Tok20000 and Slowhand: Great posts! I just got finished auditioning the Aragon. It made Diana Krall's voice sound "veiled" or "filtered" and Wynton Kelly's piano on Miles Davis' "Someday My Prince Will Come" appear lifeless. To boot, after about a solid half hour, it got hot enough to fry an egg. I wasn't very impressed. Slowhand, I read your other post and I'm beginning to feel like I've stumbled on a gold mine. My dealer's got 2 100.2's that are 5 months old in mint condition on demo bi-wired to a pair of B&W Matrix 801's. (Stunning!) His initial asking price was $2,600 each (he's selling them separately). I'm taking it home tomorrow evening for an audition. If I like it as much as I think I will, what do you guys think is a good counter offer? Also, I'm eyeing a pair of Nautilus 803's down the road. Will a single 110.2 be enough power and a good match? Remember it's going in a large open room with 10' ceilings. Thanks for any advice!
AR 100.2 or Aragon 8008BB?
The local dealer's got a 6 month old mint AR 100.2 for about the same price ($2,600) as a new Aragon 8008BB. I've got a pair of B&W 640i's and listen mostly to acoustic jazz in a large (20 x 30), open room with 10' ceilings. Two Paradigm PS1200 subs handle the low end. Every now and again, I enjoy cranking up some Rock and Reggae. Also, much of the time it'll be added to an existing 5 ch. Adcom in an HT set up with an Acurus ACT3. Any suggestions???
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- 11 posts total
- 11 posts total