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Adding Tone Controls?

My system sounds wonderful when playing well recorded jazz, classical, or "audiophile approved" material. Unfortunately, mass market pop frequently sounds horrible, with screechy splashy highs. It's obviously recorded with a built in bias to be played on car radios or lo-fi mp3s.
What can I add to my system to tone-down the highs on this sort of material? Sure, there's plenty of well recorded material to listen to, but there are plenty of pop rock bands I'd really like to explore if the recordings could be made a bit more listenable.
bama214
alextychkin
87 posts
 
After tinkering around with cables and swapping equipment for years, I've finally settled on a japanese mammoth of an integrated amp with defeatable frequency trim function (aka tone controls). Finally, I feel at peace and content.
While listening to my computer system, I've also discovered the usefulness of Amarra-based equalization. No shame in either
snofun3
601 posts
 
Or the folks at AR, CJ and Krell know about hacks who drink deeply of the Kool-Aid and would NEVER use tone controls or an EQ, but futze with cables and IC's to modify the sound. Roll eyes.....
humbuster
15 posts
 
I agree with Rpeluso.

I am adding a new Integrated shortly and will go with either a Luxman 505u or McIntosh MA6600. Both have defeatable tone controls.

My first choice would have been the Bryston, however no tone controls makes it uncertain for some recordings.
foster_9
1,638 posts
 
Just so you know, the Behringer is not at all intuitive to use. There is quite a learning curve, contrary to what some make describe. For many I think that would be a deal-breaker.
rodge827's avatar
rodge827
619 posts
 
I'll second roscoeiii on the Dspeaker Antimode Dual Core 2.0.
So much in a small package with superior audiophile sound!
Worth a look!

http://www.dspeaker.com/

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