Active isolation; what can it do for music reproduction?


i was involved in a thread about stylus drag on turntables where my use of active isolation came up. it was asked for me to discuss my views and use of this approach for system optimization. i mentioned it likely needed it's own thread to do justice to the topic. here it is.

excuse me if i get too basic here to begin with. i've not seen this subject discussed in depth on Audiogon before.

active isolation devices use piezoelectric sensors in 6 axis to sense resonance and piezoelectric actuators in 6 axis to compensate for that resonance. in essence it's a feedback loop of read and compensate. 

http://en.wikipedia.org/wiki/Piezoelectric_sensor

passive devices are more or less springs to one degree or another. springs float, settle and overshoot. active devices are relatively stiff; 500 times stiffer than passive since they can STOP and START. passive can't stop and start. you do see passive devices with automatic leveling, but otherwise they can only act passively as a spring. 

an example of an active device; the Herzan TS Series;

http://www.herzan.com/products/active-vibration-control/ts-series.html

the limitations of active devices are mainly as follows; 

---they are only really effective under 200hz.
---in stock form they typically have signal path corrupting switch mode power supplies.
---to be effective they need a solid base. which means a solid rack grounded to a solid concrete floor. suspended wood floors, or non-solid racks are going to compromise the performance.
---the gear being isolated cannot have it's own self resonance that might excite the active sensors. and not every piece of gear will benefit from active isolation. so active is very system context dependent. you can't just use it anywhere and expect a particular result.

there are very very good passive devices that approach what an active device can do; the Minus K, Stacore platforms, and Vibraplance are three popular examples. i'd recommend investigating these before considering any active devices. those examples do need the same solid floor and rack as active to be effective.

and another consideration is a passive isolation rack; the best example i can give is the Artesania decoupling rack systems. likely the best passive rack. again; a solid floor is going to allow the Artesania to perform at it's best.

finally; there is a website tutorial which can really get granular with deeper levels of information on active devices for those interested. 

http://www.herzan.com/resources/tutorials.html

lastly i will say that active devices are something you consider when you've mostly done everything else you can do and want to take things further. cross otherwise impossible thresholds of performance. you have a system that is where you want it to be. active is the bleeding edge. it will allow the music to escape the confines of resonance in a way nothing else can do. it's just physics.
mikelavigne
what is the effect on the music?

generally; properly implemented, what a single active device will do is to bring a level of calm and naturalness to the music. it will allow moments of musical stress and energy to be more finely sorted out, to flow better. the musical focus will increase, but without an unnatural type of false edge or high frequency increase.

and the greater your dynamic expectations for your system, the more resonance attenuation matters, and the more active can take you further. if you look at my system it is designed to do big music effortlessly. i have a large room, very well tuned, headroom in my power grid, headroom in my amplification, and a high level of driver surface. i can really get lots of energy. which means lots of potential feedback into my signal path to smear and blur the musical message. active resonance control keeps the music pure on musical peaks and makes me want to listen more and allows me to immerse myself more in the music.

what is not always appreciated is (1) how electronics sing along with the music, and (2) how the environment around us compromises any electronics and adds it's own noise. you will never realize those things until you remove them and then it's an epiphany moment. 

having -5- of these devices in my system takes it all to another level because the normal feedback loop for the resonance corruption is completely broken. think about it. if your source is protected by active, but your preamp or amp is not, then the resonance in those devices will be picked up and fed back to the signal path into the speakers, then back into the system. active in each step has a multiplier effect on the degree of benefit.

it's easy for me to just turn the active effect off for my amplifiers briefly and the 3D effect in the music relatively collapses. turn it back on and the 3D is back.
so what am i doing in my system with active isolation?

i’ve had stock Herzan active TS units in my system since 2013. i first tried one in 2002 in my old room and it was in the back of my mind since i heard what they could do then. in 2013 i found with my new larger MM7 twin tower speakers with the bass towers 6 feet away from my turntable that the bass energy radiated into my turntable was causing feedback. the Herzan’s apparently eliminated that feedback. my simplistic viewpoint back then has considerably changed, but i was not wrong. it was just never as simple as i had thought.

fast forward to today; i now use -5- Taiko Tana active shelves. a Tana active shelf is a Herzan TS shelf on steriods.

http://taikoaudio.com/products/taiko-audio-tana/

first off the SMPS (switch mode power supply) is removed, and a power port is installed. then a very optimized outboard linear power supply is substituted. you can see these -5- Tana active shelves on my system page, and note the linear power supplies with large panerholtz cases, sitting on Taiko Daiza platforms. these power supply mods greatly increase the accuracy and overall performance and also eliminate the SMPS noise into the system signal path. as always power supplies become the limiting factor.

each of these TS units is also modified as follows; a tapped aluminum top plate to substituted for the solid top plate; and a 10mm layer of panzerholtz is attached. then a thin rubber layer is laid down and a Taiko Daiza platform is set on top. these passive modifications extend the resonance attenuation effectiveness from under 200hz to the whole frequency range.

i have these -5- devices as follows;

-one ’each’ under each of my darTZeel 458 mono block amplifiers
-one under my darTZeel 18NS preamp
-one under the dac box of my MSB Select II dac
-one under my Wave Kinetics NVS direct drive turntable

my system information;

http://systems.audiogon.com/systems/615