I should also state that -imo- the Banchmark DAC2 provides so little coloration and such a degree of resolution that it is the rest of the chain you will be hearing - your power amp and your speakers will be the gatekeepers.
I was just hearing the Casals Quartet's recent Schubert album -a recommended 24/96 recording- and you can hear every single instrument placed in front of you. Super-detailed imaging can get tiring because you may lose yourself in irrelevant details ("oh some spittle in the sax") rather than take in the whole performance, but one good thing I can say about my current (and reasonable) chain is that it all comes together. You *can* go for the detail but you'd rather listen to the whole. I credit mostly the KEF with that, the Benchmark and the amp do what good solid state electronics do - they stay out of the picture.
Since the topic is violins and strings, I may add my favorite rendition of Pachelbel's Canon is by Karl Munchinger (Polygram Records ASIN: B0000041PK), and it is old, and by all means not a stellar recording. You get staging, but it is a bit congested and sports some analog hiss. You'd think it is the type of recording you would not want to listen to through the Benchmark and KEF, because the flaws would be brutally exposed. But lo and behold, I have never enjoyed it more. :)
Disclaimer: I do agree that solid state stuff -like the DA and the Amp- can be so neutral that they seem lean in the middle compared to the creamier, sugary serving of middles you get with tubes. I think that's where the preference for analog comes with strings and I get it. But then again, anyone that's attended a concert with heavy strings knows they can have attitude and be harsh. Vivaldi's storm is the antithesis of the adagio... that's the beauty of strings. I don't think the Benchmark colors them any harsher than they are intended to be by the conductor...
I was just hearing the Casals Quartet's recent Schubert album -a recommended 24/96 recording- and you can hear every single instrument placed in front of you. Super-detailed imaging can get tiring because you may lose yourself in irrelevant details ("oh some spittle in the sax") rather than take in the whole performance, but one good thing I can say about my current (and reasonable) chain is that it all comes together. You *can* go for the detail but you'd rather listen to the whole. I credit mostly the KEF with that, the Benchmark and the amp do what good solid state electronics do - they stay out of the picture.
Since the topic is violins and strings, I may add my favorite rendition of Pachelbel's Canon is by Karl Munchinger (Polygram Records ASIN: B0000041PK), and it is old, and by all means not a stellar recording. You get staging, but it is a bit congested and sports some analog hiss. You'd think it is the type of recording you would not want to listen to through the Benchmark and KEF, because the flaws would be brutally exposed. But lo and behold, I have never enjoyed it more. :)
Disclaimer: I do agree that solid state stuff -like the DA and the Amp- can be so neutral that they seem lean in the middle compared to the creamier, sugary serving of middles you get with tubes. I think that's where the preference for analog comes with strings and I get it. But then again, anyone that's attended a concert with heavy strings knows they can have attitude and be harsh. Vivaldi's storm is the antithesis of the adagio... that's the beauty of strings. I don't think the Benchmark colors them any harsher than they are intended to be by the conductor...