Electrostatic or Dynamic


Every time I get used to Dynamic,I want Electrostactics,then I get Electrostatics. Before long I long for the Dynamics. Can we be ever be content.
philefreak
You are right about coloration. ESL sound is lifeless, and doesn't do live music a justice. Live music is highly involving and sometimes even "harsh". And i am NOT talking about Rock concerts and amplified music. If you like it that is OK, but taste does represent ones state of mind. In this case is dullness!
Wished I had known Albert, I was just there in January. That airport was just about confusing just to get out of, or at least exit on the correct side of. I was lost for 20 minutes trying to find the right highway! Have you heard the Dynastats?
Interesting how different people experience the same things so differently. The thing I've really liked about the electrostatics I've owned (in addition to their midrange clarity and lifelike soundstage) is their vivid "liveliness," yet Lindeman5 finds ESL speakers to be lifeless. Likewise, the main the thing I never quite liked about the electrostatics I've owned or auditioned was their bass performance, particularly at the very bottom, yet Shubertmaniac doesn't experience ELS to have any bass performance shortcomings. (Jerie's and Albert's comments seem accurate to me.) Different ways to invoke for different folks, I suppose. In any case, this thread seems to be getting a little off track -- I don't think the point of Philefreak's question was to ask people to defend one design or the other, but to find out if there were other people out there who also vascilate between ESL and dynamic designs and, if so, what they do about it. Sounds like a lucky few have found their holy grail, while some of us are still exploring the possibilities.
I have mixed both electrostatic, planar and dynamic design.
I have magnepans .05/mglrs-1, OHM'S walsh 2 and 2x0, acoustat spectra 33, eminent technology lft-8a with the push pull, klipsch ss-3 surrounds, dcm 1515 subs,RCA and OPTIMUS lx-5,77 linaeum tweeters for rear/center, even an srs labs klayman signature flat panel. also Wharfedales, yamaha,klipsch and RCA linaeum for center and surrounds. All of these speakers with dakiom stabilizers and BBE sonic maximizers, carver holography, acoustic research spatial enhancer, srslabs enhancer, dbx range controller, peavey kosmos for subs. I DON'T LEAVE ANYTHING TO CHANCE. a COMBINATION OF PLANAR,ELECTROSTAT AND DYNAMICS is always the best method.
i have HORNS even from my klipsch and yamaha. YOu talk about overkill? carver amps/preamps and even compressors and equalizers. MIXING designs and utilizing all at the same time is always the best approach, costly but not really since some of you will spend $20k to $225k for an electrostat or dynamic...
I discovered a really good "compromise" in Legacy Whisper speakers. Extremely open-sounding due to open-air design, yet plenty of dynamics, especially with voices and horns (4 mid-range drivers). 4 woofers do a good job with bass to about 22 hz. If I crave more "slam" I've also got a pair of Legacy Focus 20/20s, but I find myself listening to the Whispers 99% of the time.