Dunlavy SCIV - What amp are you using?


I noticed lately a lot of talk about Dunlavy Speakers. I was wondering what your favorite amplier of choice is with the SCIV or SCIVa?

I've been using a Bel Canto SET40 stereo amplifier that uses 845 Triode Transmitting tubes in single ended mode that puts out 35watts rms and gives 75 watts peak. It is very extended at the extremes and has a breathtaking midrange to die for.

I'd love to hear what others have been using.

Thank you.
no_regrets
I always ran my SCIVs with tubes. I have used custom built 60 watt monos and Audio Research amplifiers with exceptional results. I personally have not used solid state, but I have heard SCIVs with Electrocompaniet and they sounded very good.

SET amplifiers? Maybe on simple music, but more complex music could be a problem.
I feed my Dunlavy SC4s with Air Tight ATM-3 monoblocks. Tubes used are Tesla E34Ls, Mullard "boxplate" 12au7s and Brimar longplate 12ax7s.
I have Dunlavy SC-IV Signatures (revised). I run them with a Bryston 4BST and a Audio Research LS3BR. The sources include a McCormack UDP-1 Deluxe. The interconnects are Kimber Heros and the speaker cable is Alpha Core Goertz. The sound is glorious, full, rich. It feels very complete to me in my large room. Hope this helps.
The Dunlavy SCIV have a very benign electrical load and phase angles thus making life very easy for amplifiers. As long as the amplifier is of a quality design, both big wattage solid state amps as well as lowish powered tube amps will work well.

Sometimes I wonder if when some people see the sheer size of these speakers and all of the drivers that it gives them the mental impression that it surely must demand a huge solid state monster amp to match the monster size of these speakers. Don't get me wrong.....these Dunlavys will handle the big amps but they can really sing beautifully with smaller wattage tube amps too! A lot will depend on the size of the room you are trying to fill.

As it was mentioned earlier, these speakers are hugely transparent and quite capable of revealing the slightest of changes upstream, whether it be switching out cables, different types of tubes, etc. But, when you have everything sorted out up stream, they are truly wonderful. They have been the only speaker that I have found that does more things right than not. They are capable of reproducing both micro and macro dynamics in a very believable way. They through a soundstage where the musicians and their instruments are of realistic size. They get the complex harmonics of the human voice right. The sound of stringed instruments...violin, cello, etc are wonderful hearing the beautiful resonance of the wooden body. The bass is very well defined...not one notish or boomy at all and very well integrated. I'm not sure if it has to do with it being a sealed design or what really, but it is done right.

I have had and still do have other great speakers....K-horns, ProAC's, vintage Tannoy Monitor Golds in custom cabinets, etc and also they all did some things really great, none of them seemed to everything all around well enough.

I appreciate everyone contributing what they are using to power their great speakers with. I hope you continue to enjoy them as much as I have...I've had mine for over a decade, with no problems whatsoever, and never plan on selling them.

For those of you who havn't had the opportunity to hear some yet. Try to do so if you can. You can find these at very reasonable prices on the used market and I believe they still compete very favorably with much more expensive speakers that are currently for sale.
No_regrets, I see what you mean about easy load - what I fine odd is that anyone would choose to use a powerful SS amp when a low powered tube amp (40 watts seems enough)or low powered Class A (not Classe)SS amp (60 watts?) would do the trick. I do wonder what a Music Reference RM10 (35 watts) or Atma-sphere M60s might sound like with the Dunlavys - they are superb on my equally easy to drive Merlins.