These two are quite different designs. Some things to consider just by LOOKING at them:
VS:
The VS uses a 10" seas woof, commendably placed low down to get benefit fm floor boost and with a transmission line. There's a 7" mid in a tapered back chamber (I think? What's a "terminated" transmission line?), & a tweet with a wave-guide (both drivers of undisclosed origin). The mid has a quoted 100db sensitivity -- which is unusually high given the quoted motor specs; maybe this sens is using the internal amp. In any case it's excellent.
The bass is active and, again it seems, they use a high input buffer on the internal amp to power the mid as well (difficult to understand VS' techno-marketing). There is a passive xover, possibly a series (what on earth is the quoted "Global Axis" this xover is supposed to integrate? Phase?) and L pads to help tune some of the drivers.
The system's sensitivity isn't evident; what's quoted "in room" looks like ~90-92 anechoic.
Interestingly, given the "booster" amp, the system's impedance should be very benign (with reserve re, the techno-maktg). Excellent characteristic.
OTOH, does this mean that one has to go through that amp's circuitry before reaching the mid+woof?
The Zu uses two 10" woofs (sourced possibly fm Eminence, "US made"), active, covering apparently a single octave (~50-~25 Hz) with a line-level 24 (L/R?) filter. Then there are two wide-range units in a MTM config and an Audax tweet with a wave-guide.
The two wide-rangers cover most of the musical spectrum, so you have a quasi point-source that's driven full-range -- i.e. there's no added xover (is there a notch filter s/where in there?). The amp drives these more or less directly and full-range.
The Audax tweet kicks in full blast very commendably high up, ~15kHz with its 1st order filter @ 12kHz (excellent idea, nice 90 degrees phase angle, and you can do that with ONE component only).
Design wise, this is starting to "sound" real good: minimal (if any) phase, delay, amplitude & power anomalies, in the critical range ~100-~10kHz.
OTOH, 1) you get narrow horizontal dispersion as you go up (due to the 10"ers beaming) 2) how do they integrate TWO drivers to simulate a single point-source???
So, on paper, the Zu looks as lovely as the VS interesting. In theory, the Zu should offer very good transient attack, coherent and well-balanced sound. In theory it won't image exquisitely -- but well enough. It should also be relatively easy to place and drive.
The VS should offer a meaty, dynamic sound, and should be exceptionally easy to drive, and should image easily and very well.
All this fm looking -- now how 'bout s/one who's tasted the pudding (to coin a phrase)? Cheers