@jax There is no point. It was a disucssion for the sake of discussion. I don't see what part of "if you can't hear above 14hz then adjusting an eq all the way up or down above this makes no difference to you but droves others crazy" you don't understand. If you don't see any point in it then don't participate in this discussion. Simple as that. Your hearing is flawed, or not, and doesn't matter either way.
Ummm, sorry, but you lost me there. I don't use an equalizer at all. I was not referring to that part of your statement, which seemed to be only an example you were setting forth. I said that I see no point in having a neutral standard for the reasons I've already stated, it is not that I don't see a point in participating in this discussion (or else I would not be). I questioned why you find such a concept advantageous (beyond your illustration of using and equalizer, which I'd guess that most folks in these forums do not). It's like trying to establish a neutral standard for criticizing movies or food or wine...it's entirely subjective and you're better off learning something about the tastes of the individuals making the criticism, how they might relate to your own, and then, even still, use it as a point of departure...a guide perhaps. If reproduction of the music in the upper frequencies is very important to you, then it might be worthwhile to find others who share that priority to seek out their opinions (which I would still use only as a suggestion to investigate on your own). I noticed in another forum I participate in that a good many of the members of the forum have very different tastes in music than I do. I have, more often than not, found also that their priorities in what components make that music they love really work for them is not necessarily the best solution for the music I prefer to listen to, but there are a few in that forum who do share similar musical tastes and I have found their preferences are actually closer to my own in the gear that works for them. That's the closest I've been able to come to some sort of more 'reliable' kind of approach to filtering out various criticism. There are so many infinitely complex things about how each of us respond to music, and to virtually everything else in life, that to try to classify it, graph it, stuff it neatly into little cubicles and quantify it, seems a bit silly to me.