Consonance Cyber 800/845 Valve amps; how good?

Hi Audio, just on the one amp I own , the JOR. I've heard this amp through several speakers and had simuliar results, that is dynamic/detailed/fq separations. Not warm at all. Speakers heard the JOR through were Cabasse (MTM model 4 yrs ago), Mirage1's, B7W 602's, , Thors and Tyler LSS's. The Tyler was the cleanest image. This amp is colored only by the choice of speaker. There are few KT90 amps avaliable, I see Pacific Value is offering a new Ming da KT90 that looks of interest.
Peter, I do not think the 845 will deliver the dynamics in classical , at least not how I want to hear them. Like I say as a second system it'd bea great experience for some easy music and chamber classical.

I'm here late, but here's my $.03.

I have a pair of the Cyber 845s and I cannot say I've ever heard better amplification. It probably exists, but I've heard many tube amps up to nearly $10K, PP and SET, a lot of switching amps, and a lot of SS amps. What I haven't heard is SETs really up there in price (>$10K) or pricey class A solid-state amps.

The amps are dead quiet into my Hyperion 938s but more importantly just sound fantastic. Very extended, clear, pure, and transparent, with amazing soundstaging. Closest comparison for me would be the Art Audio Carissa I owned - more expensive, very similar sound, tho I do not think it had the same soundstaging abilities.

As for the parts - I can't speak to all of it but the caps in mine all say Rubycon. I don't think these are quite the best but they're very good, no? Resistors and wire - don't know.

The comment about the trannies is strange to me - they are not small by any means.

BTW I am using the CHEAP Chinese 845Bs and they are damn good.

Paul

paul
i believe the internal wiring is by van den hul so may not necessarily need to be replaced straight away. its nice to get some kind of confirmation on these amps as like you i can't say i've heard any better. the differences are not subtle and to the point where i am questioning my own objectivity! i've heard a good number of the big american, english and euro name amps some of which had great merit but the cybers portray music in such a natural and quite sensuous way i stop thinking about the electronics. one of maybe two or three truly special components i've heard that have completely changed what i thought was possible (and were within the realms of affordability/sanity!) remember this is still a very young company. they should only get better

Peter, I really don't know the make of the wire in the Cyber series, but while my amps were being repaired (a bad 211 had taken out two resistors and a cap), Exemplar found very poor wire from the inputs to the boards. They also found a metal oxide resistor. They replace both giving a very substantial improvement.

I don't deny that these were quite good sounding amps prior to these changes. I also have the Reimyo PAT777 300B amp using '60s" WE 300Bs. The Cybers are not in this league but do have more control and better bass and dynamics, which may be the result of my using 93db efficient speakers.

My comments about the Rubycon caps, center only on the possibility that they may be fakes. After all these are made in China, which has no control over intellectual properties.

Interesting to see comments on 845 v. KT88/90. They really are two very different experiences, though each can be used in circuits designed around them to deliver good results to the same sonic objective. In both cases, of course, amp-to-amp variance in sound is huge. But as a long-time user of a series of KT88 amplifiers, and current owner of KT88, 845 and 300B PSE monoblocks, I can say there's no general answer to Bartok's question of whether 845 amps are sonically "warm."

The only answer is, "sometimes," or "it depends."

In my experience, KT88/90 amps, whether PP or SE, are quite tunable via tube selection. In my Audiopax 88s, Russian KT88s are dry and relatively lifeless. Chinese KT88/KT100 are fast, wideband and cool. Current Russian KT90s have no advantage. Yugo KT90 Type II and Type III are robust, sparkly, open, fast, with tight defined bass. KR/Tesla Vrosovic KT88s are expressive, revealing of finely-etched details, well-balanced. But NOS British Gold Lion KT88s trump everything with creamy power, excellent bandwidth, low noise, big-T TONE. And then there's the Timbre-Lock adjustment to tweak. I had pretty much the same experience with these tubes in Acoustic Masterpiece and Audion single-ended amps, and in various PP, though in PP the differences were much smaller.

The Audion Black Shadow monoblocks, on the other hand, are profoundly affected by tube choice. The common-as-dirt Chinese 845"A" is unspectacular, dry and soft. The Chinese 845B sounds substantially more robust, nuanced and extended on both ends. Bottom leans to the soft side with some euphonic bloat, but not tubby to the point of distraction on Zu Definitions (lower limit below 20Hz). The later Chinese metal plate 845C, a little light in dissipation, is more like the KT88 -- brilliant and sparkly, with tighter bass than the other 845 variants, but also less drive and Tone. The KR845 is very objective sounding for a big triode tube amp, but sometimes is unreliable. Transients are fast and bold. The new Shuguang 845C, with a full 845 dissipation rating, is rumoured to be excellent when it works, but I haven't had a pair in my system yet. Then there are the vintage NOS RCA and United 845s that cost more than some new 845 amps. Undeniably excellent, in a good circuit they deliver a highly objective sound and softness or bloat can't be blamed on them.

As always, transformers are critical. Given the right tube, I can put a KT88/90 amp in a system and give it triode warmth, and can just as well build an 845 system to have a measure of pentode/tetrode ice.

I've heard the Consonance 845 amps. They are good value for their price.

Phil