"Burn in" Are you serious?


Tell me. How are you able to compare the "burned in" state to the original? Or is it simply a matter of acclimation nurtured by wishful thinking?
waldhorner3fc4
I got a pair of cherry silver cables (0.5m), and there was downright _sibilance_ when I first listened to them. After burning them in, the sibilance went away, and the cables overall became smoother, although still missing a little bottom end. That's when I stopped being a skeptic.
Waldhorner - what are you, some sort of objectivist :)? Having never done a controlled test to see if I could hear the effects of burn-in, I cannot comment on the objective nature (but since I have occasion to buy new interconnects soon, perhaps I'll post a follow-up then). I will say that subjective evidence does seem to point to an (almost) universal acceptance of a change in perception which is undergone in the first few weeks of owning equipment. I will offer to you the idea that decoding the musical text is inherently a subjective experience and so even purely subjective factors are 'real'. If it is indeed the listener being 'burned in' and not the equpment, does it matter? Separately, I would note that structural properties of various materials (notably metal) do change as you apply electrical current through the material, but I concede that it's difficult (for me) to believe that these most changes would not be heard within a few minutes of applying current.
No Redkiwi, we actually do live in the same world. Perhaps that's the fundamental issue. We don't see reality in the same way. But that's ok. And why would only "new" equipment change over time. Robba used a turn of phrase which, I think, hits the mark. I.e., the listener is being burned in. And Robba, for the purposes of this discussion, it makes all the difference. I could easily be converted by evidence more substantive than anecdotal. Also, Redkiwi; have you never listened to the identical source and setup and heard it differently? Isn't that a common experience for you? And if it is, do you attribute it to never ending change in you hardware, or perhaps to the highly variable nature of your natural apparatus? (Of course, we're not talking about tubes or electro-mechanical devices.)
Waldhorner, your existentialism does not make an argument - it could be applied to argue all stereos sound the same and we are just deluded in believing otherwise. I just figure if it looks like a duck, walks like a duck and quacks like a duck - then I am happy to figure it must be a duck and move on.
Redkiwi: We're not talking complete systems here. But rather the supposedly perceived subtle manipulations of individual pieces.// Yes, but a video of a duck meets all of those criteria and yet is not a duck. As to denying "burn in",as implied before; It's not good science and it is not supported by many other's experiences(including mine). So, when science and experience agree, it is reasonable to me to accept. This is not a matter of taste.I am, however, open to change if it can be so demonstrated. I do agree that it is time to move on. Pax