Rives Audio: You make some good points, but I think that there are is a misconception about power amplifiers that should be cleared up. Despite tons of advertising claims, no amplifier doubles its power when the load impedance is halved. I know, I know -- we read it all the time in advertising copy, and some reviewers parrot this line, but it's simply not possible.
To double power when impedance is halved would require that have a damping factor of infinity. in other words, a lossless amplifier capable of putting out full voltage when the current doubles.
To get that, you must design an amplifier with absolutely no losses anywhere -- no losses in the emitter resistors (by definition not possible), none in the output transistors, zero ohms in the power supply wiring, lossless rectifiers, zero losses in the power transformer and zero ohm AC Mains wiring. But that doesn't happen, so the amplifier's power supply "rails" sag under load and the amount of voltage required to get that doubled power is no longer available.
So what's a manufacturer to do when he knows that the customers want to hear that his amp "doubles"? They understate the amplifier's power into the higher load impedances, so that it appears to double when the impedance decreases. For example:
Real-world Amplifier Measurements
100W - 8 ohms
190W - 4 ohms
360W - 2 ohms
The voltage rails sag under increased loading, so you raise the voltage so that you end up with more power into 8 ohms, e.g.,
110W - 8 ohm
210W - 4 ohms
400W - 2 ohms
Then write your specs and ad copy to say:
100W - 8 ohms
200W - 4 ohms
400W - 2 ohms
Finally - wait for the review: the measurements of the amplifier will reveal that "the manufacturer's claim of 100W into 8 ohms is very conservative. We measured an easy 110W in our tests!"
Another approach is to purposely limit the amount of power available into higher impedances by designing the amp so that its rails are voltage-regulated. This is not lossless either: the voltages still sag, but prior to the regulator.
The only other point about bridging that I'd like to make is that, like anything else, how it sounds and performs depends more on implementation, and how the amp sounds, than on some hard and fast rule. For example, some amps have picked up a bad reputation about how they sound when bridged because the the additional circuitry required to flip one channel out of phase with the other (required to have a bridged amp) sounds bad.
My experience with the bridge designs I've done are that, when done right, there is increased bass authority, greater dynamics (duh), and a lower sense of distortion. But if the amplifier does't sound good to start with, you will hear a decrease in sound quality: after all, a speaker being driven by a bridge amp is a speaker driven by two amps (one pushing, one pulling, and two crummy sounding amps will never sound better than one.
To double power when impedance is halved would require that have a damping factor of infinity. in other words, a lossless amplifier capable of putting out full voltage when the current doubles.
To get that, you must design an amplifier with absolutely no losses anywhere -- no losses in the emitter resistors (by definition not possible), none in the output transistors, zero ohms in the power supply wiring, lossless rectifiers, zero losses in the power transformer and zero ohm AC Mains wiring. But that doesn't happen, so the amplifier's power supply "rails" sag under load and the amount of voltage required to get that doubled power is no longer available.
So what's a manufacturer to do when he knows that the customers want to hear that his amp "doubles"? They understate the amplifier's power into the higher load impedances, so that it appears to double when the impedance decreases. For example:
Real-world Amplifier Measurements
100W - 8 ohms
190W - 4 ohms
360W - 2 ohms
The voltage rails sag under increased loading, so you raise the voltage so that you end up with more power into 8 ohms, e.g.,
110W - 8 ohm
210W - 4 ohms
400W - 2 ohms
Then write your specs and ad copy to say:
100W - 8 ohms
200W - 4 ohms
400W - 2 ohms
Finally - wait for the review: the measurements of the amplifier will reveal that "the manufacturer's claim of 100W into 8 ohms is very conservative. We measured an easy 110W in our tests!"
Another approach is to purposely limit the amount of power available into higher impedances by designing the amp so that its rails are voltage-regulated. This is not lossless either: the voltages still sag, but prior to the regulator.
The only other point about bridging that I'd like to make is that, like anything else, how it sounds and performs depends more on implementation, and how the amp sounds, than on some hard and fast rule. For example, some amps have picked up a bad reputation about how they sound when bridged because the the additional circuitry required to flip one channel out of phase with the other (required to have a bridged amp) sounds bad.
My experience with the bridge designs I've done are that, when done right, there is increased bass authority, greater dynamics (duh), and a lower sense of distortion. But if the amplifier does't sound good to start with, you will hear a decrease in sound quality: after all, a speaker being driven by a bridge amp is a speaker driven by two amps (one pushing, one pulling, and two crummy sounding amps will never sound better than one.