Is it possible for something to be the best?


Since there really is not difinative standard when it comes to musical reproduction, is it possible for a piece of equipment to be the best. Or will there ever be "the best system"?
Live music is the sound we are trying to reproduce but even that varies from venue to venue. I'm guessing not many people have actually had a live band/orchestra play in their listening room so to what are we comparing our systems? Can we trust our memory to acurately remind use what a concert we heard several hours, days, or years ago sounded like? Is it realistic to compare my listening room to a $50,000,000 dollar theater designed specificly for the arts?

I'm obviously not suggesting we quit trying but is this hobby/obsession an exercise in futility?
I've been wondering for a long time if the best componant in a great system isn't the listeners imagination. Any comments?
128x128nrchy
There are plenty of bests. The best sex you've ever had. The best day you've ever had. The best system you've ever heard. The best looking woman you've ever seen. The best wine you've ever had. Best Food. Best Friend.Best Car Best Best It's all up to you.
HiFifarm; The issue here though is not what I think is the best wine or sex, or system. The issue is what is the best regardless of my opinion. Just because I think something is the best doesn't mean it is. There is a huge difference between my subjective opinion and supported fact.
Since personal opinions are based on subjective qualities, Nrchy's statement about "supported fact" would mean that one could only base "good" or "bad" products on something that was quantifiable i.e. test bench measurements.

Since we all know that:

A) specifications can't give us all the answers with the current testing procedures that we have

and

B) we all hear things slightly differently and have different takes on how things "should" sound

the only logical conclusion would be:

C) there is no way to call ANY audio component "the best". After all, you can never listen to ONE component without their being other influences on how it performs and what you hear. It all operates as a system and should be judged as such. That is why "system synergy" is what matters and NOT what brands / models you use to get there. Bottom line is "does this SYSTEM perform as it should ?". If it doesn't, you might have to change individual components. Changing individual components may effect the system as a whole, but you will never hear that component by itself or know exactly what each piece is contributing to the total presentation. There are just TOO many interactive variables taking place at one time to try to quantify the situation

As such, one should buy & use what works "best" for them in the confines of their system and personal preferences regardless of measurements, brand names or costs. The only constraint to this is that we would obviously all be stuck with "the BEST that i could afford within the confines of my room, system and personal tastes". Sean
>

PS... I've got the "best" system in MY house to MY ears. There is nothing "subjective" about that, as it is pure "fact" and uncontestable : )
Sean, exactly...and undoubtedly it is "musical". (Just to have the last word...(-; ..)