesi' on her CD 'Sings ther Winners'.   I have grown to like her.   I bought her on your recommendation.   Remember?

Nice clips.

Cheers
John Coltrane:

'Spiritual' shows why this man was so great.   He was a complete master of the Tenor Saxophone.   If he could think it, he could play it.
Remember in Nica's book, several guys 'wished' they could play what was in their heads?   John Coltrane could.

Favorite Things:  I think McCoy should get at least equal credit for this tune.   His piano playing sort of took over the tune.   Both great, of course.

Nice clips.

Cheers
I'm listening to the entire album.  Very nice.   Notice that it's on the Blue Note label.  Believe it or not, the label matters.

Cheers
Frogman,  thanks for your very informative response.   I remember reading about dissonance when I was 'studying' music from my book, which I seem to have misplaced.

I listened to the tune again, and it almost seems as if the band and the singer are performing two different tunes.

Can you post a clip that demonstrates dissonance used in an effective way?

Can a song end on a dissonance chord?

Cheers


Staton and Lynne:

I remember both of these singers from way back in the day.   The Staton LP was one of the first my brother got from a record club.   I spent a lot of time staring at that cover.   Remember 'Misty' very well.

I also remember Lynne and that song.

Now, maybe you understand why I am stuck in the past,  because that's where the good stuff lives.

Nice clips

Cheers
Casandra Wilson:

You don' t know what Love is:     Way too slow.  Distorts the song.
Check out Etta James and Miss Holiday.

Black Orpheus:   Nice enough, but even through she is from Mississippi, she is hit and miss.   As if she is searching for her place in music.  

Billie's Blues:   Great!!   A lot of the impact goes to the arrangement and the band.   But she nailed it.   All we need is a CD full of stuff like this.

Nice clips

Cheers
One of the great Blues Classics.   Does not have quite the same impact when sung by a woman.   Song by Son House, another great from the Delta.

https://www.youtube.com/watch?v=AFvnT0X9eFQ

Cheers

Barbara Cook:

She does have a great voice, and surely has that ’Broadway’ vibe. We always give credit to the Blues and other genres for their influence in the creation of Jazz, but maybe Broadway and the ’Great American Songbook’ deserves a lot of credit for the growth and sustainability of Jazz. Because a lot of a Jazz, is ’borrowed’ from other genres.

Nice clip from a lady I was not familiar with.

Cheers