Eminent Technology ET-2 Tonearm Owners



Where are you? What mods have you done ?

I have been using these ET2's for over 9 years now.
I am still figuring them out and learning from them. They can be modified in so many ways. Bruce Thigpen laid down the GENIUS behind this tonearm over 20 years ago. Some of you have owned them for over 20 years !

Tell us your secrets.

New owners – what questions do you have ?

We may even be able to coax Bruce to post here. :^)

There are so many modifications that can be done.

Dressing of the wire with this arm is critical to get optimum sonics along with proper counterweight setup.

Let me start it off.

Please tell us what you have found to be the best wire for the ET-2 tonearm ? One that is pliable/doesn’t crink or curl. Whats the best way of dressing it so it doesn’t impact the arm. Through the spindle - Over the manifold - Below manifold ? What have you come up with ?
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Hello Chris,

Thanks for your detailed answer.
I have always been in the ophthalmic industry. In this field some processes are very delicate and require dry air at a very specific pressure.
For such applications we always used diapragmatic air perssure regulators. They indeed expel air through small nozzles to regulate at a very fine level. Standing close to them you can listen the air bleeding out of the nozzles. They are not noisy but I'm not in the condition to say they can be installed inside the listenig room.
Reading the post of Frogman (Dec 12) I imagined that his relief valve could be acting as a bleeding nozzle giving a finer level of regulation, but I do not know.
Chris, I am not sure your in room regulator is diaphragmatic. They look flatter and I never saw one of them with water separator and filter.

Anyway, if I understood well you have a loop system taking 19psi out of the 50psi mains and the overpressure go back to the compressor..?? This is an smart design.

I never had an ET tonearm but I have the highest respect for this design. To me, it can compete against any tonearm. Until I found this thread I sincerely never imagined the air pressure could be so important.

Regards,

Hello Chris,
For some reason, my first answer was not shown.

Thanks for your detailed answer.
I have always been in the ophthalmic industry. In this field
some processes are very delicate and require dry air at a very specific pressure. For such applications we always used
diapragmatic air pressure regulators. They indeed expel air through small nozzles to regulate at a very fine level. Standing close to them you can listen the air bleeding out of the nozzles. They are not noisy but I'm not in the condition to say they can be installed inside the listenig room.
Reading the post of Frogman (Dec 12) I imagined that his relief valve could be acting as a bleeding nozzle giving a finer level of regulation, but I do not know.
Chris, I am not sure your in room regulator is diaphragmatic. They look flatter and I never saw one of them with water separator and filter.

Anyway, if I understood well you have a loop system taking 19psi out of the 50psi mains and the overpressure go back to the compressor..?? This is an smart design.

I never had an ET tonearm but I have the highest respect for this design. To me, it can compete against any tonearm. Until I found this thread I sincerely never imagined the air pressure could be so important.

Regards,
Hi Cabiendi

In this field
some processes are very delicate and require dry air at a very specific pressure.

An interesting comment. thanks for sharing. The quality (dryness and cleanliness) of the air is very important to the tonearm since the pores that allow the air through to elevate the air bearing spindle, can start accumulating water mineral deposits, other particles .. carried by moisture; thereby reducing the effectivness of the tonearm and the pump. The arm is also designed for very easy cleaning. Anyone buying a used ET2.0, or ET 2.5 or having run one for many years should be performing this procedures documented in manual. Being successful (meaning getting the best sonics) with an ET2, ET 2.5 entails becoming familiar with its parts, and the way it works. this is my opinion after 10 years.

I am not sure your in room regulator is diaphragmatic. They look flatter and I never saw one of them with water separator and filter.

My in room regulator normally doesn't come with a water container and filter.
I purchased the filter/bulb separately with the appropriate threading to attach to it. I am in the business of business contingency planning / business continuity. The processes involved have made me somewhat anal in regards to backup systems . :^) Its ingrained in me that you just can't have enough of them.

http://www.xmc-pneumatic.com/products/HAW-Series-Air-Filter-regulator-1082135.html

Model aw2000
I could get a smaller regulator one that would put the 19 psi into the middle range for the regulator, but this one has been working well and the smaller one had to be special ordered. I am told by the shop that uses and sells it, I verified yesterday that it contains a spring and diaphragm.

The other thing we need to remember with both the ET2 and ET 2.5. Both use only a percentage of the incoming air to work as designed; the rest gets bleeded out around the edges of the manifold. The air has to go somewhere. As has been discussed here they are a captured air bearing meaning air circulates the air bearing spindle 360 degrees.
So when we discuss a bleeding effect in the air supply - the tonearms themselves are also designed to release air as part of their design. Bruce has confirmed this to me in previous discussions.

Placing of a draft detector near the tonearm parts should allow one to see how the air is released and if there are any leaks near the bolts themselves.

Cabiendi - your perspective from an ophthalmic industry view is very interesting.
thank you for your insight and I look forward to more input from you.

Cheers Chris