Thanks for the feedback, I agree about a heavily processed studio recording being difficult to use as a reference. I tend to use acoustic guitar and singer, preferably with two singers or something with a piano. But definitely live acoustic recordings. And the s300 sounds great, but if I could leave everything the same and just move the vocals a touch closer, I probably would, for a while anyways, then I'd probably move them back. Ha. I will check out herbies website too, thank you both.
bel canto and isolation feet
Hi, I was wondering if anyone who owns or has owned a s300 amplifier has used any kind of isolation cones or feet, and what they thought of them.
I just got this amp, and while I wouldn't say the mids are recessed, more that my previous amp was more forward, I did enjoy the in your face vocal imagery of the Rotel. Could aftermarket feet/cones, or maybe a power cord help with this. I have a Cary slp-88 preamp and Epos m22 speakers.
Thank you,
Mike
I just got this amp, and while I wouldn't say the mids are recessed, more that my previous amp was more forward, I did enjoy the in your face vocal imagery of the Rotel. Could aftermarket feet/cones, or maybe a power cord help with this. I have a Cary slp-88 preamp and Epos m22 speakers.
Thank you,
Mike
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- 5 posts total
- 5 posts total