Floorstanding Speaker Feedback


Am considering a small(ish) pair of floorstanding loudspeakers and am trying to narrow the possibilities for our downsized retirement home. They will be paired with a LSA Statement integrated amp. They need to be nearly full range (30hz- ish) and need high WAF. Room is open concept, fairly large (600 sq. ft and adjacent to other rooms). Mostly jazz, classical, female/male solo voice, etc. Nothing loud nowadays. Will be replacing best speaker "system" I've owned (A heavily modded pair of Van L. Speakerworks - of Chicago - Quartets and a pair of REL T-7 subs). The short list so far are: Revel Performa F208, Dynaudio Focus 260, LSA 2.1 Statements, Usher Mini Dancer 2's and Vienna Acoustic Baby Grands. Budget is $3000-$5000. Have also considered DeVore . . . but the Orangutan o/93 are a tad outside the budget. Anyone who is familiar with any or all of these care to comment? Appreciate the feedback as I narrow my "search".
zeljoh
Just curious, with your LSA Statement amp, why not consider the LSA statement tower speakers?

Opinion on those seem to range from good to very good.
Keithtexas,

Thanks. The LSA Statements are on the "list". Am also looking at a pair of Essence Electrostatics right now. Am leaning the direction of electrostatics - Essence, Martin-Logan or Janszen. But am investigating others including a pair of demo Gershman Avant Gardes. That's the update.
Should also mention that I have communicated with John at Van L. Speakerworks. If I sell the Quartets I'd be interested in a custom pair of his floorstanding Silhouettes done in a Quartet (MTM) configuration.
I'm with Mapman: Ohm Walsh. Looks like your budget and listening needs
suggest the Ohm Walsh Tall 4000 or 5000. An omni is a great way to fill an open
architecture listening space with a minimum footprint. Walsh 4000s have a
footprint of just a little over a square foot, are short enough (41") to be
unobtrusive, and have that mid-20s bass you're looking for.

A well-designed omni--made to work with the listening room--tends to have a
natural tonal balance, and the soundstage is stable and realistic. I still daily use
bipolar Mirage M5si's (bought in 1996) and had Mirage OMD-15s for over five
years in an open architecture living room, to great effect. I also worked at an
Ohm dealer many years ago, so I have various frames of reference for omni's.

One thing great about omni's is their in-room power response, with no areas of
suckout or "cupped hands" midrange. Sit anywhere and it sounds
right.
Thanks, all. I can certainly relate to the "gone are the days of the great audition" thread. Nowadays, being left with online reviews, personal suggestions, magazines and the like certainly seems to make the search become based upon "faith" as much as anything. Makes the decision(s)very difficult.