J Bailey, your experience with the large-format Klipsch Chorus II's in a relatively small room makes sense to me. They probably benefit from generous boundary reinforcement, and are directional enough to avoid the onslaught of early reflections that one typically is met with.
C1ferrari/Sam, regarding DSP, once in a large room (ballpark 80 feet by 120 feet) we used DSP as a "room/system treatment", and it was definitely an improvement. My speakers didn't have adequate bass output in that size room especially with the positioning we had to use, although they did have enough excursion capability to handle the EQ. A rather sophisticated prosound DSP package was used, and we spent about an hour taking measurements in a wide variety of microphone positions.
Also when Robert E. Greene (of TAS) had a pair of my bipolars in his room some time ago, he experimented with at least one DSP room-correction system (something he is quite fond of). He reported in his online forum that the DSP correction made very little change to what the speakers were doing, which he said was indicative of good in-room behavior.
Two things that DSP cannot do anything about are the loudspeaker's radiation pattern and physical limits (both thermal and mechanical). So to get the most benefit from a DSP-corrected system, in my opinion it's a good idea to start out with speakers that do a good job in those two areas.
C1ferrari/Sam, regarding DSP, once in a large room (ballpark 80 feet by 120 feet) we used DSP as a "room/system treatment", and it was definitely an improvement. My speakers didn't have adequate bass output in that size room especially with the positioning we had to use, although they did have enough excursion capability to handle the EQ. A rather sophisticated prosound DSP package was used, and we spent about an hour taking measurements in a wide variety of microphone positions.
Also when Robert E. Greene (of TAS) had a pair of my bipolars in his room some time ago, he experimented with at least one DSP room-correction system (something he is quite fond of). He reported in his online forum that the DSP correction made very little change to what the speakers were doing, which he said was indicative of good in-room behavior.
Two things that DSP cannot do anything about are the loudspeaker's radiation pattern and physical limits (both thermal and mechanical). So to get the most benefit from a DSP-corrected system, in my opinion it's a good idea to start out with speakers that do a good job in those two areas.