it is impossible to know the sound of a component, because, it is part of a stereo system. you can't listen to a component by itself.
you can't know what a recording sounds like.
my assertions can proven by applying number theory. essentially it is about the nature of a diophantine equation.
regarding cables being colored. all components are colored. they are not perfect. they have flaws. listen to a stereo system long enough and you will observe deviations from neutrality.
the problem with experiments designed to have a listener detect differences, is the tendency for listener fatigue to set in and aural acuity will suffer. the differential threshold will increase making it more difficult to detect differences.
one has to be rigorous in the design of an experiment. there are principles of psychophysics that need to be followed.
the idea of trying to hear differences between too many objects is inadvisable.
why not listen to two cables at a time, and carry the experiment over some period of time. keep the exposure to a musical; signal relatively short, so as not to degrade auditory memory.
what has been proposed is a very complex undertaking.
you can't know what a recording sounds like.
my assertions can proven by applying number theory. essentially it is about the nature of a diophantine equation.
regarding cables being colored. all components are colored. they are not perfect. they have flaws. listen to a stereo system long enough and you will observe deviations from neutrality.
the problem with experiments designed to have a listener detect differences, is the tendency for listener fatigue to set in and aural acuity will suffer. the differential threshold will increase making it more difficult to detect differences.
one has to be rigorous in the design of an experiment. there are principles of psychophysics that need to be followed.
the idea of trying to hear differences between too many objects is inadvisable.
why not listen to two cables at a time, and carry the experiment over some period of time. keep the exposure to a musical; signal relatively short, so as not to degrade auditory memory.
what has been proposed is a very complex undertaking.