Active ATC vs Spendor / Pass Labs


I had a lovely demo. of a Pass INT 60/ Spendor D9.2.

Had all the musical flow, engagement at all volume levels that I could ever want. A truly impressive demo.

 

But……. I have always wanted an active ATC SCM50A is what I always dreamed of owning with say a Benchmark LA4 Pre. about the same $$$ where I am for either combo.

 

I have heard the ATC - different room and gear. But I didn’t do the all listening levels demo. like I did with the Pass / Spendor. Just at a medium / loud level and was so very impressed. I can’t demo the ATC again, my dealer only orders them as someone wants one from ATC direct due to the current economical environment.

So… will I be unimpressed ordering the ATC at all level listening levels or will it not have the Pass / Spendor engagement factor that we quite frankly very addictive ?

I am really at a crossroad as which way to go.

rfc

I’m leaning towards the ATCSCM50A now, the price is better due to a dealer looking after me price wise due to ordering sight unseen / not being able to demo.

great, we will look for your pair in the for sale used ads in a few months... 🤣😂

just kidding... i do hope you enjoy them

jeffseight's avatar

jeffseight

446 posts

 

Try a different speaker with the Pass INT.
 

 

What speakers did you have in mind ?

 

80% of my music bus pop, rock, punk, metal and a bit of Americana/Country

@rfc, I've run either a Pass X250.8 or XA30.8 with D9s for ~ 5 years.   I think it is great match and sold Magico S1s for the D9s.   As already mentioned they are not overly forgiving so I found both Pass models worked great with them with the X model giving a little more detail (and dynamics) and the XA is little more relaxed  in the high frequencies with more texture/soundstage depth in the midrange.  Even with the Pass gear I found highly detailed DACs like the Topping too forward and settled with R2R NOS DACs or now the very smooth Meitner MA3.

I have no idea how the 9.2 compares but presumably is better; I've never heard the SCM50s but they are on a list of speakers I would like to hear whenever my upgrade time comes...

my understanding is that in the original d series (7 and 9 models) in time, even the designers came to feel that they overshot on the treble energy, so they dialed it back a bit on the .2 series

that said, when i heard the 9.2’s at a friend’s home, i still felt they are pretty hot up top... very reminiscent of upper focals... tuned for effortless treble detail, so you better have some pretty smooth gear, play top notch recordings, or they will bite...